Welcome to The New Music Business w/ Ari HerstandAri's Take
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- Andy Grammer on Songwriting, Fear and PersistenceAri's Take
- Euphoria Music Supervisor Jen Malone Gives a Sh*tAri's Take
- Lauv's 4 Billion Streams, Top 40 Hit, Without a LabelAri's Take
- Austin Powers Music Supervisor and KCRW DJ Chris DouridasAri's Take
- Hip Hop Artist with Over 1,000 TV, Film and Video Game Placements with Vo WilliamsAri's Take
- Patreon CEO on the Problems (and Solutions) of Digital ArtAri's Take
- 100 Million Streams Doesn't Come Without Some Pain - LucidiousAri's Take
- Zaytoven, 'Godfather of Trap' on Production in the Age of CoronavirusAri's Take
- Sexual Harassment, Sexism and Life as a Female DJ in a Male Dominated Field with Dani DeahlAri's Take
- Oprah's Drummer Madame Gandhi on Feminism, Activism, Music Video Budgets as an Indie ArtistAri's Take
- Red Light Manager on When and How to Get Management with Andrew LeibAri's Take
- Kevin Garrett on Writing for Beyonce and Recording as an Independent ArtistAri's Take
- White Musicians for Black LivesAri's Take
- Making Music During COVID-19: Ari's Take Academy Roundtable DiscussionAri's Take
- Manager for JP Saxe, X Ambassadors, Jukebox The Ghost is PersistentAri's Take
- TikTok and Instagram Influencers with Ultra Records Marketing DirectorAri's Take
- Jamestown Revival's Bassist on Shady Managers, Thousands of Shows, Playing Conan, Tracking to Tape - Nick BeardenAri's Take
- Kanye, American Idol, Grammys, Herbie Hancock, Miguel, Cirque du Soleil’s Ableton Programmer on Making It WorkAri's Take
- Repairing Racial Inequities in the Music Industry with Artist Manager Jonathan AzuAri's Take
- How Artists Can Get Advances Without Signing To a LabelAri's Take
- Allie X on Creating Her Artist Package, Breaking Into LA and Staying IndependentAri's Take
- Spotify's Payment Model and Your Release TimelineAri's Take
- Emily Kinney on the Art and Business of Acting and MusicAri's Take
- #1 Malaysian Artist Yuna and Her Managers on Being Independent AgainAri's Take
- Platinum Selling Producer / Songwriter for Drake, Travis Scott, Halsey, Khalid - Rogét ChahayedAri's Take
- How California Musicians Got F'd (and Now Relief) Under AB5Ari's Take
- Victoria Canal on Releasing Music During COVID and Staying InspiredAri's Take
- Former Major Label Executive is Creating a New Investment ModelAri's Take
- Paradigm Fired Them So They Started a New Booking Agency With an Impressive RosterAri's Take
- How to Livestream for Musicians with the #1 Musician on Periscope - Clare MeansAri's Take
- Nu Deco Ensemble Orchestra is Changing the Classical WorldAri's Take
- Audrey Nuna's Path to a Major Label Deal with Her Manager/Producer Anwar SawyerAri's Take
- Mothica Went Viral on TikTok at Just the Right TimeAri's Take
- Twitch VP of Music: $50K+/yr Only Takes 183 FansAri's Take
- Disney Music Supervisor on Placing Music for TrailersAri's Take
- Music Attorney Dina LaPolt on Getting Laws Passed and Fighting for SongwritersAri's Take
- Repairing Racial Inequities in the Music Industry with Artist Manager Jonathan AzuAri's Take
- College Booking and When Touring Is Coming BackAri's Take
- Tanerélle's Manager on Playboy, Livestreaming and Breaking Out IndependentlyAri's Take
- How To Become a Grammy Winning Producer from BTS and Beyonce's DJ SwivelAri's Take
- Music Supervisor for To All The Boys, Virgin River, One Tree Hill, Lindsay Wolfington on How She Places MusicAri's Take
- How Music Gets in Commercials from Music Supervisor/Actor Winslow BrightAri's Take
- How To Create an Artist Brand from Scooter Braun's Creative DirectorAri's Take
- How To Tell Your Artist Story and Connect With Your Audience from Marketing ExpertsAri's Take
- Ricky Montgomery From Viral on TikTok to Major Label Bidding WarAri's Take
- Sync Agent Explains the GameAri's Take
- VÉRITÉ on NFTs and 350 Million Streams Without a LabelAri's Take
- The MLC is Sitting On $423 Million, How Songwriters Can Claim ItAri's Take
- Environmentally Friendly NFTs with Crypto.com's EVPAri's Take
- How to Go Viral on TikTok from FlighthouseAri's Take
- They Hacked Their Way on Tour With their Favorite Band by Selling CDs to Fans in LineAri's Take
- Album Release Strategy, Hot 100 Hit, from Create Music GroupAri's Take
- Publishing Deals, Songwriting Camps from Beyoncé Collaborators NobleAri's Take
- Micro Sync Licensing with Musicbed CEOAri's Take
- Cory Wong on Vulfpeck, Freelancing and Band LeadingAri's Take
- Stand Atlantic on Pop Punk Resurgence, Building a Fanbase LiveAri's Take
- Ritt Momney on TikTok Fame and Numbers PerspectiveAri's Take
- Euphoria Music Supervisor Jen Malone Gives a Sh*tAri's Take
- Andy Grammer on Songwriting, Fear and PersistenceAri's Take
- Imogen Heap is Building a More Equitable Future for MusiciansAri's Take
- Afrobeat Artist Fiokee on Nigerian Music Scene and Staying IndependentAri's Take
- Primary Wave Publishing on Sync Licensing Cover Songs and Legacy Recordings with Marty SilverstoneAri's Take
- How This Vibraphonist Became a TikTok Influencer and Hit Songwriter with Justin VibesAri's Take
- How Glass Animals Went Viral on TikTokAri's Take
- Addressing Mental Health in the Music Industry with BacklineAri's Take
- Disney Music Supervisor, Brian Vickers, on Placing Music for TrailersAri's Take
- Should Artists Boycott Spotify?Ari's Take
- How Vo Williams Got Over 1,500 Sync PlacementsAri's Take
- House Concerts and Ticketed Livestreams with Side Door's Dan ManganAri's Take
- Because Labels Don't Develop Artists, godmode Steps InAri's Take
- $50K in 2 Months Playing Backyards And How They Did It with More FatterAri's Take
- How & Why To Put Music Videos on VevoAri's Take
- How Trousdale Went From 0 to 1M Listeners in 1 Year IndependentlyAri's Take
- Handling Your Music Finances From a Business Manager and AccountantAri's Take
- How Tai Verdes Went from TikTok to Top 40Ari's Take
- Artist Management, Major vs. Indie Labels, Release Strategy with Brilliant Corners ManagerAri's Take
- How Gamers Helped NEFFEX Get 4 Billion Streams Without a LabelAri's Take
- How HBO's Insecure Changed Music and the Launch of an Equitable Record LabelAri's Take
- How Songwriters Get Publishing Deals and Hit SongsAri's Take
- State of the Industry | ATA Instructor Round TableAri's Take
- Indie Band Played 50 States on $50 and Grossed $80KAri's Take
- How the World's Largest Music Festival Books BandsAri's Take
- Sync Licensing Company Explains How Music Gets PlacedAri's Take
- How To Make $10K a Gig Playing Performing Arts CentersAri's Take
- Explaining the Metaverse for MusiciansAri's Take
- How He Made $250K on his NFT Song After He Was Dropped From SonyAri's Take
- Music Supervisors Aren't Treated Fairly, Here's What's Going On.Ari's Take
- The Spotify Interview (Part 1)Ari's Take
- What Music Can Learn From The Comedy IndustryAri's Take
- How a Major Label Markets an Artist Without TikTokAri's Take
- The Business of Hit Songwriting with Bonnie McKeeAri's Take
- Streaming, Publishing, Playlist Pitching, Sync/Beat Licensing (Ari Q&A Part 1)Ari's Take
- PR, Royalties, TikTok Strategy, NFTs, Multiple Project Names, Cover Songs (Ari Q&A Part 2)Ari's Take
- Club Booking, Opening Slots, Deal Breakdowns with Brooklyn Bowl Talent BuyerAri's Take
- They Stole $23 Million in Royalties via YouTube FraudAri's Take
- Live Nation Urban VP on Festivals, Touring and Promoting CultureAri's Take
- Connecting Emerging Artists with Strategic Investors Without Retaining OwnershipAri's Take
- Troubadour Booker on the New Live Music LandscapeAri's Take
- Ep 100! Spotify Playlists, Sync Licensing, Release Strategy (Ari Q&A Part 3)Ari's Take
- Hip Hop Expert Discusses State of the Music IndustryAri's Take
- Staying Inspired After Writing 22 Top 40 Hits with Sam HollanderAri's Take
- Indie Touring and How To Build Your Team with The SuffersAri's Take
- What the Touring Landscape Looks like Post-PandemicAri's Take
- Billie Eilish Booking Agent Tom Windish on Touring, Opening Slots and Artist DevelopmentAri's Take
- How To Make It in the New Music Business - Chapter 1Ari's Take
- Variety Music Editor on the State of Music JournalismAri's Take
- Is SubmitHub Good or Bad for Indie Musicians: Interview with the FounderAri's Take
- What Happens After a Band Gets Signed (Then Dropped) from TikTokAri's Take
- Succeeding on Twitch as a MusicianAri's Take
- Theo Katzman on Recording, Songwriting and Staying IndependentAri's Take
- Streaming, AI, Royalty Breakdown and Sync (Ari Q&A Part 4)Ari's Take
- Promoting Shows and Engaging Fans with BandsintownAri's Take
- Explaining Sync Licensing From the AgentsAri's Take
- Madison McFerrin Stays "Fiercely Independent" With Her Nontraditional TeamAri's Take
- UPSAHL on Pop Songwriting Sessions and the Economics of TouringAri's Take
- How to Release an Album in 2023 (Live from SXSW)Ari's Take
- How Royalties Work for Producers, Songwriters, Artists, Labels; Release Strategy (Ari Q&A Part 5)Ari's Take
- Is Music PR Worth It Anymore? Can AI Replace Sync Music? (Ari Q&A Part 6)Ari's Take
- How to Pitch Your Music for SyncAri's Take
- How to Navigate the New Live Music IndustryAri's Take
- How Admin Publishing Works, Sync Deals, Social Media Marketing (Ari Q&A Part 7)Ari's Take
- This Music Publicist Has Upended the Entire PR ModelAri's Take
- Citizen Cope on Major Labels vs. Independence, Audience Connection and Having a Seat at the TableAri's Take
- SoundCloud is Allowing Artists To Contact Fans (and Get Paid More)Ari's Take
- TikTok Music Marketing Grows UpAri's Take
- AI Music Co. CEO on Future of Music Creation (and Streaming Fraud)Ari's Take
- Dance Music Record Labels Do It DifferentlyAri's Take
- A Sync Licensing Music Executive is Changing the GameAri's Take
- How To Hack Spotify (and TikTok)Ari's Take
- Streaming Fraud is More Serious (and Inventive) Than You ThinkAri's Take
- Support Tours, Mental Health, the State of the Live Music Industry from a Booking AgentAri's Take
- How Raye Zaragoza Makes a Living as a DIY Artist (Hint: Not Streaming)Ari's Take
- Building an Artist Management Empire and Breaking Country ArtistsAri's Take
- How Lawrence Got Live Nation To End Merch FeesAri's Take
- Roc Nation Is Actually Developing ArtistsAri's Take
- Sync Agent Breaks Down TV, Film, Advertising Music LicensingAri's Take
- BMG A&R on Pub Deals, Artist Development and Signing Frank OceanAri's Take
- How This Record Label Sells More Vinyl Than StreamsAri's Take
- Nashville Venue Defends Merch FeesAri's Take
- Why Spotify's New Payment Model Falls Short For Emerging ArtistsAri's Take
- How TikTok Music Videos Go ViralAri's Take
- Is Music Marketing With TikTok Still ViableAri's Take
- Is AI Music Taking Royalties From Musicians and Composers?Ari's Take
- How Booking Agents NegotiateAri's Take
- How Artists Get Paid From YouTube, TikTok, Instagram and the RestAri's Take
- From Gamer to Billion Stream Club as a DIY Artist/ProducerAri's Take
- Life & Beth Music Supervisor on Placing Music and Getting the JobAri's Take
- Mixing SZA, Engineering Bob Dylan, Collaborating with Rick RubinAri's Take
- All His Music Got Removed From Spotify for "Fraudulent Streaming Activity" Which He Didn't DoAri's Take
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