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Miles P. Grier

In Inkface, Miles P. Grier traces productions of Shakespeare's Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience. In an era of booming print production, popular urban theater, and increasing rates of literacy, the metaphor of Black skin as a readable, transferable ink became essential to a fraternity of literate white men who, by treating an elastic category of marked people as reading material, were able to assert authority over interpretation and, by extension, over the state, the family, and commerce. Inkface examines that fraternity’s reading of the world as well as the ways in which those excluded attempted to counteract it.

University of Virginia Press

Writing the Early Americas

Inkface: Othello and White Authority in the Era of Atlantic Slavery

Jennifer Tsien

In 1682 the French explorer René-Robert Cavelier de La Salle claimed the Mississippi River basin for France, naming the region Louisiana to honor his king, Louis XIV. Until the United States acquired the territory in the Louisiana Purchase more than a century later, there had never been a revolution, per se, in Louisiana. However, as Jennifer Tsien highlights in this groundbreaking work, revolutionary sentiment clearly surfaced in the literature and discourse both in the Louisiana colony and in France with dramatic and far-reaching consequences.

In Rumors of Revolution, Tsien analyzes documented observations made in Paris and in New Orleans about the exercise of royal power over French subjects and colonial Louisiana stories that laid bare the arbitrary powers and abuses that the government could exert on its people against their will. Ultimately, Tsien establishes an implicit connection between histories of settler colonialism in the Americas and the fate of absolutism in Europe that has been largely overlooked in scholarship to date.

Rumors of Revolution: Song, Sentiment, and Sedition in Colonial Louisiana

Matthew Goldmark

Drawing on literary texts, conversion manuals, and colonial correspondence from sixteenth- and seventeenth-century Spain and Peru, Forms of Relation shows the importance of textual, religious, and bureaucratic ties to struggles over colonial governance and identities.

Goldmark analyzes these ties as forms of kinship forged outside of the well-studied paradigms of sex, biology, and procreation. He demonstrates how colonial actors—Spanish and Indigenous—vied for power when they argued that identity could be shaped by spiritual fatherhood, standardized education, or the regulation of doctrine.

Forms of Relation illustrates why we must interrogate the dominant paradigms of mestizaje, heterosexuality, and biology that are too often left unchallenged in studies of Spanish colonialism, demonstrating how nonprocreative kinships shaped the Spanish colonial regime.

Forms of Relation: Composing Kinship in Colonial Spanish America

Andrés Avelino de Orihuela

Translated into English for the first time, Andrés Avelino de Orihuela’s El Sol de Jesús del Monte is a landmark Cuban antislavery novel. Published originally in 1852, the same year as Harriet Beecher Stowe’s Uncle Tom’s Cabin (which Orihuela had translated into Spanish), it provides an uncompromising critique of discourses of white superiority and an endorsement of equality for free people of color. Despite its historical and literary value, The Sun of Jesús del Monte is a long-neglected text, languishing for 150 years until its republication in 2008 in the original Spanish.

The Sun of Jesús del Monte is the only Cuban novel of its time to focus on La Escalera, or the Ladder Rebellion, a major anticolonial and slave insurrection of nineteenth-century Cuba that shook the world’s wealthiest colony in 1843–44. It is also the only Cuban novel of its time to take direct aim at white privilege and unsparingly denounce the oppression of free people of color that intensified after the insurrection. This new critical edition—featuring an invaluable, contextualizing introduction and afterword in addition to the new English translation—offers readers the most detailed portrait of the everyday lives and plight of free people of color in Cuba in any novel up to the 1850s.

Writing the Early Americas

The Sun of Jesús del Monte: A Cuban Antislavery Novel

David Luis-Brown

Rodrigo Lazo

For many Spanish Americans in the early nineteenth century, Philadelphia was Filadelfia, a symbol of republican government for the Americas and the most important Spanish-language print center in the early United States. In Letters from Filadelfia, Rodrigo Lazo opens a window into Spanish-language writing produced by Spanish American exiles, travelers, and immigrants who settled and passed through Philadelphia during this vibrant era, when the city’s printing presses offered a vehicle for the voices advocating independence in the shadow of Spanish colonialism.

The first book-length study of Philadelphia publications by intellectuals such as Vicente Rocafuerte, José María Heredia, Manuel Torres, Juan Germán Roscio, and Servando Teresa de Mier, Letters from Filadelfia offers an approach to discussing their work as part of early Latino literature and the way in which it connects to the United States and other parts of the Americas. Lazo’s book is an important contribution to the complex history of the United States’ first capital. More than the foundation for the U.S. nation-state, Philadelphia reached far beyond its city limits and, as considered here, suggests new ways to conceptualize what it means to be American.

Letters from Filadelfia: Early Latino Literature and the Trans-American Elite

Juan Carlos González Espitia

Syphilis was a prevalent affliction in the era of the Americas’ colonization, creating widespread anxiety that is indicated in the period’s literature across numerous fields. Reflecting Spaniards’ political prejudices of the period, it was alternately labeled "mal francés" or "el mal de las Indias." Sifilografía offers a cultural history that traces syphilis and its consequences in the transatlantic Spanish-speaking world throughout the long eighteenth century. Juan Carlos González Espitia charts interrelated literary, artistic, medical, and governmental discourses, exploring how fears of the disease and the search for its cure mobilized a transoceanic dialogue that forms an underside of Enlightenment narratives of progress.

Through a narrative revealing the transformation and retooling of ideas related to syphilis as a bodily contagion, González Espitia demonstrates the Spanish-speaking world’s crucial relevance to a global understanding of the period in the context of current reassessments of Enlightenment thought. Broad in its scope, the book incorporates an extensive corpus of medical treatises, literary essays, poems, novels, art, and governmental documents. The rich overlapping matrix of authors and texts broached subvert the idea of a homogeneous interpretation of syphilis and contributes to the rediscovery of the wide-ranging historical, cultural, and philosophical impact of this disease in the Spanish-speaking world. Sifilografía seeks to open a productive dialogue with other area studies about the disparate meanings of science and Enlightenment.

Sifilografía: A History of the Writerly Pox in the Eighteenth-Century Hispanic World

Ralph Bauer

The Age of the Discovery of the Americas was concurrent with the Age of Discovery in science. In The Alchemy of Conquest, Ralph Bauer explores the historical relationship between the two, focusing on the connections between religion and science in the Spanish, English, and French literatures about the Americas during the early modern period.

As sailors, conquerors, travelers, and missionaries were exploring "new worlds," and claiming ownership of them, early modern men of science redefined what it means to "discover" something. Bauer explores the role that the verbal, conceptual, and visual language of alchemy played in the literature of the discovery of the Americas and in the rise of an early modern paradigm of discovery in both science and international law. The book traces the intellectual and spiritual legacies of late medieval alchemists such as Roger Bacon, Arnald of Villanova, and Ramon Llull in the early modern literature of the conquest of America in texts written by authors such as Christopher Columbus, Amerigo Vespucci, José de Acosta, Nicolás Monardes, Walter Raleigh, Thomas Harriot, Francis Bacon, and Alexander von Humboldt.

The Alchemy of Conquest: Science, Religion, and the Secrets of the New World

Juliane Braun

The stages of antebellum New Orleans did more than entertain. In the city’s early years, French-speaking residents used the theatre to assert their political, economic, and cultural sovereignty in the face of growing Anglo-American dominance. Beyond local stages, the francophone struggle for cultural survival connected people and places in the early United States, across the American hemisphere, and in the Atlantic world.

Moving from France to the Caribbean to the American continent, Creole Drama follows the people that created and sustained French theatre culture in New Orleans from its inception in 1792 until the beginning of the Civil War. Juliane Braun draws on the neglected archive of francophone drama native to Louisiana, as well as a range of documents from both sides of the Atlantic, to explore the ways in which theatre and drama shaped debates about ethnic identity and transnational belonging in the city. Francophone identity united citizens of different social and racial backgrounds, and debates about political representation, slavery, and territorial expansion often played out on stage.

Recognizing theatres as sites of cultural exchange that could cross oceans and borders, Creole Drama offers not only a detailed history of francophone theatre in New Orleans but also an account of the surprising ways in which multilingualism and early transnational networks helped create the American nation.

Creole Drama: Theatre and Society in Antebellum New Orleans

Sladja Blažan

Ghost stories as a window on the American settler psyche

 In this innovative book, Sladja Blažan explains the foundational role of ghost stories in fostering the cultural imaginary, offering a medium for framing political ideologies, philosophical thought, racial anxieties, and social concerns. Ghosts and Their Hosts analyzes American ghost stories, considering their role as a settler colonial tool that emerged to help justify land appropriation and human labor exploitation. Blažan breaks with the long tradition of reading ghosts as harbingers of justice, arguing that early American ghost stories worked instead to suppress the presence of non-Europeans through fantasies of European transcultural incorporation. Images of sentient forests and nature possessed by spirits helped develop fixed racial, gendered, and sexualized categories, while authors used ghosts to affirm existing hierarchies and establish new ones. Focusing on the cultural exchanges between Germany, England, France, and the United States around the turn of the nineteenth century, Blažan deploys a groundbreaking ecocritical and comparative approach to shed light on this haunting subject.

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Writing the Early Americas - Bogserien

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