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National Centre for Writing

The Writing Life

Content warning: Mentions of rape, sexual assault, and war.

 

In this episode of The Writing Life, bestselling author Pat Barker shares insights about the art of retellings, and the craftsmanship and research needed to write reimaginings of classic literature.

 

Pat Barker was born in Yorkshire and began her literary career in her late thirties, when she took a short writing course taught by Angela Carter. She has published sixteen novels, including her masterful Regeneration Trilogy which includes the Booker Prize-winning The Ghost Road. The Silence of the Girls was shortlisted for the Women's Prize for Fiction and won an Independent Bookshop Award 2019. The Women of Troy was a number one Sunday Times bestseller. The Voyage Home continues the series.

 

She sits down with NCW’s Holly Ainley to discuss her Regeneration Trilogy, and how retellings can bring stories to new audiences. They touch on offering fresh perspectives to Greek mythology, finding inspiration in unexpected places, and how reimaginings can make stories accessible to readers through contemporary language and references.

Reimagining classics: Pat Barker on the Regeneration Trilogy

In this episode of The Writing Life, award-winning writer Val McDermid shares insights on writing contemporary crime fiction, and the importance of learning patience as a writer.

 

One of the UK’s most accomplished and respected novelists, Val McDermid has sold over 19 million books to date across the globe and is translated into more than 40 languages. She is perhaps best-known for her Wire in the Blood series, featuring clinical psychologist Dr Tony Hill and DCI Carol Jordan, which was adapted for television starring Robson Green and Hermione Norris. She has written four other series: private detective Kate Brannigan, journalist Lindsay Gordon, cold case detective Karen Pirie, whose debut appearance in The Distant Echo is now a major ITV series. The second in the series, 1989 was published in paperback in February 2023. Val has also published several award-winning standalone novels, books of non-fiction, short story collections and a children’s picture book, My Granny is a Pirate. Val returns to Karen Pirie with her latest book, Past Lying.

 

She sits down with NCW's Chief Executive Peggy to discuss her writing career, and how her research process and routine have changed over time. Together, they discuss Val’s Harriet Martineau Lecture at Norfolk & Norwich Festival 2025, her journey into new genres and styles, and what readers can expect from the next book in her Inspector Karen Pirie series.

Writing contemporary crime fiction: Val McDermid on Past Lying

In this episode of The Writing Life, writer and Dragon Hall Cottage resident Wen-yi Lee shares insights into building a writing career, and the process of taking a project from conception to completion.

 

Wen-yi Lee likes writing about girls with bite, feral nature, and ghosts. She is the author of historical fantasy When They Burned the Butterfly and YA horror The Dark We Know, and has also published speculative fiction and essays in venues like Lightspeed, Uncanny, Strange Horizons, Reactor, and various anthologies. A University College London alum, she is currently based at home in Singapore. In February 2025, she completed a residency in our Dragon Hall Cottage.

 

She sits down with writer and mentor Kate Worsley to discuss her journey as a multi-genre writer, and the importance of representation in literature. Together, they touch on navigating queer storylines, finding a writing community online, and striking the balance between vulnerability and protection when exposing parts of yourself in your writing.

Becoming a published author: Wen-Yi Lee on representation, writing residencies, and building a readership

In this episode of The Writing Life, prize-winning poet and writer Michael Pedersen shares his experience writing between genres, and how pushing the boundaries of literary categories can enhance your writing.

 

Michael Pedersen is a prize-winning poet and author of the memoir Boy Friends, which was a Sunday Times Critics Choice and shortlisted for the Saltire Scottish National Book Awards. He was awarded a Robert Louis Stevenson Fellowship and is the current Writer in Residence at the University of Edinburgh, and Edinburgh’s Makar (Poet Laureate). Muckle Flugga is his debut novel.

 

He sits down with NCW Chief Executive Peggy Hughes to discuss Muckle Flugga, a lyrical, windswept novel of a lighthouse keeper and his son, whose lives are turned upside down by a stranger’s arrival. Together, they discuss the beauty of fusing elements from different genres in one work of writing, his decision to heighten the fantastical elements of a real-world setting in his fiction, and the importance of being excited about what you are writing.

Writing between genres: Michael Pedersen on Muckle Flugga

In this episode of The Writing Life, prize-winning writer Julia Armfield shares insights on world building in horror fiction, and writing catastrophic and intense circumstances.

 

Julia Armfield's work has been published in Granta, The White Review and Best British Short Stories 2019 and 2021. In 2019, she was shortlisted for the Sunday Times Young Writer of the Year award. She is the author of salt slow, a collection of short stories, which was longlisted for the Polari Prize 2020 and the Edge Hill Prize 2020. Her debut novel, Our Wives Under The Sea, won the Polari Prize 2023 and was shortlisted for the Foyles Fiction Book of the Year Award 2022. She lives and works in London.

 

She sits down with NCW’s Steph McKenna to discuss her second novel Private Rites, a stunning, unsettling novel following three sisters navigating queer love and faith at the end of the world. Together, they discuss her use of imagery in her fiction, the influence of horror cinema on her writing, and how she maintains a blanketing sense of dread throughout her novels.

World building in horror fiction: Julia Armfield on Private Rites

In this episode of The Writing Life, writers Eleanor Anstruther and Simon K Jones discuss the world of Substack, and how they use the platform to publish and share their work.

 

Eleanor Anstruther is the author of A Perfect Explanation, and A Memoir In 65 Postcards & The Recovery Diaries. Her new novel, In Judgement of Others, is out now. You can find her on Substack at The Literary Obsessive.

 

Long time listeners of The Writing Life will remember Simon K Jones, as he used to host and produce the podcast when he worked with us at NCW. He writes science fiction and fantasy, much of it released in serialised form online. You can find him on Substack at Write More with Simon K Jones.

 

They sit down to discuss Eleanor’s latest witty satirical novel In Judgement of Others, which she released both in serialised form online and in paperback. They also take a deep dive into the benefits of Substack as a means to connect with a community of writers, and how the platform can be used to share work, live stream, and build a readership.

The world of Substack: Eleanor Anstruther & Simon K Jones on serial fiction

In this episode of The Writing Life, bestselling author André Aciman shares the intricacies of writing romance, from the magic of first meetings to the nuances of portraying older characters falling in love.

 

André is the New York Times bestselling author of Call Me By Your Name, Find Me, The Gentleman From Peru, Out of Egypt, Eight White Knights, False Papers, Alibis, Harvard Square, Enigma Variations, and the essay collection Homo Irrealis. He’s the editor of the Proust Project and teaches comparative literature at the Graduate Center of the City University of New York. 

 

He joins NCW’s Steph McKenna from his home in Manhattan to talk about his latest novella Room on the Sea, a tender love story set in the sweltering heat of New York City. Together, they discuss his writing routines, the process of writing for an audio-first format, and his approach to dialogue, narration, and the art of leaving things between the lines.

Writing love stories: André Aciman on Room on the Sea

In this episode of The Writing Life, novelist and screenwriter Eimear McBride on the power of language, and the ways literary fiction can evoke emotion and connection.

 

Eimear McBride is the award-winning author of four novels: A Girl is a Half-formed Thing, The Lesser Bohemians, Strange Hotel and The City Changes Its Face. Her debut novel A Girl is a Half-formed Thing won the inaugural Goldsmiths Prize, Irish Novel of the Year, the Bailey's Prize for Women's Fiction, The Desmond Elliott Prize and the Geoffrey Faber Memorial Award. The City Changes Its Face is a continuation of this novel, and follows an intense story of passion, jealousy and family.

 

She sits down with NCW's former Chief Executive and lover of books Chris Gribble to discuss the recently published The City Changes its Face, a continuation of her debut novel A Girl Is a Half-formed Thing. Together, they discuss the process of returning to characters and storylines previously written, her experience adapting her novel into a screenplay, and the machine of writing and publishing; going from the solitary task of writing to the hustle and bustle of book tours and literary events.

The power of language: Eimear McBride on The City Changes Its Face

In this episode of The Writing Life, writer Joanna Miller shares her insights into writing strong female characters in historical fiction.

 

Joanna Miller studied English at Exeter College, Oxford and later returned to the University to train as a teacher. After ten years in education, she set up an award-winning poetry gift business. She is an alum of our Escalator New Writing Fellowships, which helped her to transform her debut novel, The Eights, from a first draft to its final form. The Eights tells the story of Oxford University’s first admitted female students, and the unlikely, life-affirming friendship they form in their time there.

 

Joanna sits down with NCW Learning & Participation Producer Katie to discuss her debut novel, and the importance of exploring women's voices and experiences in historical fiction. They also touch on her research process, writing about friendship and found family, and the inspiration behind the characters and plot in The Eights.

Writing strong female characters: Joanna Miller on The Eights

This week on The Writing Life, we’re diving into the world of romantasy — a genre that blends the best of romance and fantasy. Romantasy novels have taken the publishing world by storm in recent years, with sales expected to hit a staggering $610 million in 2024. And on TikTok, the #Romantasy tag has amassed over 800 million views.

What is it about these stories that captivate readers? And what makes romantasy such a rewarding genre to write? To help answer these questions, we’re thrilled to welcome novelist Sangu Mandanna to the podcast.

Sangu is the author of The Very Secret Society of Irregular Witches, Kiki Kallira Breaks a Kingdom, and several other enchanting novels filled with magic, monsters, and myth. The Very Secret Society of Irregular Witches is a heartwarming and uplifting fantasy about an isolated witch who finds the chance to build a new family — and maybe even a new love. Her upcoming romantasy novel, A Witch's Guide to Magical Innkeeping, will be published in July 2025.

The rise of romantasy with Sangu Mandanna

Novelist and creative writing lecturer Ian Nettleton explains how to structure a novel - the devices and structural elements that can keep readers engaged, and how to ensure your story becomes a page-turner. 

The episode covers characters’ wants and needs, conflict, obstacles, narrative tension and building a compelling story scene by scene, chapter by chapter. We also discuss quests, commitments, reversals and resolutions.

Ian has been shortlisted for a number of prestigious awards including those for his novels The Last Migration and Out of Nowhere. He is also an associate lecturer in creative writing courses at the Open University and works with the National Centre For Writing on a number of our own creative writing courses.

How To Structure A Novel

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