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Sonal Khullar on Amrita Sher-Gil
- Af
- Med
- Forlag
- Længde
- 48M
- Sprog
- Engelsk
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Fakta
THIS WEEK on the GWA Podcast, we interview Sonal Khullar on one of the most acclaimed artists of the 20th century, AMRITA SHER-GIL!
Amrita Sher-Gil (1913–41) was India’s foremost artist in the early twentieth century. Her paintings give prominence to real people at real moments, and exude pathos and strength.
“I can only paint in India, Europe belongs to Picasso, Matisse, Braque and the rest. But India belongs only to me.”
Born in Budapest and raised in Shimla, northern India, between 1929 and 1932 Sher-Gil attended the École des Beaux-Arts in Paris, as the first Indian student to do so, where she was able to study from nude models. Acclaimed for her Expressionistic figurative painting, she exhibited at the Paris Salon. Soon enough, she was drawn back to India: "I began to be haunted by an intense longing to return to India, feeling in some strange inexplicable way that there lay my destiny as a painter."
Abandoning her European style, Sher-Gil’s figurative work transformed into studies of saturated colour with fluorescent fabrics and glittering textures.
The subject of solo exhibitions, and a recipient of multiple prizes, Sher-Gil showed her work in Delhi and Bombay. But soon after set- tling in Lahore with her new husband, she was overcome with illness and died at the age of twenty-eight. Her acute sensibility is evident in her paintings, which capture not just the electricity of colour, and the merging of global styles, but also the world of her sitters, no matter what their status.
Dr Sonal Khullar received her BA from Wellesley College, and her MA and PhD from the University of California Berkeley in art history, and has taught in the History of Art and Gender Studies departments of the University of Washington, and since 2020, at the University of Pennsylvania.
Her research, specialising in work from the 18th century onwards, focuses on conflict, collaboration and globalisation in contemporary art from South Asia, and has looked at postcolonial art worlds, feminist geography, and the anthropology of art.
LINKS:
https://www.nytimes.com/2018/06/20/obituaries/amrita-shergil-dead.html?smid=tw-nytobits&smtyp=cur
http://amrita-sher-gil.com
https://artsandculture.google.com/story/amrita-sher-gil-artworks-from-the-collection-of-national-gallery-of-modern-art-national-gallery-of-modern-art-ngma-new-delhi/twWRBeSmWwQA8A?hl=en
https://web.archive.org/web/20210121160223/https://www.tate.org.uk/whats-on/tate-modern/exhibition/amrita-sher-gil/amrita-sher-gil-room-1-early-years-paris
Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Research assistant: Viva Ruggi Sound editing by Nada Smiljanic Artwork by @thisisaliceskinner Music by Ben Wetherfield
https://www.thegreatwomenartists.com/
--
THIS EPISODE IS GENEROUSLY SUPPORTED BY CHRISTIES: www.christies.com
Release date
Lydbog: 23. november 2022
Tags
Sonal Khullar on Amrita Sher-Gil
- Af
- Med
- Forlag
- Længde
- 48M
- Sprog
- Engelsk
- Format
- Kategori
Fakta
THIS WEEK on the GWA Podcast, we interview Sonal Khullar on one of the most acclaimed artists of the 20th century, AMRITA SHER-GIL!
Amrita Sher-Gil (1913–41) was India’s foremost artist in the early twentieth century. Her paintings give prominence to real people at real moments, and exude pathos and strength.
“I can only paint in India, Europe belongs to Picasso, Matisse, Braque and the rest. But India belongs only to me.”
Born in Budapest and raised in Shimla, northern India, between 1929 and 1932 Sher-Gil attended the École des Beaux-Arts in Paris, as the first Indian student to do so, where she was able to study from nude models. Acclaimed for her Expressionistic figurative painting, she exhibited at the Paris Salon. Soon enough, she was drawn back to India: "I began to be haunted by an intense longing to return to India, feeling in some strange inexplicable way that there lay my destiny as a painter."
Abandoning her European style, Sher-Gil’s figurative work transformed into studies of saturated colour with fluorescent fabrics and glittering textures.
The subject of solo exhibitions, and a recipient of multiple prizes, Sher-Gil showed her work in Delhi and Bombay. But soon after set- tling in Lahore with her new husband, she was overcome with illness and died at the age of twenty-eight. Her acute sensibility is evident in her paintings, which capture not just the electricity of colour, and the merging of global styles, but also the world of her sitters, no matter what their status.
Dr Sonal Khullar received her BA from Wellesley College, and her MA and PhD from the University of California Berkeley in art history, and has taught in the History of Art and Gender Studies departments of the University of Washington, and since 2020, at the University of Pennsylvania.
Her research, specialising in work from the 18th century onwards, focuses on conflict, collaboration and globalisation in contemporary art from South Asia, and has looked at postcolonial art worlds, feminist geography, and the anthropology of art.
LINKS:
https://www.nytimes.com/2018/06/20/obituaries/amrita-shergil-dead.html?smid=tw-nytobits&smtyp=cur
http://amrita-sher-gil.com
https://artsandculture.google.com/story/amrita-sher-gil-artworks-from-the-collection-of-national-gallery-of-modern-art-national-gallery-of-modern-art-ngma-new-delhi/twWRBeSmWwQA8A?hl=en
https://web.archive.org/web/20210121160223/https://www.tate.org.uk/whats-on/tate-modern/exhibition/amrita-sher-gil/amrita-sher-gil-room-1-early-years-paris
Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Research assistant: Viva Ruggi Sound editing by Nada Smiljanic Artwork by @thisisaliceskinner Music by Ben Wetherfield
https://www.thegreatwomenartists.com/
--
THIS EPISODE IS GENEROUSLY SUPPORTED BY CHRISTIES: www.christies.com
Release date
Lydbog: 23. november 2022
Tags
Dansk
Danmark
