Post-Impressionism: Exploring the Divergence from Impressionism

Post-Impressionism is an art movement that emerged in France in the late 19th century, evolving directly from the innovations of the Impressionists but diverging significantly in both style and philosophy. While the Impressionists focused on capturing the fleeting effects of light and color in the natural world, Post-Impressionists sought to push the boundaries of art further, exploring deeper emotional expression, symbolic meaning, and new approaches to structure and form. This chapter introduces the movement, highlighting its key features, influences, and the artists who played central roles in its development.

The roots of Post-Impressionism lie in the revolution brought about by the Impressionist movement. The Impressionists, such as Claude Monet and Pierre-Auguste Renoir, broke away from traditional academic painting by focusing on everyday scenes and the transient quality of natural light. However, while the Impressionists were concerned with the external world, Post-Impressionist artists began to look inward, using art as a tool for personal expression. They were less concerned with capturing the exact moment or the accuracy of color as the Impressionists had been. Instead, they sought to represent emotion, the subconscious, and the subjective experience.

At its core, Post-Impressionism is characterized by a more expressive use of color, shape, and form. The artists of this movement began experimenting with color theories, often using vibrant hues to convey mood and emotion rather than simply reproducing the natural world. They also experimented with brushwork, texture, and abstraction, rejecting the notion that art should only represent reality in a realistic manner. Where Impressionism blurred boundaries and captured light, Post-Impressionism sought to structure and control it in new ways, emphasizing the artist’s personal vision and inner world.

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Release date

Lydbog: 11. februar 2025