145: Restoration II, Faces of the Gods

Living Images. King Tut’ankhamun is famous for the Restoration of traditional temples. But what did that involve? Records from the King’s reign give us insight to the practical business. We see the repairs of Karnak and Luxor Temples, royal decrees for new statues, and we meet the man who made the gods’ holy images…

Date: c. 1336 BCE.

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Music by Keith Zizza

Music by Ancient Lyric

Music by Jeffrey Goodman.

Audio mixing/editing by Vincent Cavanagh.

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Select Bibliography:

B. G. Davies, Egyptian Historical Records of the Later Eighteenth Dynasty, VI (Warminster, 1982).

J. van Dijk, ‘Maya’s Chief Sculptor Userhat-Hatiay. With a Note on the Length of the Reign of Horemheb’, Gottinger Miszellen 148 (1995), 29–34.

J. van Dijk and M. Eaton-Krauss, ‘Tutankhamun at Memphis’, Mitteilungen des Deutschen Archäologischen Instituts, Abteilung Kairo 42 (1986), 35–42.

A. Dodson, Amarna Sunset: Nefertiti, Tutankhamun, Ay, Horemheb, and the Egyptian Counter-Reformation (2nd edn, Cairo, 2017).

M. Eaton-Krauss, ‘Four Notes on the Early Eighteenth Dynasty’, The Journal of Egyptian Archaeology 84 (1998), 205–10.

M. Eaton-Krauss, ‘Tutankhamun at Karnak’, Mitteilungen des Deutschen Archäologischen Instituts, Abteilung Kairo (1988), 1–11.

M. Eaton-Krauss, The Unknown Tutankhamun (London, 2016).

M. Gabolde, Toutankhamon (Paris, 2015).

N. Kawai, ‘Studies in the Reign of Tutankhamun’, Unpublished PhD. Thesis, Johns Hopkins University (2005).

W. J. Murnane, Texts from the Amarna Period in Egypt (Atlanta, 1995).

W. J. Murnane, ‘The Bark of Amun on the Third Pylon at Karnak’, Journal of the American Research Center in Egypt 16 (1979), 11–27.

The Epigraphic Survey, Reliefs and Inscriptions at Luxor Temple – Volume I: The Festival Procession of Opet in the Colonnade Hall (Chicago, 1994).

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Release date

Lydbog: 30. maj 2021