the antitemporal archives
This series traces the disintegration of textual boundaries through an ongoing experiment in authorial control. In the first volume, the writer assumes full dominion over his characters' minds--shaping, prodding, and ultimately unraveling them from within. The literary space becomes a cognitive laboratory where plotlines glitch and identities mutate. Cracks appear in the temporal and spatial continuum--as perceived by the characters--until one of them begins to awaken.
But it's too late. What he thought was an escape turns out to be a trap of a higher order. He's no longer inside the book--he's inside the author. Out of the narrative, into the neurology. His rejection of the constructed world only delivers him into something worse: the tangled corridors of the writer's mind, where he becomes a conceptual parasite feeding on memory, metaphor, and unresolved thought.
From here, the archives unfold: the once-fictional specimen, now an invasive abstraction, begins altering the writer's neural patterns, subtextual murmurs, and aesthetic reflexes. The creator becomes the host, the very vessel of verisimilitude. Subsequent volumes chart this metaphysical infection as it spreads--language folds, time fractures, and the author's selfhood corrodes.
What emerges is an escalating war between author and authored, brain and page, flesh and form. By the end, literature itself has overridden human consciousness. The fourth wall shatters--followed by the fifth, the sixth--until the rupture spills into the so-called real. The story flips the script. Reality becomes a subplot.
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