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Lyt når som helst, hvor som helst 

Michael Steen

Tosca's première in Rome in January 1900 was nearly disrupted by a terrorist threat to blow up Italy's King Umberto. Victorien Sardou had written the melodrama for the great actress Sarah Bernhardt. Giacomo Puccini's popular opera is a tale of sadism and brutality, torture, attempted rape, murder, an execution and two suicides. 'Realism' was in vogue: Mascagni's Cavalleria rusticana had been a great success, as had Leoncavallo's Pagliacci. With sharp practice, the publisher Giulio Ricordi obtained 'Tosca' for Puccini, who had already composed Manon Lescaut and La Bohème. The story, set in the Napoleonic, era was ideal for Puccini, a chain-smoker who enjoyed women, shooting birds, and high-speed motor cars.

A political prisoner seeks sanctuary in the church where prima donna Floria Tosca's lover Cavaradossi, a role associated with Pavarotti, is painting a picture of Mary Magdalen. In Va, Tosca! the police chief Scarpia fantasises about Tosca during a Te Deum celebrating Napoleon's victory. Tosca stabs Scarpia following the famous operatic aria, Vissi d'arte, immortalised by Maria Callas on stage and in the film produced by Franco Zeffirelli. Awaiting death before dawn in the Castel Sant'Angelo, Cavaradossi sings the well-known arias E lucevan le stelle and O dolci mani. Tosca's attempt to save him comes to nothing.

Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience.

Other 'Short Guides to Great Operas' that you may enjoy include La bohème, Madama Butterfly and Carmen.

Icon Books

Great Operas

Puccini's Tosca: A Short Guide to a Great Opera

Even Salieri, the notorious villain of Peter Shaffer's drama Amadeus, admired Mozart's comic opera Die Zauberflöte (The Magic Flute), which was premièred in Vienna a few weeks before Mozart's death in December 1791. Though sometimes enjoyed as a children's opera, this is not a pantomime: rooted in Freemasonry, the Enlightenment and the Age of Reason, it promotes the ideals of progress, virtue, self-betterment, truth and justice. Tamino, an Egyptian Prince, has a magic flute to take him and his beloved Pamina through trials of constancy and endurance, before they can attain ultimate bliss.

Critics have long been confounded as to how Mozart could present such a light-hearted yet deep masterpiece, with such wonderful music, while being in deep financial trouble.

There is great stylistic diversity. The sensationally difficult part of the Queen of the Night comes from the Italian opera tradition, while the comical bird catcher Papageno (originally performed by the librettist Schikaneder) sings in the popular style of the Viennese suburbs. Such is the beauty of the music that Bernard Shaw thought that the O Isis and Osiris, of Sarastro, the High Priest, was fit to emerge from the mouth of a god.

Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience.

Other 'Short Guides to Great Operas' that you may enjoy include Don Giovanni, The Marriage of Figaro and Così fan tutte.

Mozart's The Magic Flute: A Short Guide to a Great Opera

With the 'Tristan chord' at the start of Wagner's opera Tristan und Isolde, the composer launched modern music. The political refugee, a former revolutionary, was living in Zurich when the lovely Mathilde Wesendonck, the wife of a rich businessman, inspired him to break off from working on Siegfried, part of his 'Ring cycle', and refocus his efforts on Tristan. Expelled from there, Wagner continued to work on the opera in the Palazzo Giustiniani in Venice, and finished it in Lucerne in 1859. The première, in Munich, was delayed until 1865, after the 'Mad' King Ludwig of Bavaria came to Wagner's financial rescue.

Wagner blended Gottfried von Strasburg's medieval epic with Schopenhauer's philosophy and his own idiosyncratic views on the psychology and metaphysics of love. (As well, Wagner reflected his views on Greek drama and the integrated Gesamtkunstwerk, or 'art-work'.) The result is a torrent of sound which depicts almost indecent passion. The Liebestod, in which the sexual love of Tristan and Isolde is consummated through death, and which is often presented in concert performance, is some of the most glorious music ever written.

Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience.

Other 'Short Guides to Great Operas' that you may enjoy include The Magic Flute, Eugene Onegin and Peter Grimes.

Wagner's Tristan und Isolde: A Short Guide to a Great Opera

From the première of Rigoletto at Venice's La Fenice in 1851, the Duke's La donna è mobile caught on with the public and has done much to ensure the ongoing popularity of Verdi's opera about the body in the sack. Rigoletto, the sarcastic court jester, is cursed by a nobleman who he has mocked. Subsequent events see the curse realised, as Rigoletto's daughter Gilda is kidnapped, raped, and later killed.

The story, originally about King François, contemporary of the English King Henry VIII, came from a novel by Victor Hugo, author of Les Misérables and the Hunchback of Notre Dame. Concerned by its combination of debauchery, seduction, rape by a king, regicide, kidnap and murder, the censors required the librettist Francesco Piave to relocate it from the Louvre in Paris to the court in Mantua.

The wonderful music also includes the Duke's Questa o quella, Gilda's Caro nome, Rigoletto's Piangi! piangi fanciulla and the glorious ensemble Bella figlia dell'amore.

Enrico Caruso made his début at the Metropolitan Opera House as Rigoletto. Others who have starred include Patti, Melba, Callas, Domingo and Pavarotti.

Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience.

Other 'Short Guides to Great Operas' that you may enjoy include La Traviata, Tosca and Lucia di Lammermoor.

Verdi's Rigoletto: A Short Guide to a Great Opera

The Paris audience in 1875 was shocked by the sexually explicit realism of Bizet's exotic operatic masterpiece, its 'verismo' depiction of low life and brutal passion. But since the disastrous première – a sensational failure which hastened Bizet's premature death – it has been the greatest operatic success. It led to a film opera, a jazz opera, a rock ballet and a Broadway musical. Equally, it impressed great composers including Tchaikovsky, Brahms and Vaughan Williams.

The story, written by Prosper Mérimée and adapted by librettists Meilhac and Halévy, is set in colourful Seville, in southern Spain, renowned for bullfights. The corporal Don José is seduced by Carmencita, a gypsy whore who works in a tobacco factory. With her Habanera (a Cuban dance like the tango) and Andalusian Seguidilla, she charms him, and escapes prison. She falls for Escamillo, a celebrity toreador associated with the famous tune Toréador en garde. Don José's Flower Song fails to win her for long. We visit the haunt of Seville's demi-monde, Lillas Pastia's bodega, and a gypsy encampment in the mountains, before José stabs Carmen outside the bullring.

Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience.

Other 'Short Guides to Great Operas' that you may enjoy include Tosca, Madama Butterfly and Eugene Onegin.

Bizet's Carmen: A Short Guide to a Great Opera

The première in 1816 in Rome of Gioachino Rossini's famous opera was a fiasco comparable to those of Wagner's Tannhäuser and Bizet's Carmen. But Il barbiere di Siviglia was soon recognised as being among the greatest of comic operas, comparable to those of Mozart. Even Beethoven was enthusiastic.

Figaro, Seville's barber, is confident of a good pay-off for facilitating the elopement of Rosina with the Count of Almaviva. Her guardian also has designs on her and her fortune. Who will get there first? The story is based on a comedy by the French playwright Beaumarchais, whose The Marriage of Figaro was used by Mozart.

The Barber is packed with famous tunes, displaying Rossini's glittering coloratura, trademark crescendos and patter: Figaro's famous Largo al factotum and Zitti, zitti, piano, piano; the Count's serenade with guitar, Ecco ridente; Rosina's Singing Lesson and Una voce poco fa; Doctor Bartolo's patter song A un dottor; Don Basilio's La calunnia. These are just some of the ingredients of this feast of humour and good tunes.

Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience.

Other 'Short Guides to Great Operas' that you may enjoy include The Marriage of Figaro, Così fan tutte and Lucia di Lammermoor.

Rossini's The Barber of Seville: A Short Guide to a Great Opera

With four famous operas each from Mozart, Verdi and Puccini, and two each from Rossini and Donizetti, there is a feast of information. Here are short guides to The Marriage of Figaro and Don Giovanni; to the splendour of Aïda, the heart-breaking La Traviata; the drama of Tosca. The range is very broad. There is Wagner's great love story Tristan und Isolde; there is Johann Strauss's light comedy Die Fledermaus. On the way you can be briefed about such favourites as Handel's Giulio Cesare, Bizet's Carmen, Gounod's Faust, Tchaikovsky's Eugene Onegin and Britten's Peter Grimes.

With plot summaries, composer biographies, observations on musical points of interest and background on the historical and cultural context of each opera, every one of these guides will enhance your appreciation and enjoyment and help you discuss the work and the performance with your fellow opera-goers. Steen shares his expert knowledge with a lightness of touch that makes each guide a pleasure to read.

Witty, informative and beautifully presented, Great Operas is an indispensable reference guide for both seasoned opera-goers and those enjoying opera for the first time.

Great Operas: A Guide to Twenty-Five of the World's Finest Musical Experiences

Britten's opera Peter Grimes is based on George Crabbe's horrifying poem The Borough about early 19th century Aldeburgh, a North Sea fishing town in East Anglia. Its premiere at Sadlers Wells in 1945, shortly after VE Day, was a landmark moment in British operatic history. Britten's partner Peter Pears – like Britten a pacifist and conscientious objector – was in the title role. Britten and Pears, together with Montagu Slater, a communist journalist, created the libretto.Grimes, a fisherman and sadistic child abuser, is a loner longing for social acceptance, and the wealth to marry the retired schoolmistress Ellen Orford. Britten, a homosexual whose circle included E.M. Forster and Christopher Isherwood, wanted to win sympathy for outsiders. Yet after Grimes has destroyed yet another apprentice, and himself committed suicide, life just goes on as usual in the bustling, hypocritical town. 'The Borough' has a pompous mayor, a typical pub landlady, a drunken Methodist, an ineffectual parson, a drug-addicted rich widow. A pub brawl and barn dance conceal the dark side of this community: its hysteria, its busybodies, its lynch-mob justice. The opera and its story, as depicted in Britten's evocative music, haunts the audience long after the curtain comes down. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read. They are packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience.Other 'Short Guides to Great Operas' that you may enjoy include La Bohème, Don Giovanni and Eugene Onegin.

Britten's Peter Grimes: A Short Guide to a Great Opera

The great Russian poet Pushkin's novel in verse tells the story of Tatyana, a love-struck country girl who unwisely wrote to the arrogant city-slicker Yevgeny Onegin professing her love. The tale resonated with Tchaikovsky when he found himself callously dismissing the suit of a student who similarly approached him out of the blue: within weeks, Tchaikovsky then married her! It was a disastrous decision; except that it inspired him to write his great opera. Onegin's future was different. Having shot his best friend, he returns to find that the naïve girl he rejected is now a great lady, married to a distinguished general. He is passionately in love, but it is too late. The opera includes Tatyana's emotional letter scene, as well the reckless and tragic duel, and the country house dance and the great ball in St Petersburg give Tchaikovsky the opportunity to provide us with some truly memorable dances such as the waltz, mazurka, and polonaise. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience.

Tchaikovsky's Eugene Onegin: A Short Guide to a Great Opera

Although the story of Figaro's success in preventing the Count of Almaviva's seduction of his fiancée Susanna was politically explosive, it was tolerated in the court of the relatively enlightened Habsburg Emperor Joseph II. Mozart's opera, Le Nozze di Figaro, uses a libretto by Lorenzo da Ponte, and was premièred in Vienna in 1786. It was based on a famous play by the Frenchman Beaumarchais, a sequel to The Barber of Seville. Characters including Figaro, the Countess, Cherubino the page, Doctor Bartolo and Barberina the gardener's daughter sing a succession of famous arias – such as Se vuol ballare, Non più andrai, Dove sono, Porgi amor and Voi, che sapete, to mention but a few – in which Mozart's musical characterisation is legendary. Written by Michael Steen, author of the acclaimed The Lives and Times of the Great Composers, 'Short Guides to Great Operas' are concise, entertaining and easy to read books about opera. Each is an opera guide packed with useful information and informed opinion, helping to make you a truly knowledgeable opera-goer, and so maximising your enjoyment of a great musical experience. Other 'Short Guides to Great Operas' that you may enjoy include Così fan tutte, Don Giovanni and The Barber of Seville.