Introducing The Pitchfork ReviewPitchfork
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- Teaser: “The Revolution Will Be TikTok’d”Pitchfork
- The Revolution Will Be TikTok'dPitchfork
- Pop Smoke’s Legacy and the Sound of Brooklyn DrillPitchfork
- The Endurance of Bob Dylan’s Rough and Rowdy WaysPitchfork
- Why Do We Even Listen to New Music?Pitchfork
- Lianne La Havas's Bittersweet MemoriesPitchfork
- Songs of the Summer of Our DiscontentPitchfork
- Pitchfork Request Line: New Love & Major HeartbreakPitchfork
- Pitchfork Request Line: Road Trips & CampfiresPitchfork
- It’s Time to Take Enya SeriouslyPitchfork
- The National’s Matt Berninger on the Music That Made HimPitchfork
- The Quiet Return of Fleet Foxes and Sufjan StevensPitchfork
- Will We Ever See Live Music Again?Pitchfork
- 100 gecs and the Mystery of HyperpopPitchfork
- Adrianne Lenker Digs DeepPitchfork
- When Music Becomes Political ProtestPitchfork
- Request Line: How to Deal With 2020Pitchfork
- The Great Year-End Songs DebatePitchfork
- Afrobeats’ Global TakeoverPitchfork
- The Best and Worst of Everything ElsePitchfork
- The Pitchfork Review: New Season PreviewPitchfork
- The 1975: Being Funny in a Foreign LanguagePitchfork
- Taylor Swift: MidnightsPitchfork
- Björk: FossoraPitchfork
- Best New Music: Alvvays and Special InterestPitchfork
- Weyes Blood and Dream UnendingPitchfork
- The Best (and Worst) of 2022: Part OnePitchfork
- The Best (and Worst) of 2022: Part TwoPitchfork
- Beyoncé: RenaissancePitchfork
- 2022 in RapPitchfork
- SZA: SOSPitchfork
- Hopes, Dreams, and Predictions for 2023Pitchfork
- The State of Ambient MusicPitchfork
- Kelela: RavenPitchfork
- Caroline Polachek: Desire, I Want To Turn Into YouPitchfork
- Lil Yachty: Let's Start HerePitchfork
- Måneskin: RUSH!Pitchfork
- Tár, Elvis, and Music at the OscarsPitchfork
- The Subversive Power of Fever Ray and Yves TumorPitchfork
- Boygenius InterviewPitchfork
- Lana Del Rey: Did You Know That There’s a Tunnel Under Ocean BlvdPitchfork
- The Ambient Anger of Yaeji’s With A HammerPitchfork
- Weed and MusicPitchfork
- Frank Ocean’s Puzzling Coachella SetPitchfork
- Jessie Ware Reaches Disco Nirvana on That! Feels Good!Pitchfork
- A Conversation with Laurie Anderson, Kim Gordon, and Sinéad GleesonPitchfork
- What Does AI Mean for the Future of Music?Pitchfork
- The Best and Worst Songs of 2023 So FarPitchfork
- Foo Fighters Rock Through the Pain Once AgainPitchfork
- Janelle Monáe Creates a Queer Paradise on The Age of PleasurePitchfork
- Fear Will Not Stop Queer NightlifePitchfork
- Elliott Smith Like You’ve Never Heard Him BeforePitchfork
- Why HBO’s The Idol Is So Fascinatingly BadPitchfork
- The Best of Pitchfork Music Festival, Then and NowPitchfork
- The Best and Worst Songs of the SummerPitchfork
- The Price of Pop FandomPitchfork
- The Hollow Spectacle of Travis Scott’s UtopiaPitchfork
- Replay: Beyoncé's RenaissancePitchfork
- The Nostalgic, Messy Fun of Olivia Rodrigo’s GUTSPitchfork
- An Interview With Talking HeadsPitchfork
- Sufjan Stevens Is at His Intimate and Uplifting Best on JavelinPitchfork
- Best New Music Albums From yeule and L'Rain, Plus Olivia Rodrigo Reveals Her Perfect 10 RecordPitchfork
- What Drake Is Doing Wrong—and How He Can Fix ItPitchfork
- The Good, the Bad, and the Swiftie of Taylor’s Eras Tour Concert FilmPitchfork
- Debating the Best Songs of 2023, Part OnePitchfork
- Debating the Best Songs of 2023, Part TwoPitchfork
- Bad Bunny’s New Album and the Future of Puerto Rican Rap and ReggaetonPitchfork
- Erykah Badu on The Run-Through with VoguePitchfork
- The Replacements’ Tim Is the Best Reissue of 2023; Plus Tommy Stinson’s Perfect-10 AlbumPitchfork
- The 2023 Music Grab Bag: Trends, Scandals, and Theories; Plus an Appearance From AlvvaysPitchfork
- Replay: Boygenius InterviewPitchfork
- Dolly Parton on The New Yorker Radio HourPitchfork
- Jeff Tweedy InterviewPitchfork
- The Origins and Influence of Brian Eno’s Pioneering Album Ambient 1: Music for AirportsPitchfork
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