One of the biggest hits of 1992, Basic Instinct was sold as Michael Douglas’s return to Fatal Attraction territory, but its success owed to an alchemy of three other creatives: a writer (Joe Eszterhas) who was driven to become the highest-paid scribe in movies; a director (Paul Verhoeven) who was determined to redefine the amount of sex considered acceptable in a Hollywood movie; and a female lead (Sharon Stone) who had waited a long time for her breakout role, and finally found it in a bisexual murderess with the sheen of a Hitchcock blonde. We’ll talk about all of that, detailing the extremely messy production that was protested by LGBT activists – and its screenwriter – virtually from beginning to end, and examine Basic Instinct as a collision of toxicity and commerce that was emblematic of just-pre-Clinton era.
(00:00) The Origins of Basic Instinct
(10:01) The Camp ‘Vertigo’
(24:24) Where Sharon Stone Came From
(34:05) Queer Nation and Location Protests
(42:47) The Most Famous Shot In Basic Instinct
(52:56) "It has to be an R. The risk is too big."
(01:00:02) Sharon Stone’s Victory Lap
(01:08:52) Misogyny, Homophobia, and Critical Analysis