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Working Class Audio

Peel back the glamour of the professional recording world. Guests from the world of audio for music, film, games, restoration, and more share their insights on how they made their journey, how they survive, their advice on the real things including wins, losses, working with other people, money, and career advice. 
Hosted by audio engineer Matt Boudreau.
The Working Class Audio Podcast - Navigating the World of Recording with a working class perspective.

This is part 2 of a discussion Matt had with multi-platinum mixer and engineer Richard Chycki whose clients include such rock royalty as Rush, Aerosmith, Dream Theater, Skillet, Mick Jagger, Alice Cooper, Pink and many more.
In This Episode, We Discuss:ManagementNetworking: Building Relationships for SuccessCultural Transition: From Canada to the U.S. Music SceneThe Rush Connection: Networking and OpportunitiesNavigating the World of Immersive Audio TechnologiesFuture Plans and Networking in Nashville
Links and Show Notes:Part 1 InterviewRich's Site
Matt's Rant: Auto PilotCredits:Guest: Richard ChyckiHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

WCA #586 with Richard Chycki – Management, Networking, Cultural Transition, Future Plans, and The Rush Connection

In this episode of Working Class Audio, Matt welcomes mixing engineer, producer and composerJade Alysse Berry, whose path to mixing was sparked by a life‑changing health event and a deep love for music. Jade shares practical insights on creativity, collaboration, and setting clear boundaries with clients.
In This Episode, We Discuss:How a health crisis redirected Jade’s career toward audio engineeringChallenges and politics of the music industryCollaborative dynamics with partner Bob Horn The creative process of mixingSetting boundariesUnderstanding client expectationsEffective communication
Links and Show Notes:Jade on Instagram
Matt's Rant: The Home StudioCredits:Guest: Jade Alysse BerryHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

WCA #585 with Jade Alysse Berry – Passion for Music, Overcoming a Health Crisis, Navigating Industry Politics and Client Communication

Matt is joined by grammy winning engineer Tom Camuso who has worked with Lenny Kravitz, Blondie, Steve Earl as well as a number of commercial, television and film projects. Tom is also the Chief Engineer at The Les Paul Recording Studio in Holly wood.
In This Episode, We Discuss:Preserving Les Paul's LegacyLos Angeles vs. New YorkCracking the Preservation CodeWeatherEducationLibrary of Congress
Links and Show Notes:Tom's SiteLes Paul Studio
Matt's Rant: Economic ReevaluationCredits:Guest: Tom CamusoHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

WCA #584 with Tom Camuso – Preserving Les Paul's Legacy, Education, Los Angeles vs. New York, Cracking the Preservation Code, and Weather

Matt is joined by multi-platinum mixer and engineer Richard Chycki whose clients include such rock royalty as Rush, Aerosmith, Dream Theater, Skillet, Mick Jagger, Alice Cooper, Pink and many more.
In This Episode, We Discuss:
NAMM Experience

Current State of Immersive AudioMoving to Nashville: Reasons and PlansEarly Musical Journey and Transition to EngineeringThe Shift from Musician to EngineerAdapting to Technological Changes in AudioThe Future of Atmos and Immersive AudioArtist Reactions to Immersive MixingThe Evolution of Atmos TechnologyLearning from Major ArtistsNavigating the Music IndustryFinancial Strategies in Music ProductionThe Importance of NetworkingMixing Classic Records in Atmos
Links and Show Notes:Rich's Site
Matt's Rant: The ExpensesCredits:Guest: Richard ChyckiHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

WCA #583 with Richard Chycki Part 1– Networking, Finances, ATMOS, Learning from Major Artists, and Adapting to Technological Changes in Audio

Matt welcomes Grammy Nominated producer /engineer/mixer Joel Weldon Willis.
In This Episode, We Discuss:Building a Home StudioEarly Experiences in Music ProductionTransitioning to Freelance and Indie Music SceneCreative Approaches to Music ProductionNavigating Financial Challenges in the StudioRecording Techniques and Live SessionsLessons Learned in the StudioFreelancing and Renting Studio SpacesCommunity and Collaboration in Music ProductionBalancing Promotion and AuthenticityThe Impact of Grammy NominationsAdapting to Client Needs and CommunicationRemote MixingHandling Criticism and Professional GrowthThe Importance of Collaboration Over Competition
Links and Show Notes:Joel's Site
Matt's Rant: InspirationCredits:Guest: Joel Weldon WIllisHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

WCA #582 with Joel Weldon Willis – Church to indie music, Freelancing, Grammy Nominations, Remote Mixing, and The Importance of Collaboration Over Competition

Matt welcomes Producer /engineer/mixer and film composer Sanford Parker. As an artist he’s performed and released albums with extreme heavy and industrial bands like Black Cross Hotel, Corrections House, Mirrors for Psychic Warfare and Minsk. Throughout the years he’s collaborated with members of Sonic Youth, Ministry, Napalm Death and Neurosis as well as producing and mixing albums for Darkthrone, Voivod, Brutal Truth, Pelican, YOB, Hide, Youth Code, Wovenhand, Rwake, Local H and many others. 

Takeaways

Sanford opened his studio in March 2020, just before the pandemic.He prefers working with independent artists and punk music.Chicago's music scene is affordable compared to other major cities.Managing overhead is crucial for running a successful studio.Sanford transitioned to mixing in the box for efficiency.He values genuine relationships with artists over bureaucracy.The pandemic shifted his work focus back to mixing.The flexibility of working remotely with clients.Learning to navigate financial discussions with bands.Independent music often allows for quicker decision-making.
Links and Show Notes:Sanford's Site
Matt's Rant: Your JourneyCredits:Guest: Sanford ParkerHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

WCA #581 with Sanford Parker – Chicago Music Scene, Independent Artists, Managing Overhead, and Getting out of Florida.

In this episode of Working Class Audio, Matt welcomes back GRAMMY-winning recording engineer and producer Steve Chadie live from the AudioScape booth at NAMM 2026 to talk about recording bands. Steve has worked with WIllie Nelson, Los Lonely Boys, Wilco, and the Supersuckers.
In This Episode, We Discuss:Mic placement and monitoring.The bleedBand dynamicsFood and energy levelsExpectationsCreative ruts.Being invisibleHeadphone mixesLess substance abuse
Links and Show Notes:Steve on WCA #245Steve on WCA #487Steve's Site
Matt's Rant: The PeopleCredits:Guest: Steve ChadieHost/Engineer/Producer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

WCA #580 with Steve Chadie – LIVE FROM NAMM 2026

Matt welcomes producer/engineer/composer Fran Cathcart. Fran having just moved to the Bay Area from New York recounts his journey in studio ownership, working with Herbie Hancock, and facing down serious challenges that would make most throw in the towel, yet he still keeps going. 
In This Episode, We Discuss: • Studio Ownership
 • Herbie Hancock
 • Early Digital Recording
 • Divorce
 • Covid
 • Getting Sued
 • Stress
 • Moving to the Bay Area

Links and Show Notes:Fran's Site
Matt's Rant: Client CommunicationCredits:Guest: • Fran Cathcart
Host/Engineer/Producer: • Matt Boudreau
WCA Theme Music: • Cliff Truesdell
The Voice: • Chuck Smith

WCA #579 with Fran Cathcart – Studio Ownership, Herbie Hancock, Stress, and Moving to the Bay Area

In this episode of Working Class Audio, Matt welcomes back Mastering Engineering Joe Caithness. Joe has worked on mastering the soundtrack music for games such as Borderlands, and Tekken, the soundtracks for the Netflix movie Close, bands such as Don Martin 3 and Palooka 5.

In this episode we discuss Pro Audio Minimalism.
In This Episode, We Discuss:Pro audio minimalism focuses on efficiency and workflow.Post-pandemic, many have adapted to home studios.Stripping down gear can lead to better productivity.Quality of work is not determined by the amount of gear.The bell curve illustrates the journey of audio engineers.Social media can exacerbate gear obsession.It's important to focus on skills rather than equipment.Minimalism can reduce stress in the creative process.Finding balance in audio engineering is crucial.Personal interests outside of audio can influence spending. Being debt-free allows for better control over finances.Intentional communication can streamline workflows and reduce confusion.Minimalism in workflow can lead to increased efficiency.Decluttering can help identify unnecessary subscriptions and expenses.Applying minimalism to business practices can enhance focus and productivity.The thrill of the hunt can lead to unnecessary clutter if not managed.Intentional equipment purchases can prevent buyer's remorse.Every purchase has a domino effect on workflow and finances.Embracing whimsy can make minimalism enjoyable and fulfilling.Sharing resources can benefit others and reduce personal clutter.
Links and Show Notes:Joe's SiteJoe on WCA #329
Matt's Rant: Credits:Guest: Joe CaithnessHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

WCA #578 with Joe Caithness – Pro Audio Minimalism, Finding Balance, Decluttering, Embracing Whimsy, and The Bell Curve

In this episode of Working Class Audio, Matt welcomes back Producer, Mixer & Mastering Engineer Justin Gray. Based in Toronto, Canada, Justin has worked on projects for Snoop Dogg, Brandy, Nicky Youre, Mother Mother, Arkells, Jamie Fine, Lola Brooke, Upsahl, and The Sheepdogs.

In this conversation, Justin Gray discusses his album 'Immersed', exploring the creative process, technical aspects of immersive audio, and the importance of community and collaboration in music production. He shares insights on funding, marketing strategies, and the role of social media in promoting his work. The discussion also touches on the challenges of balancing family life with artistic pursuits and the significance of believing in oneself as an artist.
In This Episode, We Discuss:Innovative immersive audioEarly surround experimentsCommunity-driven collaborationCanadian arts fundingValue of physical mediaSocial media promotionImpact of recognitionBalancing family supportBelief in the workEngineer and artist
Links and Show Notes:Justin's Site Links to all streaming PlatformsBand CampImmersive Audio AlbumJustin on WCA #451
Matt's Rant: Forming Your Own BubbleCredits:Guest: Justin GrayHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

WCA #577 with Justin Gray – Immersive, Balancing Family Support, Belief In Your Work, Early Surround, & Being Engineer and Artist

Scott Wiley is a music producer, engineer, musician and owner of June Audio Recording Studios in Provo, Utah. Scott studied music recording at USC and got to learn from some of the best producers and engineers in the industry during his years working in great Los Angeles rooms like Sound Factory, Sunset Sound, Cello and Conway Recording Studios. As an engineer and/or producer for the last 25 years, Scott has worked with Neon Trees, Bonnie Raitt, Kaskade, David Archuleta, Tracy Chapman, The Moth & The Flame, and Stephanie Mabey among others. Scott has also taught recording and music business classes at UVU and BYU.

June Audio is currently expanding from a mid-sized one studio operation to a 5000 square foot Wes Lachot designed facility that will house 3 separate studios, 2 in a large new building and a third in an adjoining turn of the century home.

More info can be found here www.juneaudio.com or follow the build thread on gearslutz at http://tinyurl.com/z6xg4sj.

 

Scott talks with Matt about moving between California and Utah, assisting for Tchad Blake, and running a studio in a environment where the Mormon church plays a big role.

WCA #094 with Scott Wiley

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