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Why Theory

Why Theory brings continental philosophy and psychoanalytic theory together to examine cultural phenomena.

Kicking off a new Overview sub series of podcasts, Ryan and Todd discuss the influential ideas of Hegelian-Lacanian philosopher, Slavoj Žižek. After discussing Žižek's defining contribution in bringing the study of Hegel and the study of Lacan together, the two hosts move through three ideas apiece that each influenced their own work and their own thinking.

Slavoj Žižek: An Overview

In this episode, Todd and I discuss dialectics (as the title of the episode implies). After charting the historical development of the term, we focus on the different roles dialectics play for Kant and Hegel. Later, we finish the episode by talking about how Lacan's dialectical thinking manifests itself in his theory. This was a listener suggested episode. Shout outs to Ken in Birmingham and Sean in Dublin. Thanks so much for listening!

Dialectics

In the third of a series of three special episodes featuring Slavoj Zizek, Ryan and Todd respond to Todd's interview with Slavoj concerning his relationship to Hegel. Slavoj brings up questions about Todd's interpretation of Hegel in his new book, specifically the claim about the end of history and the idea that Hegel argues for political freedom. Building on the interview, Ryan and Todd ponder how we might think of progress in Hegelian terms.

An Afternoon with Slavoj Zizek -- Hegel

In this episode of a continuing series on Hegel's Phenomenology of Spirit, Ryan and Todd go over the three subsection of the Consciousness chapter: sense certainty, perception, and force and understanding. They move from a discussion of Hegel's clarity in sense certainty to his opacity in Force and Understanding. They contend that this last section of Consciousness represents one of the major moments in both Hegel's thought and in all of modern philosophy.

Hegel's Consciousness

This episode is the third in a seven part series devoted to Hegel's Phenomenology of Spirit. Ryan and Todd discuss the second major section, Self-Consciousness, with a special focus on the master/slave dialectic. They also explore the transition from Consciousness and then the transition to Reason.

Hegel's Self-Consciousness

This episode is the fourth in a series of episodes that Ryan and Todd are devoting to Hegel's Phenomenology of Spirit. Here, we go through what Hegel understands by the term "reason" and how it develops in this major section of the book.

Hegel's Reason

Ryan and Todd pick up their discussion of Hegel's Phenomenology of Spirit with an exploration of the "Spirit" section of this book. They probe into Hegel's conception of Sittlichkeit (or the ethical order) and his investment in the act of getting one's hands dirty ethically and politically.

Hegel's Spirit

Ryan and Todd conclude their series on Hegel's Phenomenology of Spirit with a discussion of the Absolute Knowing section. They explore the relationship between this section and the rest of the book as well as considering what this section has to say about the relationship between mediation and immediacy.

Hegel's Absolute Knowing

Ryan and Todd explore the possibilities for praxis in the vein of the notorious philosopher who expresses disdain for the possibilities of a philosophical praxis—Hegel. They look at instances of Hegelian praxis in action, including the church of contradiction developed by Peter Rollins. Hegelian praxis focuses on contradiction, failure, disappointment, and universality. Most importantly, it never operates through a preestablished road map.

Hegelian Praxis

In their annual Christmas special, Ryan and Todd explore the Lesbian Christmas film and the theoretical contribution that this specific type of film makes to the Christmas film genre. They discuss Carol, Happiest Season, and Let It Snow in terms of their depictions of desire and the importance of desire itself coming out.

Lesbian Christmas

Ryan and Todd examine the theoretical underpinnings of the genre of the superhero film. They look at its origins in the western and its development from the 1970s through Christopher Nolan and culminating in the Marvel Cinematic Universe. They discuss why one might see it as a failed genre.

Superhero Film

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