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Why Theory

Why Theory brings continental philosophy and psychoanalytic theory together to examine cultural phenomena.

Kicking off a new Overview sub series of podcasts, Ryan and Todd discuss the influential ideas of Hegelian-Lacanian philosopher, Slavoj Žižek. After discussing Žižek's defining contribution in bringing the study of Hegel and the study of Lacan together, the two hosts move through three ideas apiece that each influenced their own work and their own thinking.

Slavoj Žižek: An Overview

In the third of a series of three special episodes featuring Slavoj Zizek, Ryan and Todd respond to Todd's interview with Slavoj concerning his relationship to Hegel. Slavoj brings up questions about Todd's interpretation of Hegel in his new book, specifically the claim about the end of history and the idea that Hegel argues for political freedom. Building on the interview, Ryan and Todd ponder how we might think of progress in Hegelian terms.

An Afternoon with Slavoj Zizek -- Hegel

In this episode of a continuing series on Hegel's Phenomenology of Spirit, Ryan and Todd go over the three subsection of the Consciousness chapter: sense certainty, perception, and force and understanding. They move from a discussion of Hegel's clarity in sense certainty to his opacity in Force and Understanding. They contend that this last section of Consciousness represents one of the major moments in both Hegel's thought and in all of modern philosophy.

Hegel's Consciousness

This episode is the third in a seven part series devoted to Hegel's Phenomenology of Spirit. Ryan and Todd discuss the second major section, Self-Consciousness, with a special focus on the master/slave dialectic. They also explore the transition from Consciousness and then the transition to Reason.

Hegel's Self-Consciousness

This episode is the fourth in a series of episodes that Ryan and Todd are devoting to Hegel's Phenomenology of Spirit. Here, we go through what Hegel understands by the term "reason" and how it develops in this major section of the book.

Hegel's Reason

In their penultimate episode on Hegel's Phenomenology of Spirit, Ryan and Todd analyze the religion section of the book. They focus most on the comic work of art and the revealed religion sections as they try to make sense of why Hegel gives religion such a prominent place in the Phenomenology.

Ryan was recently a guest discussing graduate student conferences, which one can listen to here: https://soundcloud.com/lclcoralhistory
 
Barry Manilow’s “misunderstood” Dr. Pepper song:
https://www.youtube.com/watch?v=fyonMvAh1Bw

Hegel's Religion

Ryan and Todd explore the possibilities for praxis in the vein of the notorious philosopher who expresses disdain for the possibilities of a philosophical praxis—Hegel. They look at instances of Hegelian praxis in action, including the church of contradiction developed by Peter Rollins. Hegelian praxis focuses on contradiction, failure, disappointment, and universality. Most importantly, it never operates through a preestablished road map.

Hegelian Praxis

In their annual Christmas special, Ryan and Todd explore the Lesbian Christmas film and the theoretical contribution that this specific type of film makes to the Christmas film genre. They discuss Carol, Happiest Season, and Let It Snow in terms of their depictions of desire and the importance of desire itself coming out.

Lesbian Christmas

Ryan and Todd work through Jacques Lacan’s Seminar X: Anxiety. Since this is the seminar that provides a great deal of Lacan’s initial theorizing of the objet a, they devote much of their time to this concept. Additionally, they discuss how Lacan responds in this seminar to existentialism, especially through his redefinition of anxiety. They conclude with an analysis of the role that sacrifice plays relative to anxiety.

Seminar X: Anxiety

Ryan and Todd pay tribute to David Lynch’s life and work by discussing each of his ten feature films in order of value as artworks (in the view of one of the cohosts). They explore the role of fantasy in Lynch’s works and how he implicates the desire of the spectator in the films.

David Lynch

Ryan and Todd interpret David Lynch's Blue Velvet by paying special attention to the Kantian dimension of the film. They consider the film in terms of the thing-in-itself and the sublime.

Blue Velvet

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