M’usa, con l’apostrofo. Le donne di PicassoLetizia Bravi
The hexagonal slices of wood don’t look like much. There’s the shape, sort of interesting in its architectural way, and the neutral wood color. A few are studded with bright, white lights, right in the center, which is fun. And the way the hexagons, each the size of a manhole cover, have been bunched into clusters feels natural and sensible. Surely a Fibonacci sequence is hiding somewhere in there.
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