M’usa, con l’apostrofo. Le donne di PicassoLetizia Bravi
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Watching the Hyundai pull into the parking spot, I cringe a bit with the stress that strikes when I feel like I’m holding other people up. The car is wiggling backward and forward, backward and forward, trying to fit into the dead center of the spot, and another driver is stuck, waiting to get by in the tight garage. Once the Hyundai is finally parked, the waiting driver pulls up and stops, window down and eyes wide open. And she’s not annoyed.
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