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Weirding Way Media

Podcasters Chris Stachiw (The Kulturecast) and Mike White (The Projection Booth) look at the enduring character of Lt. Columbo (Peter Falk) and his creators.

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The Shabby Detective: Yet Another Columbo Podcast

The sixth season of Columbo kicks off with “Fade in to Murder,” and we’re right there with it. Yes, we had to scrap our planned chat on Elaine May’s Mikey and Nicky (Mike just couldn’t stomach it), but that means we get to dive straight into William Shatner swaggering his way through one of the great villain roles of the NBC years. Chris can’t help but heap praise on Shatner’s performance as ego-fueled actor Ward Fowler, while Mike wrestles with the episode’s meta conceit, its TV-within-TV layers, and Peter Falk’s always-dependable rumpled brilliance.

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Fade in to Murder

Not every Peter Falk performance comes with a rumpled coat and a homicide to solve. In this episode, we take a look at Griffin & Phoenix, a 1976 made-for-TV gem that finds Falk in rare romantic form. As Geoffrey Griffin, a terminally ill professor, Falk trades sharp wit for quiet heartbreak opposite Jill Clayburgh’s Phoenix, a fellow traveler on a limited timeline. What might sound like a recipe for melodrama turns into something far more poignant and disarming, with Falk giving one of his most restrained and vulnerable performances.

 We dig into the film’s TV-movie roots, its place in the 1970s “disease-of-the-week” wave, and how its frank, unvarnished take on death—and love—holds up nearly fifty years later. It’s Peter Falk without the trench coat, but not without charm, soul, and a monologue or two.

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Griffin & Phoenix (1976)

It’s here. The one we’ve all been bracing for: Last Salute to the Commodore. As the final episode of Columbo’s fifth season and a proposed ending place for the entire NBC run, it manages to sink the ship with an almost gleeful disregard for coherence, tone, and character. 

Mike and Chris try to make sense of the chaos—was it Jackson Gillis’s bewildering script? Patrick McGoohan’s direction? Peter Falk’s performance? Or all of the above? Whatever happened, the result is a baffling, self-sabotaging parody of the show itself. Come for the messy nautical metaphors, stay for the analysis of Columbo’s most infamous misfire.

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Last Salute to the Commodore

In this special bonus episode of The Shabby Detective, Mike White sits down with author Glenn Stewart to discuss his insightful and wildly entertaining book Columbo Explains the ’70s: A TV Cop’s Pop Culture Journey. Stewart’s book explores the cultural and historical shifts of the 1970s—from Watergate to disco, second-wave feminism to fast food—with the trench-coated sleuth as our shrewd, inquisitive guide.

Mike and Glenn dive into the origins of the project, the writing process behind channeling Columbo’s voice, and how Stewart cultural criticism and TV history into a distinctive, illuminating take on the decade. Whether you're a fan of the show or just obsessed with ’70s Americana, this episode is for you.

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Columbo Explains the Seventies

The great Santini takes center stage—but Lieutenant Columbo isn’t impressed by smoke and mirrors. In this episode of The Shabby Detective, Mike and Chris shine a spotlight on Now You See Him, the 1976 Columbo classic starring Jack Cassidy in his final turn as a Columbo killer. Cassidy plays the arrogant nightclub magician who thinks he can make murder disappear, but the rumpled detective sees right through the act.

Chris and Mike unpack the episode’s sleight-of-hand plotting, its eerie undertones of Nazism and blackmail, and Cassidy’s show-stealing performance. Along the way, they ponder Robert Loggia’s mustache, comment on the trickery of typewriter ribbons, and debate whether this outing is one of Columbo’s best.

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Now You See Him

Mike and Chris head south of the border for A Matter of Honor, the rare Columbo episode set in Mexico, where the Lieutenant faces bulls, bravado, and a different kind of justice. Ricardo Montalbán plays a retired matador with a secret—and a motive—and Columbo has to navigate a new culture and language barrier while staying one step ahead. The guys dig into the episode’s unique setting, the ethics of honor killings, and how the show handles cultural sensitivity (or doesn’t). Is this an underrated gem or a misstep in a sombrero? 

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A Matter of Honor

Mike and Chris slip into the shadows with Identity Crisis, Columbo’s espionage-laced foray into cloak-and-dagger territory. Directed by none other than Patrick McGoohan—who also stars as a smug, sartorially superior spy—this episode finds the Lieutenant matching wits with a killer who’s as cool as he is cold-blooded. The guys dive into the episode’s slick style, surreal touches, and McGoohan’s unmistakable fingerprints all over the production. Is this Columbo at its most cerebral—or just a secret agent detour too far? Join the investigation and find out.

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Identity Crisis

In this episode of The Shabby Detective, Mike and Chris take a diplomatic detour into A Case of Immunity, where political protocol, palace intrigue, and murder collide. Columbo finds himself navigating foreign immunity laws and velvet robes as he tries to outwit a slippery embassy official (Héctor Elizondo) with a taste for treason. The guys break down the episode's unique tone, the curious case of Sal Mineo, and the appearance of Jeff Goldblum.

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A Case of Immunity

Step onto the faded red carpet and into the world of aging Hollywood glamour as The Shabby Detective takes on "Forgotten Lady", one of Columbo's most poignant mysteries. In this episode, we unravel the tragic tale of fading movie star Grace Wheeler (Janet Leigh), who dreams of a comeback but finds herself tangled in a web of murder and memory.

With Peter Falk’s rumpled lieutenant navigating a case where sympathy and suspicion go hand in hand, we dissect the episode’s emotional depth, the heartbreaking performance of Sam Jaffe, and the delicate balance of justice and mercy. Plus, we take a closer look at Columbo’s softer side—does the good lieutenant let sentiment cloud his sharp detective instincts?

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Forgotten Lady

In this episode of The Shabby Detective, we examine the riveting 1974 TV movie The Gun, a gripping exploration of fate and consequence. Crafted by the legendary writing duo Richard Levinson and William Link and directed by John Badham, the film follows the journey of a single handgun as it passes through various lives, leaving a trail of drama and intrigue. Join us as we unpack the film’s unique episodic structure and the creative forces behind this powerful cautionary tale.

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The Gun (1974)

Beth Chadwick: (Susan Clark) lives under the thumb of her brother Bryce (Richard Anderson). He objects to her relationship with Peter Hamilton: (Leslie Nielsen) as well as keeping her out of the affairs of their family-owned company. When she pretends to be startled by a burglar and shoots her brother, Columbo has to figure out the order between a cart and a horse.

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Lady in Waiting

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