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Weirding Way Media

The Projection Booth has been recognized as a premier film podcast by The Washington Post, The A.V. Club, IndieWire, Entertainment Weekly, and Filmmaker Magazine. With over 700 episodes to date and an ever-growing fan base, The Projection Booth features discussions of films from a wide variety of genres with in-depth critical analysis while regularly attracting special guest talent eager to discuss their past gems.

Visit http://www.projectionboothpodcast.com

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The Projection Booth Podcast

Mike is joined by Emily Intravia (The Feminine Critique) and screenwriter Howard A. Rodman for a sobering descent into Panic in Year Zero! (1962), directed by and starring Ray Milland. Loosely inspired by Ward Moore’s chilling short stories “Lot” and “Lot’s Daughter,” the film imagines a Los Angeles family thrust into chaos after a nuclear attack decimates the city. As Henry Baldwin, Milland leads his wife (Jean Hagen) and children (Mary Mitchel and Frankie Avalon) on a desperate quest for survival in a world unraveling by the hour.

With Cold War dread baked into every frame, Panic in Year Zero! is an eerily prescient slice of apocalyptic Americana—a proto-survivalist tale that predates The Road and The Walking Dead by decades. We unpack its moral ambiguity, its place in the post-bomb canon, and why it remains a startling relic of atomic-age anxiety.

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Episode 756: Panic in Year Zero! (1962)

Mike is joined by Father Malone (Midnight Viewing) and Chris Stachiw (The Kulturecast) to dig into Marvel’s latest reboot attempt, Fantastic Four: First Steps (2025), the long-awaited introduction of Marvel’s First Family into the MCU. Directed by Matt Shakman and starring Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn, the film blends retro aesthetics with multiversal madness as Reed, Sue, Ben, and Johnny leap from the 1960s into present-day chaos.

Does Shakman finally crack the code that’s eluded three previous FF films? Or does Marvel’s Phase 6 entry stretch itself too thin? The trio tackles the film’s performances, its ties to Kang and the Secret Wars setup, and whether this version lives up to the legacy of Jack Kirby and Stan Lee’s original cosmic explorers.

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Special Report: Fantastic Four: First Steps (2025)

Sci-Fi July wraps up with Return of the Jedi (1983), the final installment of the original Star Wars trilogy—directed by Richard Marquand, guided by George Lucas, and packed with new creatures, recycled plot beats, and merchandising gold. Joining Mike to explore the film's legacy and limitations are Jamie Benning (Filmumentaries) and Stephen Scarlata (Best Movies Never Made), along with special guest Jim Bloom, associate producer on Empire and Jedi.

From Jabba's palace to yet another Death Star, Jedi tries to close the saga with spectacle and sentiment—but not without creative compromises. We dig into the behind-the-scenes drama, the tonal whiplash between Ewoks and existential stakes, and how Jedi served as both a climax and a commercial pivot point for the franchise. Was it a fitting finale or just a soft landing pad for action figures? Strap into your speeder bike, it's going to be a bumpy ride.

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Episode 755: Return of the Jedi (1983)

Mike speaks with co-director Fax Bahr and archivist James Mockoski about the stunning new 4K restoration of Hearts of Darkness: A Filmmaker’s Apocalypse (1991), the definitive behind-the-scenes documentary chronicling the infamously turbulent production of Apocalypse Now. 

What began as a Vietnam War epic in the Philippines became one of the most harrowing shoots in cinematic history—captured on 16mm by Eleanor Coppola and transformed into a raw, revelatory portrait by Bahr and co-director George Hickenlooper. Bahr discusses the collaborative assembly of Eleanor’s intimate footage, audio diaries, and newly recorded interviews with stars like Martin Sheen and Dennis Hopper.

Meanwhile, Mockoski details how American Zoetrope restored the film from the original elements for the first time, regrading in 4K, restoring the original 2.39:1 aspect ratio, and remixing the sound in 5.1. With the full blessing of Francis Ford Coppola, this restoration brings fresh clarity and depth to a film that remains a blistering, essential look at artistic obsession, collapse, and endurance.

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Special Report: Hearts of Darkness (1991)

Sci-Fi July dives deep into the sublime with Upstream Color (2013), Shane Carruth’s mesmerizing meditation on identity, connection, and control. Co-hosts Ben Buckingham and Jim Laczkowski join Mike to untangle the film’s elliptical narrative, which follows a woman who is drugged, robbed, and psychically linked to a pig as part of a surreal cycle of manipulation and rebirth. A bold, enigmatic follow-up to Primer, Carruth’s film is an audiovisual trance, blurring the line between organism and environment, memory and self. We explore the film’s layered metaphors, sound design, and experimental structure — and maybe, just maybe, crack its code.

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Episode 754: Upstream Color (2013)

Mike talks with director Lisa D’Apolito about her 2025 documentary Shari & Lamb Chop, an affectionate and revealing portrait of Shari Lewis, the groundbreaking performer, writer, and puppeteer behind the beloved sock puppet Lamb Chop. D’Apolito—best known for Love, Gilda—crafts another tender exploration of a complex, trailblazing woman who was far more than a children’s entertainer.

Drawing from never-before-seen footage and interviews with everyone from Shari’s daughter Mallory Lewis to celebrities like David Copperfield, the film revisits the rise, fall, and resurgence of a TV icon who balanced charm and discipline, softness and ambition. We discuss Lewis’s unlikely path through the male-dominated worlds of television and puppetry, the lasting cultural imprint of Lamb Chop, and the evolution of the project itself—from personal archives to a full-scale production with the support of TIME Studios and White Horse Pictures.

Whether you grew up with Lamb Chop’s Play-Along or are just discovering the powerhouse behind the puppet, this conversation offers a moving and joyful look at a singular career in entertainment.

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Special Report: Shari & Lamb Chop (2025)

Sci-Fi July rolls on with Battle Beyond the Stars (1980), Roger Corman’s ambitious space opera directed by Jimmy T. Murakami and written by a pre-Lone Star John Sayles. This wild interstellar remix of The Seven Samurai stars Richard Thomas as Shad, a naive farm boy turned cosmic recruiter who must assemble a team of eccentric mercenaries to defend his planet from the tyrannical Sador—played with ruthless relish by John Saxon.

Mike is joined by Father Malone and Chris Stachiw to dig into the film’s unforgettable cast of characters, James Horner’s rousing score (which sounds suspiciously like his work for Star Trek II), and the early visual effects work of James Cameron. Special guest Allan Holzman, the film’s editor (and future director of Forbidden World), offers behind-the-scenes insights from the golden age of Corman’s New World Pictures. Low-budget spectacle, recycled spaceship sets, and alien oddballs abound in this scrappy cult favorite.

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Episode 753: Battle Beyond the Stars (1980)

Mike is joined by Father Malone (Midnight Viewing) and Chris Stachiw (The Kulturecast) to discuss James Gunn's first foray as the head of the "DCU" with his 2025 film, Superman. It's a new interpretation of the Man of Steel as David Corenswet takes to the skies as the lone son of Krypton watches over the people of Earth, much to the chagrin of Lex Luthor (Nicholas Hoult). It's a surprisingly decent entry from DC that may pave the way to a less-dour vision of superheroes.

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Special Report: Superman (2025)

Sci Fi July launches with a titan of cinematic futurism: Metropolis (1927). Fritz Lang’s visually stunning epic set the blueprint for dystopian science fiction, blending Gothic horror, political allegory, and machine-age spectacle. Co-written with Thea von Harbou, the film envisions a divided city of soaring towers and subterranean toil, where Freder—the privileged son of master planner Joh Fredersen—awakens to injustice through his encounter with the spiritual leader of the working class, Maria.

Mike is joined by Ranjit Sandhu and Federico Bertolini to discuss the many versions of the film, its fraught production, the complex legacy of Lang and von Harbou, and why Rotwang's lab never goes out of style. From Giger to Gaga, Metropolis casts a long, haunting shadow.

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Episode 752: Metropolis (1927)

The Fantasia International Film Festival returns for its 29th edition, running from July 17 to August 8, 2025, and promises another electrifying celebration of genre cinema from around the world. With its full slate now unveiled across three waves of programming, Fantasia 2025 continues its tradition of championing daring filmmakers and boundary-pushing storytelling.

Among the major highlights this year is Yuji Shimomura’s highly anticipated Crazy Musashi, penned by cult favorite Sion Sono. Also debuting is the world premiere of The Beast Within by genre auteur Gabriel Carrer, while Bertrand Mandico’s surreal She Is Conan the Barbarian will receive its North American premiere following acclaim in Cannes. Other festival standouts include Kiah Roache-Turner’s creature feature Beast of War, and Macoto Tezuka’s live-action adaptation Barbara II, based on the manga by Osamu Tezuka.

Fantasia 2025 will also spotlight a robust Quebecois lineup, particularly through the Fantastiques Week-ends du cinéma québécois, which includes 77 short and feature films from emerging and established local talent. This year’s program emphasizes bold, original visions, including the premiere of David B. Ricard’s mockumentary Alien Tribute, and Alexandre Prieur-Grenier’s nightmarish Enfer en eau trouble.

The festival continues its legacy of nurturing new voices with its Camera Lucida and Axis sections, while also welcoming back returning favorites such as Larry Fessenden (Blackout), Takashi Shimizu (Immersion), and Calvin Lee Reeder (Yummy Fur).

With over 130 feature films, dozens of special events, and a strong presence of Asian, North American, and international genre cinema, Fantasia 2025 affirms itself as one of the world’s premier showcases for fantastical film.

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Special Report: 2025 Fantasia Curtain Raiser

Cinema Novo month continues with a look at Glauber Rocha's Black God, White Devil (and its follow-up, Antonio Das Mortes). It's two stories in one as our main character, Manuel, kills his boss and then goes on the run, becoming a follower of Sebastian (the Black God of the title) before eventually becoming a follower of Corisco (the White Devil).

Ken Stanley and Chris Stachiw join Mike to discuss Rocha's work before and after the political coup that changed Brazilian history.
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Episode 475: Black God, White Devil (1964)

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