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WNYC Studios and The New Yorker

Join The New Yorker’s writers and editors for reporting, insight, and analysis of the most pressing political issues of our time. On Mondays, David Remnick, the editor of The New Yorker, presents conversations and feature stories about current events. On Wednesdays, the senior editor Tyler Foggatt goes deep on a consequential political story via far-reaching interviews with staff writers and outside experts. And, on Fridays, the staff writers Susan B. Glasser, Jane Mayer, and Evan Osnos discuss the latest developments in Washington and beyond, offering an encompassing understanding of this moment in American politics.

The Political Scene | The New Yorker

Speculation, analysis, and commentary circulated all summer, after the announcement, in June, that Anna Wintour would step back from her role as the editor-in-chief of American Vogue. This changing of the guard is uniquely fraught, because Wintour’s name has become nearly inextricable from the magazine, to a degree almost unknown today. And, as New York Fashion Week was set to begin, Wintour spoke with David Remnick about choosing her successor, the Vogue.com editor Chloe Malle. “It felt like this was the right time,” she says. With an unusual number of new creative directors in positions at major fashion houses, “It seemed like a good moment to bring in someone with a different perspective and a different generation who could look at things in a new way.” Wintour was appointed editor-in-chief in 1988, and generations of designers have come up under her famously acute and decisive judgments. She comes from a publishing family; her brother is a well-known journalist, and her father was the editor of the London Evening Standard. She credits him with steering her into a career in fashion, even suggesting that the teen-age Anna write down “editor of Vogue” as her career aspiration on a school form. “Working my first jobs in London, there [was] no money, there’s no staff, there’s no teams, so that you have to learn how to do everything,” Wintour says. “So, when I came to the States and there was a shoe editor and an underwear editor and a fabric editor, it was all so siloed. I felt very confident because I sort of knew how to do everything.” Wintour is also known for bringing politics to Vogue; she’s a noted Democratic supporter and donor. “I’ve been impressed by Governor Newsom, I think he’s certainly making a stand, and obviously I’m sure there’ll be many other candidates that will emerge, hopefully soon.” But, in this political environment, Remnick asks, “How do you make a case that fashion is important?” Fashion, she replies, “is always important. It’s a question of self-expression and a statement about yourself. . . . And, forgive me, David, but how boring would it be if everybody was just wearing a dark suit and a white shirt all the time?”

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts. 

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Anna Wintour Embraces a New Era at Vogue

The Washington Roundtable, hosted by the staff writers Susan B. Glasser, Jane Mayer, and Evan Osnos, is back in season. The co-hosts reflect on the news of this summer, discussing President Trump’s imposition of tariffs on nearly every major U.S. trading partner; his deployment of the National Guard on the streets of the capital; and his purges of agencies including the Department of Justice, the Bureau of Labor Statistics, and the Centers for Disease Control and Prevention. They also discuss what Trump might use emergency powers to do in the near future. “You don’t acquire all this power, and go to all this effort, and then not start to use it,” Glasser says.

This week’s reading:

 • “
How Many Court Cases Can Trump Lose in a Single Week? • ,” by Susan B. Glasser

 • “
Trump’s Department of Energy Gets Scienced • ,” by Bill McKibben

 • “
Texas Democrats’ Weapons of the Weak • ,” by Rachel Monroe

 • “
Do State Referendums on Abortion Work? • ,” by Peter Slevin

Tune in wherever you get your podcasts.

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Trump Has Grabbed Emergency Powers. How Will He Use Them?

The New Yorker contributing writer Ruth Marcus joins the guest host and staff writer Clare Malone to discuss Marcus’s recent profile of U.S. Attorney General Pam Bondi. They talk about Bondi’s political origins and her unprecedented reshaping of the Justice Department, and how she delivers on President Trump’s desire to use the legal system for revenge and retribution. They also touch on Bondi’s mishandling of the Jeffrey Epstein case, which has drawn the ire of both Democratic politicians and core parts of the President’s base. 

This week’s reading:

 • “
Pam Bondi’s Power Play • ,” by Ruth Marcus

 • “
Texas Democrats’ Weapons of the Weak • ,” by Rachel Monroe

 • “
Do State Referendums on Abortion Work? • ,” by Peter Slevin

 • “
Why Don’t We Take Nuclear Weapons Seriously? • ,” by Rivka Galchen

 • “
How Robert F. Kennedy, Jr.,’s Anti-Vax Agenda Is Infecting America • ,” by Isaac Chotiner

Tune in to The Political Scene wherever you get your podcasts.

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Why Pam Bondi Is the Attorney General of Trump’s Dreams

The term “culture wars” is most often associated with issues of sexuality, race, religion, and gender. But, as recent months have made plain, when Donald Trump refers to the culture wars, he also means the arts. He fired the board of the John F. Kennedy Center for the Performing Arts, which Republicans want to rename for him. His Administration fired the national archivist and the Librarian of Congress, and pressured the director of the National Portrait Gallery to resign; it is reviewing the entire Smithsonian Institution, looking for what the President calls “improper ideology.” Some view these moves as low-hanging fruit for Trump, and a distraction from bad press about Jeffrey Epstein, the Putin meeting, and tariffs. But Adam Gopnik believes that interpretation is a misreading. The loyalty purge at institutions such as the National Portrait Gallery is a key part of his agenda. “Pluralism is the key principle of a democratic culture,” Gopnik tells David Remnick. Could we be following the path of Stalinist Russia, where a head of state dictated reviews of concerts, Remnick asks? “I pray and believe that we are not. But that is certainly the direction in which one inevitably heads when the political boss takes over key cultural institutions, and dictates who’s acceptable and who is not.” Gopnik recalls saying after the election that “Jimmy Kimmel and Stephen Colbert would be next.” “You would see them disappear,” he added. “Each time, we find a rationale for it or a rationale is offered. And it’s much easier for us to swallow the rationale than to face the reality.”

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Donald Trump’s War on Culture Is Not a Sideshow

The Democratic strategist Lis Smith joins the guest host Clare Malone, a New Yorker staff writer, to discuss the state of the Democratic Party, and how a decade of reliance on anti-Trump rhetoric has left Democrats reactive and directionless. They consider why groups that Democrats once counted on—from young people to communities of color—are shifting rightward, and what new strategies politicians from Gavin Newsom to Zohran Mamdani are testing to prove that the Democratic Party stands for more than opposition to Trump.

This week’s reading

 • “
The Trump Administration’s Efforts to Reshape America’s Past • ,” by Jill Lepore

 • “
How Former Biden Officials Defend Their Gaza Policy • ,” by Isaac Chotiner

 • “
The Endless August Recess • ,” by Antonia Hitchens

 • “
The Enormous Stakes of Trump’s Effort to Fire the Fed Governor Lisa Cook • ,” by John Cassidy

 • “
What’s Life Like in Washington, D.C., During Trump’s Takeover? • ,” by Margaret Talbot

Tune in to The Political Scene wherever you get your podcasts.

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The Democratic Party’s Identity Crisis

Since the end of the Cold War, most Americans have taken U.S. military supremacy for granted. We can no longer afford to do so, according to reporting by the staff writer Dexter Filkins. China has developed advanced weapons that rival or surpass America’s; and at the same time, drone warfare has fundamentally changed calculations of the battlefield. Ukraine’s ability to hold off the massive Russian Army depends largely on a startup industry that has provided millions of drones—small, highly accurate, and as cheap as five hundred dollars each—to inflict enormous casualties on invading forces. In some other conflict, could the U.S. be in the position of Russia? “The nightmare scenario” at the Pentagon, Filkins tells David Remnick, is, “we’ve got an eighteen-billion-dollar aircraft carrier steaming its way toward the western Pacific, and [an enemy could] fire drones at these things, and they’re highly, highly accurate, and they move at incredible speeds. . . . To give [Secretary of Defense Pete] Hegseth credit, and the people around him . . . they say, ‘O.K., we get it. We’re going to change the Pentagon procurement process,’ ” spending less on aircraft carriers and more on small technology like drones. But “the Pentagon is so slow, and people have been talking about these things for years. . . . Nobody has been able to do it.”

Read Filkins’s “Is the U.S. Ready for the Next War?”

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.

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Dexter Filkins on Drones and the Future of Warfare

The Washington Roundtable speaks with Jeffrey Rosen, the president and C.E.O. of the National Constitution Center, a nonpartisan nonprofit, about how America’s founders tried to tyrant-proof their constitutional system, how Donald Trump’s whim-based decision-making resembles that of the dictator Julius Caesar, and what we can learn from the fall of the Roman Republic. Plus, how the Supreme Court is responding to the Trump Administration’s broad claims of executive power. 

Rosen, a professor at George Washington University Law School, hosts the “We the People” podcast and is the author of “The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America.” 

This episode originally aired on March 7th, 2025

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Is Trump the Roman Tyrant America's Founders Feared?

The New Yorker staff writer Andrew Marantz joins Tyler Foggatt for the latest installment of “How Bad Is It?,” a monthly series on the health of American democracy. Their guest is David D. Kirkpatrick, whose new investigation details the many ways President Donald Trump has profited during his second term—from a reported private jet gifted by Qatar to soaring valuations of Trump Media and a flood of crypto ventures. They discuss whether these attempts at self-enrichment amount to ordinary political corruption or whether they represent tools for consolidating power which could accelerate democratic backsliding in the United States, much like in kleptocracies and oligarchies abroad.

This week’s reading:

 • “
How Much Is Trump Profiting Off the Presidency? • ,” by David D. Kirkpatrick

 • “
Can Donald Trump Police the United States? • ,” by Christian Fairas 

 • “
Pam Bondi’s Power Play • ,” by Ruth Marcus

 • “
The Troubling Lines That Columbia Is Drawing • ,” by Eyal Press

 • “
The Texas Democrats’ Remote Resistance • ” by Peter Slevin

Tune in to The Political Scene wherever you get your podcasts.

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How Bad Is It?: Trump’s Self-Dealing and the Question of Kleptocracy

Mohammed R. Mhawish was living in Gaza City during Israel’s invasion, in the immediate aftermath of the October 7th attack. He witnessed the invasion for months and reported on its devastating consequences for Al Jazeera, The Nation, and other outlets. After his home was targeted in an Israeli strike, which nearly killed him, he fled Gaza. In The New Yorker, he’s written about mental-health workers who are trying to treat a deeply traumatized population, while themselves suffering from starvation, the loss of loved ones, their own injuries—and the constant, remorseless death toll around them. “They were telling me, ‘We cannot wait for the war to stop to start healing—or for ourselves to heal—to start healing others,’” Mhawish relates to David Remnick. “I understood they were trying to heal by helping others heal.”

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.

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A Palestinian Journalist Escapes Death in Gaza

The New Yorker staff writer Jonathan Blitzer joins Tyler Foggatt to discuss how Donald Trump’s second-term immigration agenda has shifted from border enforcement to an unprecedented campaign of interior deportations. They talk about the expansion of detention through military bases and state-run facilities, the changes to long-standing arrest protocols, and the strategic transfers designed to separate detainees from their families and lawyers. Plus, they examine how these tactics have eroded due-process protections, why Democrats have struggled to mount an effective response, and whether public outrage could slow the Administration’s most aggressive deportation measures.

This week’s reading:

 • “
Can Democrats Fight Back Against Trump’s Redistricting Scheme? • ,” by Jonathan Blitzer

 • “
How Much Is Trump Profiting Off the Presidency? • ,” by David D. Kirkpatrick

 • “
Can Donald Trump Run a Mile? • ,” by Zach Helfand

 • “
What Happens to Public Media Now? • ,” by Oliver Whang

 • “
What If A.I. Doesn’t Get Much Better Than This? • ,” by Cal Newport

Tune in to The Political Scene wherever you get your podcasts.

To discover more podcasts from The New Yorker, visit newyorker.com/podcasts. To send feedback on this episode, write to themail@newyorker.com.

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Trump Has Grabbed Emergency Powers. How Will He Use Them?

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