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Lyt når som helst, hvor som helst 

The New Yorker

New Yorker fiction writers read their stories.

The New Yorker: The Writer's Voice - New Fiction from The New Yorker

Will Mackin reads his story “Pig Lab,” from the July 6 & 13, 2026, issue of the magazine. Mackin, a U.S. Navy veteran who served in Iraq and Afghanistan, is the author of “Bring Out the Dog,” which won the PEN/Robert W. Bingham Prize as the best début short-story collection of 2018.

 
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Will Mackin Reads "Pig Lab"

Ben Lerner reads his story “The Readers,” from the June 29, 2026, issue of the magazine. Lerner is the author of nine books of poetry and fiction, including the novels “10:04,” “The Topeka School,” which was a finalist for the Pulitzer Prize in 2020, and “Transcription,” which came out earlier this year. He was awarded a MacArthur Fellowship in 2015.

 
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Ben Lerner Reads “The Readers”

Andrea Bajani reads his story “Constellation,” which was translated, from the Italian, by Geoffrey Brock, and appeared in the June 15, 2026, issue of the magazine. Bajani is a winner of the Bagutta Prize and the Strega Prize, among other awards, and the author of ten books of fiction, including “If You Kept a Record of Sins” and “Every Promise.” His most recent novel, “The Anniversary,” from which this story was adapted, is being translated into more than two dozen languages, and will be published in English in August.

 
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Andrea Bajani Reads “Constellation”

Jamil Jan Kochai reads his story “The Twice-Widowed Khala Helai,” from the June 8, 2026, issue of the magazine. Kochai is the author of the novel “99 Nights in Logar” and the story collection “The Haunting of Hajji Hotak and Other Stories,” which was a finalist for the National Book Award in 2022 and won the 2023 Aspen Words Literary Prize.

 
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Jamil Jan Kochai Reads “The Twice-Widowed Khala Helai”

Taiye Selasi reads her story “Firstborn Immigrant Daughter,” from the July 8, 2026, issue of the magazine. Selasi is an author and photographer. Her début novel, “Ghana Must Go,” a New York Times best-seller, was published in 2013, the year she was named one of the best young British novelists by Granta.

 
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Taiye Selasi Reads “Firstborn Immigrant Daughter”

Ayşegül Savaş reads her story “Many Worlds,” from the June 1, 2026, issue of the magazine. Savaş is the author of five books, including the novels “White on White” and “The Anthropologists”; a nonfiction work, “The Wilderness”; and the story collection “Long Distance,” which was published last year.

 
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Ayşegül Savaş Reads “Many Worlds”

Weike Wang reads “The Dreamdrive,” from the May 25, 2026, issue of the magazine. Wang was chosen for the National Book Foundation’s “5 under 35” list in 2017, and has published three novels, “Chemistry,” which won the PEN/Hemingway Award, “Joan Is Okay,” and “Rental House.”

 
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Weike Wang Reads “The Dreamdrive”

Chang-rae Lee reads his story “Standings,” from the May 11 & 18, 2026, issue of the magazine. Lee is the author of six novels, including “Native Speaker,” “The Surrendered,” which won the Dayton Literary Peace Prize in 2011, and “My Year Abroad.” His new novel, “A Tender Age,” will be published in August.

 
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Chang-rae Lee Reads “Standings”

Saïd Sayrafiezadeh reads his story “Process of Elimination,” from the May 4, 2026, issue of the magazine. Sayrafiezadeh is the author of several plays, a memoir, and the story collections “Brief Encounters with the Enemy” and “American Estrangement,” which was a finalist for the L.A. Times Book Prize.

 
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Saïd Sayrafiezadeh Reads “Process of Elimination”

Thomas McGuane reads his story “Ordinary Wear and Tear,” from the April 27, 2026, issue of the magazine. McGuane has published more than a dozen books of fiction, including the story collections “Gallatin Canyon,” “Crow Fair,” and “A Wooded Shore,” which came out in 2025.

 
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Thomas McGuane Reads “Ordinary Wear and Tear”

“Within the hour, he’d packed and left, and, although it’s true that things hadn’t been great between us for a while—we’d run out of things to say to each other, and our silences were, frankly, boring—I would have appreciated a little notice, a little time to get used to the idea of breaking up before the breakup’s implementation.”

 
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Camille Bordas Reads “Most Die Young”

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