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BBC World Service

Hear the voices at the heart of global stories. Where curious minds can uncover hidden truths and make sense of the world. The best of documentary storytelling from the BBC World Service.
From conflict in the Middle East to the advance of AI, to the front line of the climate emergency, we go beyond the headlines.
Each week we dive into the minds of the world’s most creative people, take personal journeys into spirituality and connect people from across the globe to share how news stories are shaping their lives.

The Documentary Podcast

Why don’t I have a father? Cathy is 10 years old when she starts asking questions. The secret her mum Maggie is forced to reveal changes everything. Years later, when lawyers and a geneticist turn up in their hometown in Kenya to take DNA samples, Maggie hopes they can help her finally learn the truth. Presented by Ivana Davidovic.

Searching for Soldier Dad: Ep 1. Love story

At 93, Paul Biya is the oldest head of state in the world. In June he will have been the leader of Cameroon for 44 years and is currently serving his eighth consecutive term. It was announced in April that for the first time in Biya's leadership, the position of vice-president would be created in the country. This new post has drawn attention to the lack of certainty within Cameroon over who will take over from Paul Biya once he is no longer in office. BBC Africa's Paul Njie is from Cameroon himself and has been looking into the story. 

A Thai drag performer has won the latest series of the television show RuPaul's Drag Race: UK versus The World. Gawdland is the first Thai winner of the all-star series and also the first non-native English speaker to take the title. Her triumph took some by surprise, but for fans of Drag Race, she's seen as a trailblazer for East Asian drag queens. Panisa Aemocha of BBC Thai explains what makes Gawdland such a stand-out performer. 

Like anyone forced to leave their home country against their will, Russians who've sought asylum abroad face a variety of painful realities. Besides homesickness and the challenges of adapting to a new country, they also cannot safely return home to visit loved ones. For many years, exiled Russians could reunite with Russian family and friends in a wide variety of European and other countries, including the Baltic states. But as the rift between Russia and the rest of Europe deepend in the wake of the war in Ukraine, visa restrictions changed, leaving Russians with only a small handful of countries in which they could meet people from home. Recently, an exiled Russian man in his twenties, Sasha, planned and filmed a unique reunion with Russian friends. BBC Russian's Tatiana Kovtun tells Sasha's story and discusses the online response. 

The Fifth Floor is at the heart of global storytelling on the BBC World Service, bringing you the best stories from journalists in the BBC's 43 language services. We're here to help you make sense of the stories making headlines around the world; to excite your curiosity and to get to grips with the facts. 
 
Recent episodes have investigated Russia’s youth armies and how they make soldiers of Ukrainian children; featured the BBC team who were the first journalists to the site of the Nigerian school kidnappings and reflected the effects of internet blackouts in Iran, Uganda and India. 
 
If you want to know more about Venezuela’s acting president, Delcy Rodriguez, and the legacy of Hugo Chavez; or how Vladimir Putin’s network of deep cover spies operates; or why Donald Trump signed an executive order granting white South Africans asylum in the US, we have all those stories and more. 

Presented by Faranak Amidi. 

Produced by Laura Thomas and Caroline Ferguson 

(Photo: Faranak Amidi. Credit: Tricia Yourkevich.)

A 93 year old president gets a deputy

As Sir David Attenborough celebrates his 100th birthday, we bring together conservationists and film-makers to discuss the impact of his long career, and the influence he has had on how we think about nature. We hear how his tv programmes and books have reached audiences around the world and the inspiration they have provided. Wendy Kirorei describes how growing up in Kenya, Sir David’s programmes were shown constantly on television, and led her to become a wildlife film-maker. “My dream was to do my first documentary in the Maasai Mara purely influenced by watching a lot of his work growing up.”

Sir David Attenborough

Thirty years after the genocide against the Tutsi in Rwanda, some convicted perpetrators are returning to the communities they once devastated. Felin Gakwaya travels to eastern Rwanda to meet both survivors and perpetrators living side by side again. He hears from Daniel Gasangwa, who went to visit the men who killed members of his family after they were released from prison — and told them not to be afraid, because they had been forgiven. He also meets Steven Ngabonziza, whose own path to forgiveness came not first through church, but through war, prison discipline and the slow work of reconciliation. And he hears from Viateur Ruribikiye, a perpetrator who now speaks of confession, repentance and God’s pardon. Through their stories, which include discussions of violence and loss, the programme explores forgiveness not as an abstract idea, but as something lived out in villages, churches, homes and memories that have not gone away.
This episode of The Documentary, comes to you from Heart and Soul, exploring personal approaches to spirituality from around the world.

Befriending the man who killed my family

The Kremlin’s pursuit of a “sovereign internet” has raised fears of a digital Iron Curtain. After months of mobile internet shutdowns, Russian authorities have moved to block major platforms like YouTube and Telegram, along with the VPNs people rely on to bypass restrictions. We explore what’s driving the push to isolate the largest country on Earth from the global internet and unpack the political, economic and military implications of the country’s tightening digital borders.

Contributors: Daria Mosolova, Howard Gethin, Gleb Borshchevski, Evgeny Pudovkin
Producer: Kriszta Satori
Presenter: Krassi Ivanova Twigg
Music: Pete Cunningham

Russia's 'nyet' to the internet

Artemis II astronaut, Jeremy Hansen, reflects on the mission, adapting to life back on Earth after journeying to the far side of the Moon, and looks ahead to future Artemis missions. The Canadian astronaut, who first spoke to 13 Minutes from quarantine before launch, answers the burning questions from the team. He describes the moment a hull breach alarm sounded 20 minutes before the Trans Lunar Injection was due to fire. Then we get to the big one – what’s next for the Artemis programme? 
Season 4 theme music by Hans Zimmer and Christian Lundberg and produced by Russell Emanuel, for Bleeding Fingers Music.
13 Minutes Presents: Artemis II is a BBC Audio Science production for the BBC World Service.
Presenters: Tim Peake and Maggie Aderin-Pocock

13 Minutes Presents: Artemis II: What’s next for Nasa's Artemis mission?

Eighteen months ago, the renovation of the railway station in Serbia’s second biggest city, Novi Sad, led to a tragic accident. A substantial concrete canopy, which ran across the front of the station building, suddenly collapsed, killing sixteen people. The disaster sparked mass protests. Marchers demanded justice for the dead and injured. As the protests spread, to the capital, Belgrade, and to towns and cities across the country, the demands evolved. Protesters accused the government of corruption and of covering up the truth about what happened. The government accused the protesters of being foreign agents, supported and organised by malign outside forces. Now, after more than a year, the mass protests have finally subsided. Jill McGivering is in Serbia to find out what’s happened to that explosion of anti-government anger.

This episode of The Documentary comes to you from Assignment, investigations and journeys into the heart of global events.

Serbia: Under The Canopy

In Scotland, from 1940 to 1963, the artist Joan Eardley produced a cache of monumental seascapes, landscapes, and poignant portraits. When she died aged 42 of breast cancer, people were still trying to categorise her work - part abstract expressionist, part Scottish colourist, part social realist, part kitchen sink (one of her first solo exhibitions was in a cinema). She worked with oil and pastels, but also used collage and plaster on her canvas, as well as gravel and sand and bits of plants (one gallerist scraped these bits off, confused.) She even used graffiti in her portraits of children living in tenements in Glasgow, decades before it became fashionable. A new exhibition at the National Galleries of Scotland hangs Joan's work alongside some of the most cherished and valuable paintings in their collection, including works by Monet and Constable. Curator Kerry Gledhill talks to Antonia Quirke about looking for 'synergies' between the works she has chosen to exhibit, and about Joan's short, passionate, productive life and working practice.

Artist Joan Eardley

Mityana is a bustling regional town in central Uganda, where motorbikes are king. Here an online con operation flourishes in plain sight. Armed with smartphones, emotional images, and carefully crafted lies, a network of young men preys on dog lovers in Europe and America - people who believe they are saving abused, sick, or dying animals. This documentary dives into the shadowy world of the dog-rescue scammers of Mityana. Through undercover reporting, BBC Africa Eye exposes how the scams work, and the lengths the scammers will go to extort donations from well-meaning animal lovers in the West.

For the love of dogs

The personal correspondence, photographs and papers of the late convicted sex offender and financier Jeffrey Epstein have been released to the public in stages, beginning in December 2025, after an almost unanimous vote in the US Senate. 

The released files run to three and a half million documents — emails, letters, photographs, videos, financial records, flight details — all are now open to public scrutiny. Many files remain heavily redacted, but what can be read has already had repercussions globally and revealed Epstein’s web of connections to powerful figures around the world. 

Abdirahim Saeed, BBC Arabic, and Luiz Fernando Toledo, BBC News Brazil, share what they found about the files related to their regions. 

The Fifth Floor is at the heart of global storytelling on the BBC World Service, bringing you the best stories from journalists in the BBC's 43 language services. We're here to help you make sense of the stories making headlines around the world; to excite your curiosity and to get to grips with the facts.
 
Recent episodes have investigated Russia’s youth armies and how they make soldiers of Ukrainian children; featured the BBC team who were the first journalists to the site of the Nigerian school kidnappings and reflected the effects of internet blackouts in Iran, Uganda and India.
 
If you want to know more about Venezuela’s acting president, Delcy Rodriguez, and the legacy of Hugo Chavez; or how Vladimir Putin’s network of deep cover spies operates; or why Donald Trump signed an executive order granting white South Africans asylum in the US, we have all those stories and more.

Mapping Epstein's global connections

Contemporary classical music composer Anna Clyne is one of the most performed and in demand composers in the world.

For her next commission, she is working on a new concerto for the St Louis Symphony Orchestra in Missouri, US. The piece is called PALETTE, and will feature seven movements related to seven colours: plum, amber, lava, ebony, teal, tangerine and emerald green.

Anna will be working with her Grammy-winning audio engineer, sound artist and designer husband Jody Elff on the composition, using their Augmented Orchestra to electronically manipulate the sound of the orchestra in real time during live performances. It's part of their challenge to expand the sound of the acoustic orchestral world while pushing the boundaries of contemporary classical music. Anna will also be painting seven pictures as part of the creative process, inspired by her music, to add to the audience's experience of the work.

In the Studio: Anna Clyne and Jody Elff

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