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The New York Times

This is what the news should sound like. The biggest stories of our time, told by the best journalists in the world. Hosted by Michael Barbaro, Rachel Abrams and Natalie Kitroeff. Twenty minutes a day, six days a week, ready by 6 a.m. 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher.

The Daily

As people in the United States struggle with rising costs, they are increasingly turning to “buy now, pay later” loans for essentials such as rent and groceries.

Stacey Cowley, a business reporter for The New York Times, explains the draw and the hidden risks of the loan model.

Guest: Stacy Cowley, a business reporter at The New York Times, with a focus on consumer finance.

Background reading: 

“Buy now, pay later” • lenders have pitched loans for needs like electricity and rent.
 • They got to live a life of luxury. 
Then came the fine print • .

Photo: Amir Hamja for The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

 
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‘Buy Now, Pay Later’: A New Wave of Consumer Debt

This week marks the start of the Gustavo Dudamel era in New York.

The superstar conductor was just 28 when he became the musical director of the Los Angeles Philharmonic in 2009. A native of Venezuela and a product of its El Sistema musical training program, Dudamel quickly established himself not just as a great conductor, but also as a cultural force of nature. In his time in Los Angeles, he expanded the Philharmonic’s repertoire, created a successful youth outreach program, won prestigious awards and ingratiated himself with Hollywood elite.

Now, after 17 years in Los Angeles, Dudamel is taking the helm at one of the world’s most famous and storied orchestras: the New York Philharmonic. It’s a job once held by Leonard Bernstein, and Dudamel is hoping to follow in Bernstein’s footsteps to make the Philharmonic and the music that it plays a bigger part of the pop culture landscape.

On today’s episode, Joshua Barone, who covers classical music for The Times, discusses Dudamel, what he’s accomplished and the high hopes for his tenure with the New York Philharmonic.

Music Featured (in order of appearance, all conducted by Gustavo Dudamel):

 • Johann Strauss, Tik-Tak Polka, Polka Schnell, Op. 365, Weiner Philharmoniker (Sony Music Entertainment)
 • Dmitri Shostakovich, Festive Overture, Op. 96, Simón Bolívar Youth Orchestra (Deutsche Grammophon)
 • Gustav Mahler, Symphony No. 5 in C-Sharp Minor IV. Adagietto, Berlin Philharmonic (Berlin Philharmonic Recordings)
 • Antonin Dvorak, Symphony No. 8 in G Major, Op. 88, B. 163, III. Allegretto grazioso- Molto vivace, Los Angeles Philharmonic (Deutsche Grammophon)
 • John Williams, “The Imperial March” (From “Star Wars: Episode V — The Empire Strikes Back”), Los Angeles Philharmonic (UMG Recordings, Inc)
 • John Adams, “En un Día de Amor Yo Bajé Hasta la Tierra,” The Gospel According to the Other Mary, Los Angeles Master Chorale and Los Angeles Philharmonic (Deutsche Grammophon)
 • Gabriela Ortiz, “Kauyumari,” Los Angeles Philharmonic (Platoon)
 • Ludwig Beethoven, Symphony No. 7 in A Major, Op. 92, IV. Allegro con brio, Simón Bolívar Youth Orchestra (Deutsche Grammophon)
 • Thomas Adès, “XII. The Thieves — devoured by reptiles,” Dante, Los Angeles Master Chorale and Los Angeles Philharmonic (Nonesuch Records)
 • Ludwig Beethoven, Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio, Simón Bolívar Youth Orchestra (Deutsche Grammophon)
 • Ludwig Beethoven, Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio, Simón Bolívar Symphony Orchestra (self-released)
 • Leonard Bernstein, “End Credits” and “The Dance at the Gym: Mambo,” from “West Side Story” (Original Motion Picture Soundtrack), Los Angeles Philharmonic and New York Philharmonic (Hollywood Records)

On Today’s Episode:

Joshua Barone is an editor for the Culture section of The New York Times who works on classical music and dance coverage. He also writes criticism about classical music and opera.

Background Reading:

Gustavo Dudamel’s Long Goodbye to L.A., and Long Hello to New York
What Makes Superstar Conductor Gustavo Dudamel So Good?

Photo Credit: James Estrin/ The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

 
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Classical Music Is in Crisis. Gustavo Dudamel Is Here to Save It.

Gloria Steinem, the feminist icon and co-founder of Ms. magazine, died on Wednesday at her home in Manhattan. Her death came as many were still grieving the loss of another iconic woman: Dolly Parton.

On paper, the connections between the two women seem superficial, but for the Times Magazine writer Susan Dominus, the relationship between their lives and impact is inescapable.

Guest: 

Susan Dominus • , a staff writer at The New York Times Magazine.
Letty Cottin Pogrebin • , a writer and pioneer of the feminist movement who was part of the team that founded Ms. magazine with Gloria Steinem.

Background reading: 

 • In “9 to 5,” 
Dolly Parton put a friendly face on feminism • .
Gloria Steinem • , the personification of the women’s movement, died at 92.

Photo: Robin Platzer/Getty Images

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

 
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Intertwined Legacies of Gloria Steinem and Dolly Parton

From the start, the greatest fear for those developing artificial intelligence was that their creations would go rogue to act in unauthorized and dangerous ways. Some researchers now say it has happened.

Kevin Roose, a technology columnist for The New York Times, explains what this means for his own dwindling sense of techno-optimism.

Guest: Kevin Roose, a technology columnist for The New York Times and a host of the Times tech podcast, “Hard Fork.”

Background reading: 

 • Anatomy of an autonomous attack: 
five alarming A.I. capabilities • .

 A previous episode of “The Daily” • looked at the debate in Silicon Valley over the right way to build artificial intelligence.

Photo: Lucas Foglia for The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

 
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A.I. Is Outsmarting Its Creators

Over the past year, there has been an increase in violence in the West Bank. Israeli settlers have terrorized Palestinians, set fire to their property, uprooted their olive groves and stolen their animals in an effort to drive them off their land.

Rachel Abrams speaks to Loui Ridi, a Palestinian American in the West Bank, about the settlers who have arrived at his doorstep.

Guest: Loui Ridi, a Palestinian American in the West Bank.

Background reading: 

 • With the world distracted by war, 
extremist settlers have intensified their attacks • in the West Bank.

 • An 
assault by Israeli settlers • on Palestinians last week drew sharp rebukes.

Photo: Ammar Awad/Reuters

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

 
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Fight for the West Bank

Warning: this episode contains mentions of suicide.

New reporting has found that the impact of rough sea waves on rescue-boat crews in the Coast Guard can lead to long-term effects, including traumatic brain injury.

Dave Philipps, who reports about veterans for The New York Times, explains the significant blind spot in the Coast Guard and talks about how a teenager helped expose this widespread danger. 

Guest: Dave Philipps, who reports about war, the military and veterans for The New York Times.

Background reading: 

 • Rescue-boat crews show 
signs of brain injuries • .

 • After an article by The Times, the 
Coast Guard vowed to protect crews • from brain injuries caused by rough seas.

Photo: Ruth Fremson/The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

 
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How a Teenager Found Undiagnosed Brain Injuries in the Military

This summer, Fernando Alfonso, the Texas editor for The New York Times, got in a car with a man named Philip. They drove around the suburban streets of Dallas searching for traffic cameras — not for a red-light camera, or a speed-trap camera, but something new, an automatic license-plate reader made by a company called Flock.

Law enforcement officials say these cameras are essential to fighting crime, but Phillip and people like him, who have located 100,000 flock cameras all over the country, see them as something else: the beginnings of a surveillance state.

Today, Kashmir Hill, a technology and privacy writer at The New York Times, discusses the company behind the cameras and the mounting backlash.

Guest: Kashmir Hill, a technology and privacy writer at The New York Times.

Background reading: One thing Texan liberals and conservatives agree on: They don’t want cameras trained on their cars.

Photo: Desiree Rios for The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

 
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How Flock Cameras Took Over America

The U.S. Open, the final tournament of the tennis season, is getting underway. The world’s best players are heading to the U.S.T.A. Billie Jean King National Tennis Center in Queens, N.Y., to battle it out for the chance to play a championship match at Arthur Ashe Stadium, the largest tennis arena in the world.

The players come freighted with great expectations, previous victories and defeats, aches and pains, personal dramas and professional rivalries, all of which they will carry with them out on the court when they play. Tennis is a game that exposes a lot about its players, which is one of the things that makes it so beloved around the world.

In this episode of the “Sunday Daily,” the host Natalie Kitroeff talks with Matthew Futterman, a senior tennis writer for The Athletic and the author of “The Cruelest Game: Chasing Greatness in Professional Tennis,” about this year’s crop of players. They’ll dig into the biggest rivalries and dramas brewing in the tournament ahead.

On Today’s Episode:

Matthew Futterman, a senior tennis writer for The Athletic, and the author of “The Cruelest Game: Chasing Greatness in Professional Tennis.”

Background Reading:

“U.S. Open Men’s Title Contenders: Jannik Sinner Cut, Carlos Alcaraz In and a U.S. Man’s Big Chance?”

Photo credit: Al Bello/Getty Images. 

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

 
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Who Will Rule the 2026 U.S. Open?

At 78, the cookbook author and Food Network host knows what she likes, knows what she wants and isn’t stopping anytime soon.

 • Thoughts? Email us at 
theinterview@nytimes.com
 • Watch our show on YouTube: 
youtube.com/@TheInterviewPodcast
 • For transcripts and more, visit: 
nytimes.com/theinterview

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

 
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ina Garten Says You Can Either Get on Her Train or Get Out of the Way

Warning: this episode mentions suicide.

The trial of Lindsay Clancy, a mother who is being tried for the killings of her three young children, has captivated the country for weeks. It has also raised difficult questions about how we treat postpartum women who are in crisis.

Ellen Barry, a New York Times reporter who has been covering the trial, takes us inside the courtroom and explains the stakes of the outcome.

Guest: Ellen Barry, a reporter covering mental health for The New York Times.

Background reading: 

 What we know about the trial • of Lindsay Clancy for her children’s deaths.

 Why the Lindsay Clancy case is dividing Americans • .

 How to understand the wide range of sympathy • for a mother on trial for murder.

Photo: Pool photo by Greg Derr

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

 
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Lindsay Clancy Is on Trial. So Is Postpartum Psychosis.

Introducing the new season of “Still Processing.” The first episode is the one that the co-hosts Jenna Wortham and Wesley Morris have been wanting to make for years. They’re talking about the N-word. It’s both unspeakable and ubiquitous. A weapon of hate and a badge of belonging. After centuries of evolution, it’s everywhere — art, politics, everyday banter — and it can’t be ignored. So they’re grappling with their complicated feelings about this word. Find more episodes of “Still Processing” here: nytimes.com/stillprocessing

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

 

Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

 
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Bonus: The N-Word is Both Unspeakable and Ubiquitous. 'Still Processing' is Back, and They're Confronting it.

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