The broad outlines of "James" will be immediately familiar to anyone with even a basic knowledge of American literature: A boy named Huckleberry Finn and an enslaved man named Jim are fleeing down the Mississippi River together, each in search of his own kind of freedom.
But where Mark Twain’s “Adventures of Huckleberry Finn” treated Jim as a secondary character, a figure of pity and a target of fun, Percival Everett makes him the star of the show: a dignified, complicated, fully formed man capable of love and wit and rage in equal measure.
In this episode from May, the Book Review’s MJ Franklin discusses the book, which was recently awarded the National Book Award, with his colleagues Joumana Khatib and Gregory Cowles.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
The broad outlines of "James" will be immediately familiar to anyone with even a basic knowledge of American literature: A boy named Huckleberry Finn and an enslaved man named Jim are fleeing down the Mississippi River together, each in search of his own kind of freedom.
But where Mark Twain’s “Adventures of Huckleberry Finn” treated Jim as a secondary character, a figure of pity and a target of fun, Percival Everett makes him the star of the show: a dignified, complicated, fully formed man capable of love and wit and rage in equal measure.
In this episode from May, the Book Review’s MJ Franklin discusses the book, which was recently awarded the National Book Award, with his colleagues Joumana Khatib and Gregory Cowles.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
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