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Higher Ground

Talk Easy with Sam Fragoso is a weekly series of intimate conversations with artists, authors, and politicians. Where people sound like people. Hosted by Sam Fragoso. New episodes every Sunday.

Talk Easy with Sam Fragoso

Two years ago Mary Beth Barone considered quitting stand-up comedy. Thankfully (for us) these were always “empty threats.” The kinds you make when you’re working and waiting for your break, or, in her case, a Netflix special. 

She joins us this week on the precipice of her (excellent) streaming debut, “Galaxy Brain”, to talk about her intended audience in 2026 (5:32), the concept behind the special’s title (6:35), playing the algorithm (8:15), and the enduring influence of national treasure Lucille Ball (13:15). We also dive into her Connecticut upbringing (14:46), growing up on SNL in the ‘90s (15:15), her early, funny work (18:13), and the jokes jotted down in a gold Kate Spade notebook (26:27) before the first night she got on stage at an UCB open mic (27:08).

On the back half, Mary Beth shares the decade in comedy that followed: finding her voice as a performer (28:42), the unexpected role Interstellar played in her path (30:24), being inspired by the web-to-TV pipeline of shows like “Insecure” and “Broad City” (32:58), her “Thought Provoking” material “too frank and graphic” for some publications (34:22), the “parasocial relationship” she has with her audience (38:25), and arc of “the female comedian” (42:08).

We also talk auditioning for SNL alongside Caleb Hearon (46:14), trying to galvanize the hot community into participating in electoral politics (52:56), the newest season of the “Ride” podcast, buoyed by the Baronies, and co-hosted by Benito Skinner on Dear Media (54:40), the challenges of making work in the age of comment sections and subreddits (58:10), the publication of her candid, deeply moving Grub Street Diet diary (1:00:32), the ways in which 2025 “broke” her (1:04:00), how she’s putting the pieces back together slowly in 2026 (1:08:22), home movies (1:10:39), and a vision from her late Grandmother Barone that proved, rather improbably, prophetic (1:14:18).

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Comedian Mary Beth Barone’s Brilliant ‘Galaxy Brain’

Timothy Olyphant has made a career out of masking the effort behind his effortless performances.

He joins us on the heels of his recent turns in Lucky and The Five-Star Weekend. We talk about performing opposite Anya Taylor-Joy (3:53), his upbringing in Modesto, California (7:00), and the years he spent swimming competitively at USC before trading in the fine arts for acting (14:30). Then, Timothy reflects on moving to New York to study at the legendary William Esper Studio (18:38), what actor Holly Hunter taught him about keeping a presence of mind on set (26:00), and the creative freedom he found working with showrunner David Milch on Deadwood (34:34).

On the back-half, Olyphant discusses the collaborative spirit behind Justified with Walton Goggins (39:00), getting caught in the midst of real gunfire at the set of Justified: City Primeval in Chicago (49:00), acting alongside Leonardo DiCaprio (53:00), David Fincher’s famously meticulous process (56:10), and what he envisions for his next chapter (1:07:15).

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Actor Timothy Olyphant (‘Justified’) is Riding High

All that glitters is not gold. 

Maggie Haberman is a White House correspondent for The New York Times who’s been covering Donald Trump for nearly three decades. Her extraordinary level of access in and around the Oval Office has resulted in two best-sellers, including the book of the summer, Regime Change: Inside the Imperial Presidency of Donald Trump.

The new book, co-written with her Times colleague Jonathan Swan, chronicles the first year of Trump’s 2nd term: how the current Trump administration differs from the first (5:05), the “rotating cast of characters” that orbits the Oval Office (9:40), the president’s obsession with gold and interior decorating (13:15), and what his insatiable appetite for risk has meant for the country–and people–who delivered him back to the White House (28:25) . We also discuss the tentative release of the Epstein files (22:03), the ongoing wars in Iran and Ukraine (33:15), and how Trump’s health is like “a black box” inside the administration (41:00). 

On the back-half, Haberman unpacks the early influence of her father, fellow Times journalist Clyde Haberman (47:00), finding her footing at New York tabloids (55:20), how her career took a left turn after Trump’s victory in 2016 (1:01:35), the “access journalism” critiques she’s received in recent years (1:04:33), and why she prefers to make journalistic assessments of the President rather than psychological ones (1:10:40). To close, she talks about interviewing Trump this past spring (1:13:09), a shocking exchange around power inside the Oval Office (1:14:30), and her commitment to covering this chapter of American history until we turn the page (1:30:20). 

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The Gilded Presidency of Donald Trump with NYT Reporter Maggie Haberman (‘Regime Change’)

From Kenny Powers (“Eastbound & Down”) to Jesse Gemstone (“The Righteous Gemstones”), Danny McBride has created some of the most vain, quintessentially American portraits of male dysfunction in recent memory. His debut short-story collection, Thrilling Tales of Modern Men, is an ode to the overconfident yet woefully insecure characters that have defined his work for the past two decades. 

We begin with the origins of Danny’s new book (3:38), his mother’s church puppet shows that first inspired him to write (11:00), and a formative movie theater memory that (may or may not have) foreshadowed his parents’ divorce (16:00). Then, we walk through the lifelong creative partnerships he formed at the University of North Carolina School of the Arts (20:00), the odd jobs he held before breaking through in Hollywood (25:00), and the substitute teaching stint that inspired Eastbound & Down (35:00).

On the back-half, McBride reflects on making The Foot Fist Way (38:00), Tropic Thunder (44:10), This Is the End (45:38), and the cult classic Your Highness (50:00). We also discuss the significance of Kenny Powers in the Trump era (1:02:00), returning to Charleston (1:05:00), the impact of Danny’s late friend and collaborator Ben Best (1:02:00) and his vision for the post-Gemstones chapter ahead (1:10:00).

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Danny McBride’s Delusions of Grandeur

Councilmember Nithya Raman says she’s running for mayor “to make LA affordable for everyone.” She joins us this week in her first extended sit-down since edging out Spencer Pratt in the recent mayoral primary.

We begin with Raman’s decision to challenge an incumbent mayor she once endorsed in Karen Bass (2:47), the state of Los Angeles after years of overlapping crises (6:50), and why she believes the city needs a greater sense of urgency in addressing housing affordability (9:47) and homelessness (16:11) in order to restore public trust in local government (25:00). Then, she reflects on immigrating to the United States from India as a child (29:44), the unique opportunities this country afforded her (33:08), and a formative experience that led to a life of activism and politics (41:28).

To close, Nithya explains how she would have handled the LA fires of 2025 (45:43), what she believes the city needs to do to safeguard against future climate disasters (46:12), her evolving views on the LAPD and their role in addressing homelessness (53:54), and why she believes this sprawling city is still worth fighting for (1:07:33).

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A New Generation Has Arrived in LA Politics. Is Nithya Raman Ready to Lead It?

Tom Hanks is one of the defining actors of the last half-century. Today, we return to one of our favorite conversations with the beloved performer and writer.

We begin by discussing his debut novel, The Making of Another Major Motion Picture Masterpiece (5:58), his nomadic upbringing across California (13:28), and the Stanley Kubrick film that made him want to be an artist (19:40). Then, we talk about his early work at the Great Lakes Shakespeare Festival (24:00) and moving to Los Angeles for his television debut in Bosom Buddies (28:30), before pivoting to dramatic roles in films like Philadelphia and Forrest Gump (32:44).

On the back-half, Hanks describes the transformative, eight-year process of making Cast Away (39:00), receiving an AFI Lifetime Achievement award for his work at age forty-six (41:35), the vital performances that followed (42:40), and his insatiable desire to reflect the human experience (46:23).

To close, Hanks reflects on the kinship he found with Yankee hall of famer Joe DiMaggio (59:08), his formative friendships with actor Holland Taylor (52:30) and the late Nora Ephron (54:40), and the Cecil B. DeMille story he hopes to keep telling (55:50).

Original air date: July 9, 2023

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Father’s Day with Tom Hanks

Alanis Morissette’s 1995 chart-topping album “Jagged Little Pill” didn’t just describe a generation; it defined it. “I will take angry as the first note in the music,” she tells us. “I just think every woman I knew was pissed because they were paying attention. How do you not get pissed?”

On the heels of the record’s 30th anniversary, the seven-time Grammy Award-winning singer/songwriter joins us this week to discuss her new LA residency, Butterfly with a Machete (4:42), growing up in Ottawa (10:20), and her turbulent years as a teenage Canadian pop star (11:27). Then, Morissette reflects on the nuances of “Jagged Little Pill” (13:10), how she channels the unconscious in her work (27:04), the “patriarchal responses” to the record, including from Joni Mitchell (35:09), and the pressures, insecurities, and misconceptions that shaped her rise to fame (38:15).

On the back-half, we talk about her road to sobriety (40:00), the enduring mystery of “You Oughta Know” as immortalized on Curb Your Enthusiasm (42:20), why she’s determined to set the record straight with her new show (46:30), and how she’s provided a roadmap—really, refuge—for the next generation of pop stars, like Taylor Swift and Olivia Rodrigo (1:00:27).

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The Jagged Little Pieces of Singer-Songwriter Alanis Morissette

In celebration of the Tony Awards, Sam’s conversation on ‘Fresh Air’ with the legendary Nathan Lane.

At the time of recording, Lane had just received a nomination for his starring role as Willy Loman in ‘Arthur Miller’s Death of a Salesman.’ He’s a veteran of the stage – often in comedic and musical roles. But in the role of Loman, which he does eight times a week, he’s noticed something different in the audience. “There’s an old joke – my job is just to keep 1600 people from coughing. It's kind of true, but when you hear what we hear during ‘Salesman,’ you hear people weeping in the dark.” At the age of 70, Lane says this production of ‘Salesman’ is the thing he’s most proud of.

This episode originally aired May 7, 2026.

Listen to Fresh Air. Special thanks to Terry Gross, Sam Briger, Lauren Krenzel, and Molly Seavy-Nesper.

Subscribe to the Talk Easy YouTube Channel, and watch our latest with Nathan’s Death of a Salesman co-star and Tony nominee Christopher Abbott.

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Sam Interviews Nathan Lane on ‘Fresh Air’

Christopher Abbott is one of the finest actors of his generation. He joins us this week from the Winter Garden Theatre, where he plays Biff Loman in the latest Broadway revival of Death of a Salesman opposite Nathan Lane and Laurie Metcalf. 

Fresh off nine Tony nominations, we sit with Abbott to unpack is volatile and vulnerable portrayal of Biff (3:00), the renewed relevance of Arthur Miller’s critique of the American dream (6:00), and how he produces his intense performance, eight shows a week (8:30). Then, we walk through his upbringing in Greenwich, Connecticut (16:00), the working-class roots that shaped his approach to acting (25:00), and why he kept walking toward the stage (27:00).

On the back-half, we discuss Abbott’s lean years auditioning in New York City (32:00), his breakthrough role in Girls (42:19), creating work in the mold of John Cassavetes and Gena Rowlands (46:00), his journey to parenthood with Aubrey Plaza (1:02:00), and his lasting transformations in the films James White (1:05:00) and On the Count of Three (1:07:00). To close, we talk about his return to Girls in “The Panic in Central Park” (1:08:35), finding a home in the theater with Danny and the Deep Blue Sea (1:18:00) and now Death of a Salesman (1:20:40), and naturally, the New York Knicks (1:24:30).

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Tony Nominee Christopher Abbott (‘Death of a Salesman’) Takes Center Stage

Emmy-nominated writer and stand-up Josh Johnson is making comedy that’s timely and timeless.

On the heels of his new HBO special Symphony, we begin with his creative process of shaping new material week after week, balancing life on the road with writing and hosting duties at The Daily Show (0:46). Then, we talk to Josh about the issues of today: Trump’s 1.8 Billion Slush Fund (4:26), pandemic fears (8:18), AI in commencement speeches (9:34), and “nonviolence as a psyop” (16:27).

On the back-half, Josh describes how he transitions between writing topical and evergreen jokes (23:12), the comedic inspiration that came from his Catholic school years (29:00), and finding his way into performing while working at Trader Joe’s (39:30). To close, we unpack the final week of The Late Show with Stephen Colbert (42:27), the role of therapy in Johnson’s 2023 special Up Here Killing Myself (46:00), and what he hopes to create in the next five years (56:20).

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Is Josh Johnson (‘The Daily Show’) the 21st Century Comedian?

Since the arrival of Beef in 2023, showrunner and creator Lee Sung Jin has been hailed as “the preeminent social satirist” working in television.

The Emmy-winning writer/director joins us around the anthology’s return (3:10) to discuss the source material behind this latest season (4:30), the rise of scammers (12:00), and the distinctions between Korean and American elites (18:00). Then, we move through Lee’s nomadic childhood (28:45), his years as an NBC page (38:28), and a decade of working inside writers’ rooms for shows like It’s Always Sunny in Philadelphia and Silicon Valley (43:45).

On the back-half, he speaks candidly about his battles with depression (53:00), the PowerPoint that lead to Beef landing at Netflix (1:01:00), the pains of perfectionism (1:03:30), what the next generation of writers can do to break into television (1:07:30), the day director Bong Joon Ho visited his set (1:22:20), and why Lee feels he’s just getting started (1:24:38).

Clips from Beef courtesy of Netflix. Subscribe to our new YouTube channel.

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Showrunner Lee Sung Jin is Back with More ‘Beef’

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