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Street Photography Magazine Podcast

The Official Journal of Street and Documentary Photography

Street Photography Magazine

In this episode of the Street Photography Magazine podcast, Bob Patterson and Ashley Riffo sit down with photographer, filmmaker, and educator Bethany Eden Jacobson for a conversation that was part time capsule and part behind-the-scenes look at a creative life.

Bethany takes us back to the gritty, electric energy of 1980s downtown New York, which was an era where art, music, and rebellion collided. From photographing icons like Iggy Pop to documenting the underground scene shaped by figures like Jean-Michel Basquiat, her work captures a moment that was raw and unfiltered, and though she didn’t realize it at the time, transformative for the art world in general.

But it wasn’t just the nostalgia that made this conversation interesting. We also talk about what it means to revisit your archive decades later, how filmmaking influences photographic storytelling, and why editing—whether for film or a photo book—is where the real work begins. Bethany also shares her thoughts on creative identity, resisting the pressure to “niche down,” and embracing a multidisciplinary approach in a world that often demands labels. It’s a great conversation for anyone out there in the wild navigating their own creative path right now. 

Links from the show

Bethany’s Website

Kickstarter for “Another Time, Another Place” • – LAUNCHING APRIL 14TH

Bethany’s Photo Book “Another Time, Another Place”

Inside the 1980s NYC Art Scene with Bethany Jacobson

Several months ago, after an editorial meeting with Bob, which was packed with beautiful and meaningful projects, I admitted that I often feel like I don’t know what I want to say with my camera.

I did not share this with Jorge Delgado-Ureña, photographer, writer, educator, and co-founder of The Raw Society, but it goes without saying that our conversation hit home for me personally. 

In this episode, Jorge and I talked, among other things, about intention in photography. Why it’s so hard to nail down, and why it matters more than we might like to admit.

Jorge shares his perspective on storytelling, responsibility, and the difference between simply taking photos and actually saying something with them. Plus, you’ll hear about how The Raw Society came to be, what a fantastic community it’s turned into, and what’s in store for the upcoming inaugural Raw Photo Fest. I loved hearing about a festival that will showcase photography in a way that is accessible to anyone and everyone, including kids, locals, and non-photographers. 

 “Raw Photo Fest is more than a festival. It is an invitation to slow down and connect — with photography, with stories, and with Menorca itself.” – Christelle Enquist, Co-founder of The Raw Society and Festival Director

This episode has plenty of food for thought, and it might just challenge the way you’ve been shooting. I know it gave me a little something to wrestle with. 

Links from the show

The Raw Society • 

The Photographer’s Journal • (Jorge’s Substack)

Raw Photo Fest

Watch this episode on YouTube

The Raw Society’s Jorge Delgado-Ureña on Why Intention Matters

In this episode of the Street Photography Magazine podcast, Bob and I had the chance to sit down with photographer Doug Bruns. And the conversation we had was the kind that sticks with you long after it’s over.

We talked about how growing up around cameras and photographers shaped his path, and how a formative trip abroad set him on a lifelong journey of travel and image-making. But this episode goes way beyond origin stories.

We talked about what it means to photograph for yourself instead of for validation, how stepping away from social media impacted Doug’s creativity, and why committing fully to black and white photography gave him a surprising sense of freedom. We also got into the realities of creative dry spells, discipline, and the long, often nonlinear relationship we have with our work.

Doug shared a few stories that really stayed with me too, especially one about discovering a sculpture deep in the Maine wilderness that reshaped how he thinks about creativity and purpose.

This isn’t just a conversation about photography. It’s about identity, intention, and figuring out how to stay connected to your creative voice over time.

If you’ve ever questioned why you make photos, or if you’ve ever felt stuck, distracted, or disconnected from your work, I think you’ll find something meaningful in this one.

Links from the show

Doug’s Website

Doug on PixelFed • 

Doug on Glass

The photography of Alison Wright

A Selection of Doug’s Photos

P.S. You can also watch our conversation on YouTube.

Doug Bruns on Dry Spells, Discipline, and the Long Game

Street photography often begins with curiosity. For Carmina Ripolles, it also began with a moment in life when creativity became a necessity. 

In this episode of the Street Photography Magazine podcast, Bob Patterson and Ashley Riffo talk with Carmina, a street photographer and English teacher whose work celebrates what she calls the “beautifully ordinary.” Her journey into photography began during the lockdown, a time when the world slowed down and many people found themselves searching for new ways to express and understand their experiences. 

What started as a creative outlet soon became something deeper. Inspired by photographers like Vivian Maier and Richard Billingham, Carmina began documenting everyday life with a keen eye for small gestures, fleeting expressions, and quiet moments that often go unnoticed. Her photographs remind us that meaningful stories don’t only exist in dramatic scenes, they are happening all around us. 

Throughout the conversation, Carmina talks about how photography helped her know herself better as a true people person. She also shares how listening, observing, and engaging with others can transform a simple moment into a photograph that resonates. 

Her goal isn’t to dramatize the street or focus only on hardship. Instead, she looks for humanity, humor, and joy in daily life. As she puts it, she wants her images to be “beautifully ordinary.”

Carmina in the February Issue

 
 

 
 
 
 
 

 
 Beautifully Ordinary: The Street Photography of Carmina Ripolles
 
 
 
In a genre that sometimes gets defined by bravado or confrontation, Carmina’s photographs remind us of another path.

 
 
 Read more
 
 
 

 
 
 

Links from the Show

“The Fugitives” by Carmina Ripolles (The Bee)

“When We’re Smiling” by Carmina Ripolles (The Bee)

Carmina on Instagram

Beautifully Ordinary Street Stories with Carmina Ripolles

In this episode of the Street Photography Magazine podcast, Bob Patterson sits down with Swiss photographer Michael Eugster. Though relatively new to the street photography scene, his photos are incredibly good, and have garnered him quite a bit of recognition in festivals and exhibits around the world. 

When Michael began experimenting more seriously with photography, he first focused on landscapes. (I mean, how could you not if you lived in Switzerland?) But when he started photographing in Zurich, something shifted. As people entered the frame, the images felt more alive. 

“Suddenly, people came into the pictures,” he says. “And I realized this is definitely a more interesting element.”

Street photography gave him emotions and stories that landscapes couldn’t.

Once he discovered that, he committed. Michael studied online resources, listened to podcasts, and spent as much time shooting as possible. Practice became the foundation of his progress. The more he photographed real life unfolding around him, the more confident he became in anticipating moments.

Today, Michael approaches street photography with the mindset of a collector. Rather than chasing a single perfect image, he looks for recurring themes that catch his attention over time. Matching colors across strangers, lost gloves abandoned on sidewalks, and even interesting backs, yes, backs, have become ongoing personal projects. These small visual puzzles give him direction while still leaving room for surprise. The street always has the final say, and part of the joy is staying open to whatever appears next.

Community has also played an important role in his growth. Photography festivals introduced him to other street photographers who share ideas, encouragement, and honest feedback. Those connections have helped turn a solitary practice into a shared experience.

Michael’s journey is relatable. He did not begin as an expert. He improved rapidly, simply by staying curious and practicing consistently. For anyone exploring street photography, his experience is a reminder that growth comes from intention and effort.

Links from the show

Michael’s Website

Instagram

Michael on Substack

Collecting Moments with Michael Eugster

In this episode, Bob and I had the chance to talk with photographer Xiomaro about a creative path that definitely didn’t start with photography.

Before he ever picked up a camera, Xiomaro’s world revolved around music and law. He performed, managed artists, and built a legal career working with musicians. Photography really only entered the picture after a prostate cancer diagnosis forced him to slow down and rethink what he wanted his life to look like moving forward.

What followed wasn’t some dramatic overnight pivot. It started quietly, with travel and time spent photographing national parks during his recovery. That period led to something pretty remarkable: acceptance into a National Park artist residency. Living and working in that environment gave him space to think, to create without pressure, and to reconnect with curiosity in a way that hadn’t been possible in his previous professional life. His park work grew into exhibitions and commissions, but more importantly, it helped him rediscover the joy of making something simply because he wanted to.

Street photography came later, almost accidentally.

While commuting to a legal job he had taken for financial stability, he began photographing daily life in New York City. Not with a grand vision or a long-term plan. Just as practice. Just to stay engaged creatively.

In our conversation, Xiomaro talks about how his background in music still shapes the way he works today. There’s a strong sense of improvisation in his approach, learning the craft, putting in the reps, and then letting instinct take over. Whether he’s photographing sweeping landscapes in a national park or fleeting moments on a city sidewalk, that same mindset carries through.

We also talk about how surviving cancer changed his relationship to time and to creative work itself. Photography became less about achievement and more about presence. Less about structure and more about play.

It’s a really thoughtful conversation about reinvention, creativity, and how sometimes the things that start as small personal practices end up reshaping your life in ways you never expected.

Links from the show

Xiomaro’s Website

Instagram

“Street Photography of New York City: Street Haunting in the Big Apple” by Xiomaro

“Free Play: Improvisation in Life and Art” by Stephen Nachmanovitch

Improvisation in Street Photography with Xiomaro

In the latest episode of the Street Photography Magazine Podcast, Bob Patterson shares an important update about the future of the magazine, and about his own next chapter.

After more than 13 years as publisher, Bob is stepping back from day-to-day leadership and passing the reins to me, Ashley Riffo. This transition has been thoughtful, intentional, and in the works for a while now. The heart and mission of the magazine aren’t changing.

In this episode, Bob reflects on how what started as a six-month experiment turned into the longest role he has ever held. Over the years, Street Photography Magazine grew into a global creative community, something Bob says he’s deeply grateful for. “It’s great work. I’ve loved every minute… almost every minute,” he laughs. 

But in all seriousness, this is his baby. He built it from the ground up. Now, at 72 (and a half), Bob speaks candidly about aging, health, and perspective. A prostate cancer ordeal last year became a wake-up call, prompting him to ask: What do I want to do with the time I have left? His openness is a reminder that creativity and self-reflection don’t have expiration dates.

What This Means for You

Let me be very clear: Street Photography Magazine is not going anywhere.

You can expect the same thoughtful articles, featured photographers, podcasts, and community-driven storytelling. There are no sudden changes planned, no shift in editorial direction, and no interruption to your subscription. Bob will also continue to be involved, especially with the podcast and behind-the-scenes support, so his voice and perspective will remain part of the magazine.

As the magazine naturally evolves, we’ll continue listening closely to this community. One idea we’re exploring is a possible Spanish-language edition. So if that’s something you’d like to see, we’d love to hear from you. And truly, if you have any other ideas for Street Photography Magazine, please, reach out and tell us! You can send all your ideas straight to me at ashley@streetphotographymagazine.com. Rest assured, any future changes will be intentional and aligned with the values that brought us all here in the first place. 

Bob’s Next Chapter

Bob is returning to his own photography, writing, and personal projects, something he’s been inspired to do by the many photographers he’s met through the magazine. He’ll be sharing that journey through Substack, and I know many of you will want to follow along.

I also want you to know how seriously I take the responsibility of stewarding Street Photography Magazine. This publication exists because of its community, and my goal is to honor its history while guiding it forward with care.

Thank you for being here. And thank you for continuing this journey with us.

Links from the show

Bob’s Substack

A New Chapter for Street Photography Magazine

James Hazelwood is a Rhode Island-based photographer who recently embraced retirement as an opportunity to pursue photography full-time. Since retiring, he’s launched an ambitious publishing schedule on Substack, where he shares photo stories that blend his street photography aesthetic with personal narratives from his travels and everyday experiences. His work can be found at jameshazelwoodphoto.com, and he’s active on the new photography app Foto.

James has a refreshing approach to street photography—one that extends beyond traditional boundaries to embrace storytelling both in photographs and in written form. Rather than debating what qualifies as “street photography,” he applies the street photographer’s mindset to everything he photographs. As he explains, “The whole candidness, the spontaneousness, trying to find the different angles and ways of capturing moments wherever it happens is street photography.”

This philosophy has led James to create warm and personal photo essays documenting both his travels and intimate personal projects. His Southern Crescent series, published in the January 2026 issue of Street Photography Magazine, captures life in the Mississippi Delta sparked by a Raw Society workshop during the Mighty Roots Music Festival in Stovall, MS.

For photographers looking to develop their storytelling practice, James offers a valuable lesson. Commit to showing up consistently. His photo-a-day project taught him that “if you commit yourself to a daily habit, you can get a lot done.”

Second, be willing to work slowly with sensitive subjects. James acknowledges “I got to really build trust with people. They’re not just going to say, sure, come in and photograph me the first time I meet them.”

Finally, overcome hesitation on the street through simple gestures. James learned from photographer Peter Turnley that a raised eyebrow and questioning look—”without saying a word”—can cross any language barrier and open doors to authentic moments.

James’s work is inspiring because he’s channeling retirement into full-time creative output, proving it’s never too late to commit yourself fully to photography.

Once you give the podcast a listen, I encourage you to spend some quiet time reading some articles in his Substack. 

Links from the show

James’s Website

James’s Substack

Instagram

Spontaneity and Story with Street Photographer James Hazelwood

Gear discussion alert!

While we rarely discuss camera gear on this show, I made an exception with Matt because…well because it’s the beginning of the year and for some reason we both started using the same camera at the same time. So why not? It’s probably the last time you hear us discuss it on the show during the remainder of 2026.

Matt’s approach to street photography is different because he’s adapted his photography to social media while maintaining his personal photographic vision. He explains, “The truth is there’s an awful lot of mediocrity around, and mediocrity doesn’t get noticed. It doesn’t matter how many hashtags you place. It doesn’t matter what filter you’re using.” His solution is consistency and quality. Rather than chasing trends, Matt focuses on posting strong images regularly which helps him build recognition over time. 

His perspective on creative freedom is equally instructive. When discussing the balance between personal artistic vision and audience expectations, Matt said “If somebody’s paying you or you’re doing a commission, then you have to fit certain parameters. But if you’re doing it for yourself, it can be totally free. Your personal work should be an expression of what you want to say.” This distinction helps photographers understand when to compromise and when to stay true to their personal vision. 

Most important, Matt stresses the value of direct human connection in street photography. He believes careful observation and the courage to engage directly with the world are qualities no algorithm can replicate.

Links from the show

Matt’s Instagram

SPM Podcast episode with Matt discussing our recent trips to Cuba in 2018 about 2-weeks apart

Matt Jerrams on Building Recognition Through Consistent Work

Watch The Video on YouTube

Each year, we publish hundreds of street and documentary photographs in Street Photography Magazine. Some hit right away. Others stick with us long after we’ve closed the issue.

In this episode, Ashley and I look back at 2025 and share 10 images (plus a few others) we keep coming back to. These are a few of the photographs that held our attention, raised questions, or felt worth spending more time with.

Below, you’ll find each image with our thoughts on what drew us to it, along with the full audio conversation.

Ashley’s Selections

France Leclerc Untitled

This photo is immediately surprising (unless you deal in camels probably). But what I love is the tension in this photo. Don’t anybody psychoanalyze me, but it reminds me of an ugly divorce, two men fighting, a camel, distressed dangling in the middle, other camels nearby gawking. It’s tense, but the camels make it almost comical. 

From France Leclerc – Staying for the Story

Pat Callahan “Lost in the Moment”

This is a beautiful moment but it’s made so much more beautiful by the composition and the sets of three. J’adore.

From At Home Everywhere with Pat Callahan

Billy Dinh Untitled

So many of Billy’s photos leave me slack jawed, thinking “how did he even see that?” This is one of them. It’s like the magic of street photography wrapped up into a single image. Things familiar, things unfamiliar, gorgeous light, and PERFECT timing. 

From Conjured Off a Canvas

Brad Jones “The Vacation Effect”

Seriously. Who can turn a Whataburger into a renaissance art? Brad Jones can.

From Brad Jones: Unlimited Good Pictures

Andrew Stark “Eddy Avenue Central

This photo takes that “multiple layers” approach we see a lot in street photography and makes it better. Not only are the subjects layered well, there’s just so many emotions going on here. Amazing capture. I really admire Andrew’s observation skills. He’s super skilled at seeing emotions and capturing them at just the right second. 

From Stark Reality: The Second Coming

Dean Hinnant Untitled

I talked about this one on The Crit House, but besides it being a lovely photo, I love the way Dean captures his adolescent siblings in the presence of his father, with his dad always in the periphery – you never see his face, but he’s often there on the edges. It’s that moment in life where you’re aching for independence, planning out your life without your parents, but you still desperately need them, in a picture. You don’t see this phase of life documented through photography very often, which I think makes it super valuable. 

From Dean Hinnant: Seeing the World Wide Open

Michael O. Snyder Untitled

This is just so weird. And I love weird stuff. It’s a photo of the remains of Presidents Park, where forty-two monumental busts of the nation’s presidents were constructed to draw in tourists visiting nearby Colonial Williamsburg. The park didn’t work out and the busts have been dumped in a field and left to decay. It’s weird but it’s so easy to find metaphors for government and society in these photos. That makes it more meaningful than just snapshots of a random oddity. 

From Placing Bets on Mosquitos

Bob’s Selections

Dean Hinnant “Victoria”

Although this is actually a documentary photo, I chose it due to the intimate story Dean tells us about his youngest sibling, Victoria as he makes a candid image of her having a quiet moment in her bedroom. The warm tones reveal a feeling of closeness between the siblings while the multiple mirror reflections pull the viewer deeper into the frame to reveal her melancholy mood.

From Dean Hinnant: Seeing the World Wide Open

Alaya “Diagonal”

I’m attracted by the shapes, particularly triangles. I also like that it is not a typical “street” image. The combination of shapes creates an abstract whole. Alaya has arranged the elements so the compositional relationships become more important than the literal subject matter. The image functions almost like an abstract painting that happens to use real-world elements.

From Street Shooters of August 2025

Pat Callahan “The Pilgrimage”

Pat Callahan made this photo with his iPhone which brings to mind the work of Henri Cartier-Bresson.
The parallel diagonal lines of the bannisters create a sense of depth and movement, which pulls the eye down and around the corner where to the nuns. 

From At Home Everywhere with Pat Callahan

Hillary Greene-Pae “Little Joe Mclerran and Family at the Cat Head, Clarksdale, Mississippi”

I was first drawn in by the image of the father watching over his son stretching his small fingers to make a difficult cord as his daughter dances to the music. Hillary’s choice of a slow shutter speed perfectly captures the motion of the girl’s dress. Then while spending more time in the image I noticed the painting of the singer above the group in the background as if he’s part of the performance.

This scene of a family doing something they love together made me wish I was there.

From Street Shooters of September 2025

Larry Veltman “Through the Plastic Curtain”

At first I almost passed on this photo due to the foggy nature of the plastic curtain. Then, after pausing for a closer look I was drawn in by the impressionistic texture created by the semi-opaque curtain. The Sticky Fingers logo from the Rolling Stones album in the upper left hand corner of the frame gives to overall image balance that would not exist in its absence. The muted tones mirror the sense of peace of the resting man in the center of the frame.

From Street Shooters of September 2025

Inside the 1980s NYC Art Scene with Bethany Jacobson

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