App Store

Google Play

DK - Details page - Device banner - 894x1036

Nyd den ubegrænsede adgang til tusindvis af spændende e- og lydbøger - helt gratis

Lyt når som helst, hvor som helst 

Hrishikesh Hirway


Song Exploder is a podcast where musicians take apart their songs, and piece by piece, tell the story of how they were made. Each episode features an artist discussing a song of theirs, breaking down the sounds and ideas that went into the writing and recording. Hosted and produced by Hrishikesh Hirway.


Song Exploder

Sabrina Carpenter is a singer, songwriter, and actress. She had a huge year with her album Short N Sweet, which came out in August 2024. It debuted at #1, and went platinum within a month. At the upcoming Grammys, she’s nominated for Song of the Year, Record of the Year, Album of the Year, and more. One of her big hits is “Please Please Please,” which she wrote with Amy Allen and producer Jack Antonoff. He’s won Producer of the Year at the Grammys for the last three years in a row. For this episode, I talked to Sabrina and Jack about everything that went into making “Please Please Please.” 

For more, visit songexploder.net/sabrina-carpenter.

Sabrina Carpenter - Please Please Please

Adrianne Lenker is a singer and songwriter. She’s the lead singer of the critically acclaimed and beloved band Big Thief, and her work as a solo artist is also critically acclaimed and beloved. Her most recent solo album, Bright Future, was named one of the best albums of 2024 by the New Yorker, Stereogum, and more, and it was nominated for a Grammy for Best Folk Album. It was co-produced by Adrianne and longtime collaborator Phil Weinrobe. And I talked to the two of them about the making of one of my favorite songs from it, “Sadness As a Gift.”

For more, visit songexploder.net/adrianne-lenker.

Adrianne Lenker - Sadness As a Gift

Yola is a singer/songwriter and actress. She released her solo debut album in 2019, which was nominated for 4 Grammys, including Best New Artist and Best Americana Album, and Rolling Stone named it one of the best country albums of the year. But the thing is, Yola’s music career wasn’t new, and her background wasn’t in country music. She’s from Bristol in the UK, and starting back in the early 2000s, she was a vocalist recording tracks for DJs and electronic music producers. In January 2025, Yola put out an EP called My Way. And as you’ll hear her explain in this episode, a lot of her new music is motivated by wanting to assert her identity beyond the Americana and country music boundaries. In addition to her music, she’s also acting – she played Sister Rosetta Tharpe in the 2022 film Elvis, and she starred on Broadway in the musical Hadestown. For this episode, I talked to Yola about her song “Symphony,” along with co-writer and co-producer Sean Douglas. Yola and Sean trace the journey of the song “Symphony,” and, along with it, Yola traces her own journey, too.

For more info, visit songexploder.net/yola.

Yola - Symphony

Key Change is a new conversation series within Song Exploder, where I talk to fascinating people about the music that's transformed them.

My first guest is Sophie Thatcher, an actor and musician whose credits include starring in the TV show Yellowjackets, the film Heretic, and the new movie Companion. I met Sophie through Companion, because I composed the score to the film, and she contributes vocals to a few of the tracks I wrote. For this episode, we discussed how "Waltz #1" by Elliott Smith shaped Sophie's tastes and work. 

For more, visit songexploder.net/keychange. 

You can listen to "Waltz #1" by Elliott Smith here.

Key Change: Sophie Thatcher on Elliott Smith

Our first guest on Song Exploder is Jimmy Tamborello, aka Dntel, aka one half of The Postal Service (the other half being Ben Gibbard of Death Cab for Cutie). Jimmy breaks down the song The District Sleeps Alone Tonight, and talks about his instruments, his influences, and accidentally making a loop out of Jenny Lewis's backing vocals.

The Postal Service - The District Sleeps Alone Tonight

Jimmy LaValle of The Album Leaf takes apart The Outer Banks, a song he recorded in Iceland with members of Sigur Ros accompanying him. He reveals how the melody of the song was made from a glockenspiel, violin, and Moog synthesizer; and he talks about the importance of letting go of control during the recording process.

The Album Leaf - The Outer Banks

Claire and Jona of the band YACHT deconstruct their brand new single Plastic Soul, a fun pop song about human suffering. They explain how technology inspired them musically as well as lyrically, and how they recycle bits of their old recordings to create new songs.

YACHT - Plastic Soul

Will Wiesenfeld of Baths breaks down his song Miasma Sky, which came out last year on his highly-praised sophomore album Obsidian. Will talks about using the computer to intentionally destroy sounds, trying to find a balance in his music between simplicity and complexity, and what went into making his drum tracks.

Baths - Miasma Sky

Alex Brown Church of Sea Wolf breaks down Kasper, a song from the album Old World Romance. He talks about his songwriting process, collaborating with his bandmates, and the evolution that comes with learning the difference between making something that's good, and making something that's perfect.

Sea Wolf - Kasper

Alfred Darlington, better known as Daedelus, takes apart his song Experience. This early track of his is made with only acoustic sounds, but Alfred still considers it a piece of electronic music, and explains why. He also talks about the unexpected life the song has had since he recorded it, after being sampled by Madlib for his collaboration with MF Doom, Madvillain. Experience became the beat for Madvillain’s Accordion, the first song on their highly acclaimed album, and later referenced and resampled by artists like Drake and Kitty (aka Kitty Pryde). Daedelus deconstructs the song and discusses what its legacy means to him.

Daedelus - Experience

Sarah Barthel and Josh Carter started Phantogram in 2007. They’ve worked on crafting a particular sound and they’ve had a particular way of making their dense productions since the beginning. But for their new record, Three, things changed. The song "You Don’t Get Me High Anymore" took the band outside of their comfort zone. And, in this episode, Sarah and Josh break down how they made the original demo, and how outsiders like The-Dream and co-producer Ricky Reed influenced the way the song ultimately turned out.

songexploder.net/phantogram

Phantogram - You Don't Get Me High Anymore

Lyt når som helst, hvor som helst

Other podcasts you might like ...