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Lyt når som helst, hvor som helst 

Hrishikesh Hirway


Song Exploder is a podcast where musicians take apart their songs, and piece by piece, tell the story of how they were made. Each episode features an artist discussing a song of theirs, breaking down the sounds and ideas that went into the writing and recording. Hosted and produced by Hrishikesh Hirway.


Song Exploder

Paula Cole is a singer, songwriter and producer from Massachusetts. She put out her first solo album, Harbinger, in 1994. Her second album, This Fire, came out in 1996 and was a real breakthrough; she was nominated for seven Grammys, and she won the Grammy for Best New Artist. In fact, that year she was the first woman in Grammy history to be nominated for Producer of the Year without a male collaborator. For this episode, Paula told me about how she made one of the big hits from that album: “I Don’t Want to Wait.” It spent 56 weeks on the Billboard charts. And then, it was heard by millions more, when it was used as the theme song for the hit TV show Dawson’s Creek. 

These days, Paula has been reclaiming her old music in various ways. A couple of years ago, she re-recorded some of her songs, including “I Don’t Want to Wait.” And that's the version of the song that you’ll hear throughout this episode, and at the end, in its entirety. And on September 10, 2026, Paula is putting out an archival collection of her demos. It’s called Sonic Memoir: Demos 1989-1998. It includes the original demo of “I Don’t Want to Wait,” which you’ll also hear in the episode, as Paula tells the story of how she wrote and produced the song.

For more info, visit songexploder.net/paula-cole.

Paula Cole - I Don't Want to Wait

Charli XCX is a Grammy-winning artist who has been making music since she was a teenager. In July 2026, she released her eighth album, Music, Fashion, Film. It debuted at number 1 on the UK charts—her 4th album in a row to hit number 1 there. In addition to her music career, for the last few years, she’s been acting in films. And for this episode, we talked about how those experiences inspired her song “Camera," and how she and producer Finn Keane figured out how to translate that into music.

For more info, visit songexploder.net/charli-xcx.

Charli XCX - Camera

In 2016, Mitski did an episode of Song Exploder about her song “Your Best American Girl.” She had just released her second album, Puberty 2. Later, Pitchfork named “Your Best American Girl” one of the top 10 best songs of the past decade, and Billboard named it as one of the songs that defined the decade. And in honor of the 10th anniversary of the album, there’s a new deluxe version that’s out digitally, and a limited edition vinyl is coming in October. I thought this would be a good time to revisit Mitski’s episode, where she and her collaborator Patrick Hyland break down how “Your Best American Girl” was made. 

To learn more, visit songexploder.net/mitski

Mitski - Your Best American Girl

Suki Waterhouse is a singer-songwriter, actress, and model from London. She released her first single in 2016, and her first album, I Can’t Let Go, in 2022, on Sub Pop. You might have seen her in the show Daisy Jones & The Six, which came out in 2023. Since then, she’s also had her first child, with her partner Robert Pattinson. And all of that history figured into her new album, Loveland. For this episode, Suki told me about how she made the song “Back in Love” with her longtime collaborators, producer Jules Apollinaire and songwriter Natalie Findlay. "Back in Love" was the first single from her album, but it was the last song that was written for it.

For more info, visit songexploder.net/suki-waterhouse.

Suki Waterhouse - Back in Love

My guest today is Ahmir Thompson, aka Questlove, the drummer and founding member of The Roots, as well as an author, a DJ, and an Oscar-winning film director.

A song that changed my life is “Double Trouble” by The Roots, and the liner notes that Questlove wrote to go with the song. There’s a change in the drum sound in that song that blew my mind, and Questlove wrote a little bit about the effort that went into getting that drum sound. And as a drummer myself, I wanted to know everything about that. And that moment 26 years ago was maybe when the first seed for Song Exploder got planted in my brain. So, getting to talk to him for this is really special for me. 

Questlove has an encyclopedic knowledge of music. It’s really astounding. He knows so much about so many artists, and he’s just directed a new documentary about Earth, Wind & Fire, which is out now. But one of the artists he knows best is Prince. He was recently asked by Rolling Stone to rank the top 100 Prince songs. For this episode, we talked about the song that he put at #1 on that list.

For more info, visit songexploder.net/questlove.

Key Change: Questlove on Prince

Metric is a band from Canada that was formed in 1998. They’ve won four Juno Awards, including Group of the Year. Rolling Stone included them in their list of the 50 Greatest Canadian Artists of All Time. In April 2026, Metric released their 10th album, Romanticize the Dive. And for this episode, I spoke to Emily Haines and Jimmy Shaw about how they made the opening song on that album, “Victim of Luck.”

For more info, visit songexploder.net/metric.

Metric - Victim of Luck

Hayley Kiyoko is a singer, songwriter, author, and director from Los Angeles. She was a child actor on Disney and Nickelodeon, and briefly in a girl group called The Stunners. But then, she started her career as a solo artist. In 2015, she put out the EP This Side of Paradise, and one of the songs on it was “Girls Like Girls.” She co-wrote it with Lily May-Young and Owen Thomas, and it was produced by James Flannigan. Hayley co-directed the music video for it, and when the song and the video came out, it was an absolute phenomenon. It became a lesbian anthem; Rolling Stone named it one of the most inspiring LGBTQ songs of all time. Hayley’s legion of fans gave her the nickname “Lesbian Jesus.” In 2023, Hayley adapted the song into a bestselling coming-of-age novel. And in June 2026, she made her feature film directorial debut, with the movie adaptation of “Girls Like Girls.” For this episode, Hayley and I talked about how it all started with the making of that song. 

For more info, visit songexploder.net/hayley-kiyoko.

Hayley Kiyoko - Girls Like Girls

My guest today is the actor Tatiana Maslany. One of the things I find so compelling about Tatiana and her career is that the roles that she plays often contain multitudes—literally. She played over 10 different characters–clones, but with distinct personalities–in the TV show Orphan Black. And in the Marvel Universe, she played She-Hulk, who also had the very different alter ego of Jennifer Walters, a lawyer. And right now, she’s starring in the show Maximum Pleasure Guaranteed on AppleTV. When Tatiana prepares for her roles—and the roles within the roles—she often uses music to inspire and motivate her. Today, I got to talk to Tatiana about a song that’s been really important to her and her process. And that song is “Faceshopping” by Sophie. 

If you’re not aware of Sophie’s music, she was an incredible, groundbreaking electronic artist from the UK. She was trans, and she passed away far too young, in 2021. But even in a short time, she made a big impact. In addition to her own music, she also produced tracks for Charli XCX, and Madonna, and more. In 2018, she released her breakthrough Grammy-nominated album, Oil of Every Pearl’s Un-Insides, which dealt a lot with her trans identity. And that’s the album that has the song “Faceshopping.” 

For more info, visit songexploder.net/tatiana-maslany.

Key Change: Tatiana Maslany on "Faceshopping" by Sophie

Paul McCartney is a singer, songwriter, multi-instrumentalist, and producer whose career spans more than six decades. As a member of The Beatles and later Wings and then with his own solo albums, he’s simply one of the most influential artists of all time. He has more accolades than I have time to list in this intro. But if you’re listening to this, you already know all that. In May 2026, he released his twentieth solo album, The Boys of Dungeon Lane. He co-produced it with Andrew Watt, who won the 2021 Grammy for Producer of the Year, and whose credits include working with Lady Gaga, The Rolling Stones, Justin Bieber, and Elton John. For this episode, I spoke to Paul McCartney about how he wrote and recorded his song "Ripples in a Pond." 

For more info, visit songexploder.net/paul-mccartney.

Paul McCartney - Ripples in a Pond

Hot Chip is a band from London made up of Alexis Taylor, Joe Goddard, Al Doyle, Owen Clarke, and Felix Martin. Their second album, The Warning, came out in 2006. It was nominated for a Mercury Prize, and named one of the best albums of the year by NME and Pitchfork. And later, NME would include it in their list of best albums of all time. For this episode, I talked to them about one of the songs from The Warning called “Boy From School.” You might have heard it in the second season of the show Beef on Netflix—the band’s also in the show—or you might have heard it on The Simpsons. You could have also heard the song in my car all the time in 2006. So I was very excited to talk to Alexis and Joe from Hot Chip about how “Boy from School” was made.

For more info, visit songexploder.net/hot-chip.

Hot Chip - Boy From School

Nathaniel Rateliff is a singer and songwriter from Colorado. He’s released four solo albums, and two with his band, the Night Sweats.

Those two Night Sweats albums were produced by Richard Swift, who passed away in 2018. In a statement, his family said that he "suffered from alcohol addiction, and it’s ultimately what took his life." Nathaniel Rateliff’s new solo album, And It’s Still Alright, was supposed to be produced by Richard Swift as well, but Richard died before they could work together again. In this episode, Nathaniel breaks down the title track, which was inspired by his own complicated relationship with alcohol, and by his friendship with Richard Swift.

songexploder.net/nathaniel-rateliff

Nathaniel Rateliff - And It's Still Alright

Lyt når som helst, hvor som helst

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