M’usa, con l’apostrofo. Le donne di PicassoLetizia Bravi
When Robert Heinlein wrote his masterpiece of space age realism, The Man Who Sold the Moon, he had no way of knowing how prescient it would be. Published in 1950, it tells the tale of Delos D. Harriman, the “last of the robber barons,” who is hellbent on being the first man on the moon. Harriman drives himself to the brink of bankruptcy and madness chasing his lunar ambitions, which he feels can’t be left to the bumbling government bureaucracy to handle.
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