M’usa, con l’apostrofo. Le donne di PicassoLetizia Bravi
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The Phoenician Scheme is Wes Anderson’s latest feature film. And if you are a fan of deadpan screw ball humour, meticulously shot and edited behind a colour pallet of muted earth tones, you will not be disappointed. But for his thirteenth feature film, Wes is leaning a little more into action and even violence to tell his new father daughter comedy. He joins Tom Power to talk about the evolution of his singular way of telling family stories.
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