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Five days a week acclaimed interviewer Tom Power sits down with the artists, writers, actors and musicians who define pop culture. Whether he’s ribbing Adele, singing a boyband classic with Simu Liu, or dissecting faith with U2 frontman Bono – Tom brings the same curiosity, respect and meticulous preparation into every conversation. He also has a track record for interviewing artists on the precipice of stardom – like Lizzo and Billie Eilish — who appeared on Q well before hitting the mainstream. Hear your favourite artists as they truly are, every weekday with Tom Power.

Q with Tom Power

Patrick Nichols has been photographing Toronto’s hip-hop artists for decades. His latest photo, “A Great Day in Toronto Hip Hop,” features 103 key players from the scene captured all in one place. It’s just been put on display in the Art Gallery of Ontario’s new exhibit, “The Culture: Hip Hop and Contemporary Art in the 21st Century.” Patrick sits down with Tom Power to talk about the photograph, trading in a turntable for a camera, and his life in photography and hip-hop.

Patrick Nichols: What it’s like to photograph the Toronto hip-hop scene

Canadian folk musician Valdy has been making music and criss-crossing the country for over 50 years. Valdy has 16 albums to his name, sold over half a million records and received the Order of Canada and two Junos. Valdy joins Tom in the Q studio to talk about his iconic 1972 hit “Rock and Roll Song,” what keeps him playing almost 200 shows per year at the age of 79 and his political and social activism.

Valdy: The Canadian folk music legend reflects on his 50-year career

Toronto rapper Clairmont the Second talks to Tom about his experience of loss and paranoia on his brand new album “They Said it Would Rain,” and how despite the challenges he’s faced in recent years, his record ends in triumph.

Clairmont the Second: How his album full of fear, loss, and paranoia ends in triumph

The British-Turkish writer Elif Shafak has written over a dozen novels, many of which have been translated to nearly 60 languages. She’s often credited as being the most-read female novelist in Turkey. Elif joins Tom to talk about the importance of water in her latest novel There are Rivers in the Sky, the transformational power of literature, and what being prosecuted for her work has taught her about freedom of expression.

Elif Shafak: What being prosecuted for her novels taught her about freedom of expression

Nikki Giovanni carved out a revolutionary legacy during the civil rights era with poems that uplifted the experiences of Black Americans. On Monday, she died at age 81, following her third cancer diagnosis. We revisit Tom Power’s conversation with the iconic poet from earlier in the year when she discussed her involvement in the birth of hip-hop, why artists should go to space, and how she packed a club full of 100 people that included guests like Morgan Freeman and Nina Simone.

Remembering poet Nikki Giovanni

It’s been more than 25 years since the Swedish hardcore punk band Refused released their seminal album, “The Shape of Punk to Come.” Their most famous song from that album, “New Noise,” has been called a political anthem and a protest song. It’s been used in the Palme d'Or'-winning film “Triangle of Sadness” as well as in the hit show “The Bear.” Frontman Dennis Lyxzén of Refused joins Tom Power to tell us how “New Noise” became a global hit after the band had already called it quits.

Dennis Lyxzén: When your song becomes a big hit after the band breaks up

The director Jane Schoenbrun first became known for their 2021 movie “We're All Going to the World's Fair,” which tapped into a teenaged fascination with the culture of viral memes. Jane’s latest film, “I Saw the TV Glow,” follows two suburban teens who get emotionally enmeshed in a fictional ‘90s TV show called “The Pink Opaque.” The result is a moody investigation of identity, growing up and making decisions about who you want to be. “I Saw the TV Glow” was recently nominated for six Spirit Awards, including best feature and best director. We revisit Tom Power’s conversation with Jane about the film, how it relates to transness and their own experience getting intertwined in TV shows as they grew up.

Jane Schoenbrun: I Saw the TV Glow and their ‘90s TV obsessions

The hip-hop duo Snotty Nose Rez Kids are back with their sixth studio album (and first on a major label), “Red Future.” Yung Trybez and Young D join Tom Power to talk about the concept of Indigenous Futurism, riding the line between serious subject matter and levity, and why they believe this record is their magnum opus.

Snotty Nose Rez Kids: Why they believe in a Red Future

Densil McFarlane, the lead singer of the Canadian punk rock band The OBGMs, felt like he was in a rut, so he decided to seek out therapy. That decision opened up a whole new world that he explores on his band’s new album, “Sorry, It’s Over.” Densil sits down with guest host Saroja Coelho to chat about the album and what he learned about being vulnerable in his art.

The OBGMs: How therapy shaped their new record

It’s been eight years since Gwen Stefani has released an album. Following a very public divorce, she needed some time to heal, pick up the pieces of her life and find her voice again. Now, after some time away from music, she’s back with her fifth studio album, “Bouquet.” Gwen joins Tom Power to talk about the record, her time in No Doubt, and finding real love for what she says might be the first time.

Gwen Stefani: No Doubt’s early days and her new album Bouquet

When a band kicks off their career with a hit single about getting stoned and watching TV, it might be surprising to see them 30 years later as one of the biggest bands on the planet. Green Day has beat those long odds. All three members — Billie Joe Armstrong, Mike Dirnt and Tré Cool — talk to Tom about the 30th anniversary of their breakthrough record “Dookie,” how they wanted to create a monumental record when writing “American Idiot,” and why they think their brand new album “Saviors” could be that next era of Green Day.

Green Day: Dookie, American Idiot, and why their new album Saviors is the best they’ve ever recorded

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