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Escape Artists Foundation

PseudoPod

“The Book” was first published in 1930 in The London Mercury and later collected in The Weird (Tor Books, 2012) CW: harm to child/animal, reference to suicide On a foggy night in November, Mr. Corbett, having guessed the murderer by the third chapter of his detective story, arose in disappointment from his bed and went downstairs in search of something more…

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PseudoPod 1012: The Book

“Tailpiece” first appeared in More Ruthless Rhymes, 1930, and “The Second Awakening of a Magician” first appeared in The London Mercury, November 1930 C/W: fire My son Augustus, in the street, one day, Was feeling quite exceptionally merry. A stranger asked him: ‘Can you tell me, pray, The quickest way to Brompton Cemetery ?’ ‘The quickest way?

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PseudoPod 1011: Tailpiece and The Second Awakening of a Magician

“A Rose For Emily” was first published in The Forum, April 30, 1930 C/W for racial slurs [n-word], mental illness, misogyny, homophobia and Spoiler poisoning [collapse] I When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to…

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PseudoPod 1010: A Rose For Emily

‘Christmas Eve at Beach House’ was first published in Routledge’s Christmas Annual, 1870. C/W murder, intimate partner violence To support us during our year-end campaign, go to https://escapeartists.net/support-ea The Oldhammer Fiction Podcast Eliza Lynn Linton Dr. Frizzle on Bluesky It seemed as if the Mackenzies were under a spell, and that none of…

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PseudoPod 1009: Christmas Eve at Beach House

“Cyanide Constellations” was published in the collection Cyanide Constellations and Other Stories by Sara Tantlinger in October 2025. C/W: Suicide, 2nd person PoV To support us during our year-end campaign, go to https://escapeartists.net/support-ea Author’s note: This story ended up being the title piece for my debut fiction collection…

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PseudoPod 1008: Cyanide Constellations

“The Children of the Event” was first published in the collection ‘Portraits of Decay’ by Carson Winter, published by Salt Heart Press in June 2025. To support us during our year-end campaign, go to escapeartists.net/support-ea Notes from the author: As long as I can remember, I’ve been a Godzilla fan. My fate was set at the age of six, when me and a neighborhood boy rented…

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PseudoPod 1007: The Children of the Event

PseudoPod 1006: Give A Dog A Bone is a PseudoPod original. From author: “Give A Dog A Bone” is the third story in the series of tales following the exploits of a married couple of werewolves whose relationship is under some unusual stresses. Both of the previous stories, “Licking Roadkill” and “Last Supper” also appeared at PseudoPod, and were inspired by a real-life conversation I had…

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PseudoPod 1006: Give A Dog A Bone

“Do It” was first published in the anthology ‘120 Murders: Dark Fiction Inspired by the Alternative Era’ C/W: gun violence, knife violence Note from author: The pizza joint in the story is based on a locally (local to me) famous spot in Boston’s South Shore. Having been raised on the North Shore I take umbrage at this city having ‘shore’ anywhere near it in geographic…

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PseudoPod 1005: Do It

“Madame Painte: For Sale” was first published in Behold! Oddities, Curiosities and Undefinable Wonders, edited by Doug Murano (Crystal Lake 2017), and then in the Word Horde collection ‘Lost in the Dark and Other Excursions’, in August 2025. C/W: 2nd person POV “This?” the man behind the counter says. “Why, this is Madame Painte.” The figure is short…

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PseudoPod 1004: Madame Painte: For Sale

“House Traveler” originally appeared in Bourbon Penn #34, Dec. 2024 and is reprinted in Thomas Ha’s debut collection, “Uncertain Sons and Other Stories” C/W: alludes to alcoholism The five of us were gathered on the floor of one of the last houses, trying to decide which of the group would be the one to go outside. Sitting around an electric camping lantern…

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PseudoPod 1003: House Traveler

“Every Body Depicted Is Exploited” was first published in PopCult’s Gruesome Love anthology as “Crit.” Everyone knew that Pamela was the only real artist there. The rest of us were just play-acting. The sensible ones, like me, figured out pretty early on that the program was a joke. Formulaic. Easy to phone in. Still, there were plenty of students who told themselves they had a…

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PseudoPod 852: Every Body Depicted Is Exploited

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