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Lyt når som helst, hvor som helst 

The Washington Post

Post Reports is the daily podcast from The Washington Post. Unparalleled reporting. Expert insight. Clear analysis. Everything you’ve come to expect from the newsroom of The Post, for your ears. Martine Powers and Elahe Izadi are your hosts, asking the questions you didn’t know you wanted answered. Published weekdays around 5 p.m. Eastern time.

Post Reports

Jason Rezaian knows the cost of free speech. He spent 544 days in an Iranian prison for simply being a journalist.

The world is witnessing the erosion of democratic values. The Freedom Desk video podcast is about what comes next in the global fight for free expression.

Every week, Jason talks to one leading voice about freedoms gained, freedoms lost, who's trying to take it from us, and how we take it back.

﻿First episode is out now.

Introducing: Freedom Desk with Jason Rezaian

Just over seven years ago, we launched this daily news podcast from The Washington Post.

Our goal was to bring you inside our newsroom, sharing our reporting with listeners to help make sense of what was happening in the world. We’ve published hundreds of episodes. We’ve covered elections, wars, a pandemic, tech revolutions, pop culture phenomena, scientific discoveries and more. 

As of this week, The Post has decided to suspend "Post Reports."

It was a privilege to know that we got to spend time in your ears, as part of your day. To everybody who’s listened to this podcast and made it a part of your lives: We want to extend our deepest gratitude for the trust you’ve put in us.

Goodbye from "Post Reports"

In his second term, President Donald Trump has gone on a mission to reinvent the Kennedy Center, the beloved performing arts venue in Washington, D.C.

Trump promised to overhaul the center’s programming. He installed loyalists on the board who made him chairman. In December, Trump’s name joined John F. Kennedy’s on the building’s facade. 

This week, Trump announced further plans to close the center for two years as he undertakes a massive renovation. Details of the plan remain murky, but Trump says he intends to overhaul even the building’s marble facade. 

Style writer Travis Andrews has been reporting on Trump’s growing involvement with the Kennedy Center. Today, he joins Martine Powers to talk about why the president is so invested in the future of the institution — and why his plans have some people concerned. 

﻿Today’s show was produced by Emma Talkoff, Thomas Lu and Rennie Svirnovskiy. It was edited by Reena Flores and mixed by Sam Bair. 

Subscribe to The Washington Post here.

A surprise Kennedy Center makeover

In late January of last year, an American Eagle flight and a U.S. Army helicopter collided above the Potomac River, killing everyone aboard both aircraft. It was the deadliest flight disaster in the U.S. in decades.

A year later, families and first responders are reflecting on their enduring sorrow.

Local public safety reporter Emma Uber reads her story that recounts how loved ones left behind are processing the anniversary and finding solace in the keepsakes first-responders were able to recover after the crash.

Today’s show was produced by Sabby Robinson. It was edited by Ariel Plotnick and mixed by Sean Carter.

﻿Subscribe to The Washington Post here.

A teddy bear, an ice skate: What remains from last year's deadly D.C. plane crash

Ten years ago this month, Washington Post journalist Jason Rezaian was freed from Iran’s Evin prison. He and his wife, Yeganeh, had been arrested at their home in Tehran and falsely accused of espionage. 

Since then, Rezaian has dedicated himself to advocating for press freedom, and now he’s the director of The Post’s press freedom initiatives. 

On Thursday, before a live audience at The Post, host Elahe Izadi sat down with Rezaian and his wife to talk about their reflections 10 years after their wrongful imprisonment. They were joined by ambassador Brett McGurk. As a presidential envoy, McGurk was integral to Rezaian’s release. They also spoke about what’s happening in Iran today, the widespread protests, what the United States could do and what this could all mean for the future of Iran.

Subscribe to The Washington Post here.

Jason Rezaian, Iran and the costs of press freedom

Since the killing of Renée Good and Alex Pretti by federal agents in Minnesota, President Donald Trump and his administration are feeling the pressure — not only from Democrats, but also from members of their own party. Some congressional Republicans have been critical of the administration’s aggressive immigration enforcement tactics and are worried about consequences for the midterms.

“The more the image is out there that President Trump is pushing things very far … [and] is responsible for chaos,” senior national politics reporter Naftali Bendavid says, “the easier it is for Democrats to make the case that they are needed, if nothing else, to put some guardrails up.”

Naftali spoke on this week’s episode of the “Post Reports” politics roundtable, alongside host Colby Itkowitz and Dan Merica, co-anchor of the politics newsletter The Early Brief. They discussed how Democrats are using the threat of a government shutdown as leverage to demand stronger reforms of the Department of Homeland Security.

Colby, Naftali and Dan also reflected on the attack against Rep. Ilhan Omar (D-Minn.) at a recent town hall. 

“We've seen people lose their lives in political violence moments last year,” Merica says, ”and you have to worry that it could happen again this year.”

Today’s show was produced by Thomas Lu and Josh Carroll. It was edited by Martine Powers and mixed by Sean Carter. 

Subscribe to The Washington Post here. And watch us on YouTube here.

Is Minneapolis a turning point in Trump's presidency?

In early 2024, executives at artificial intelligence start-up Anthropic ramped up an ambitious project they sought to keep quiet. It was code-named Project Panama, and internal documents filed in court described it as an “effort to destructively scan all the books in the world.”

According to the filings, the company had spent tens of millions of dollars to acquire and slice the spines off potentially millions of books, before scanning their pages to feed knowledge into the AI models behind products such as Claude, its popular chatbot. A judge ruled this fair use.

Details of Project Panama emerged in more than 4,000 pages of documents in a copyright lawsuit brought by book authors against Anthropic. The company agreed to pay $1.5 billion to settle the case in August – but a district judge’s decision last week to unseal a slew of documents in the case more fully revealed Anthropic’s zealous pursuit of books.

Today on “Post Reports,” technology reporter Will Oremus explains the lengths to which AI firms such as Anthropic, Meta, Google and OpenAI went to obtain colossal troves of data with which to “train” their software – a frantic and sometimes clandestine race to acquire the collected works of humanity. 

He and host Martine Powers discuss how AI companies’ efforts sometimes might have crossed over into the illegal, and how authors and artists might fare in an AI-centered future. 

Today’s show was produced by Rennie Svirnovskiy. It was edited by Dennis Funk and mixed by Sam Bair.

Subscribe to The Washington Post here.

The quest to ‘destructively scan’ all the world’s books

Houses in the United States keep getting bigger, but the people in bigger houses aren’t necessarily happier. Bigger homes often come with higher costs and more maintenance and can pull people further away from the places and relationships that matter. For some, choosing a smaller home can actually make life feel easier, more connected and more satisfying.

Elahe Izadi speaks with climate coach Michael Coren about the joys that come with living in a smaller house and what to prioritize when deciding where to live. 

Today’s show was produced by Sabby Robinson. It was edited by Dennis Funk with help from Ariel Plotnick and mixed by Sean Carter. 

Subscribe to The Washington Post here.

Why smaller houses can make us happier

After both Renée Good and Alex Pretti were shot and killed by Department of Homeland Security officers in Minneapolis this month, the story from the agency’s secretary, Kristi L. Noem, was that these individuals’ intentions represented acts of domestic terrorism. 

Confirmed as DHS secretary a year ago under President Trump, Noem has been one of the most visible defenders of Trump’s immigration agenda, executing a sprawling deportation campaign and backing the increasingly aggressive tactics of Immigration and Customs Enforcement officers and Customs and Border Patrol agents, which fall under her purview. 

Over several months, ICE and CBP officers have been fanning out across Democratic-run cities — entering neighborhoods and homes to make arrests, aggressively spraying protesters with tear gas, and even detaining U.S. citizens. Federal officers have been involved in 16 shootings since July and have killed three people, including two U.S. citizens. Yet this sweeping immigration agenda and the consequent actions by federal officers were not part of the original mission of DHS. 

Today, immigration reporter Marianne Levine discusses how former South Dakota governor Kristi Noem has transformed DHS and what that could mean for its future. 

Today’s show was produced by Sabby Robinson with help from Rennie Svirnovskiy. It was edited by Dennis Funk and mixed by Sam Bair.

Subscribe to The Washington Post here.

How Kristi Noem transformed immigration enforcement

The killing of 37-year-old ICU nurse Alex Pretti on Saturday morning marks a dramatic escalation of what was already a very tense moment for Minneapolis. 

Just a day before, thousands of residents marched in a citywide strike organized by faith leaders and labor unions. They were protesting U.S. Immigration and Customs Enforcement actions in the state, including the fatal shooting of 37-year-old Renée Good by an ICE officer earlier this month. 

Although it is not clear how Pretti’s interaction with federal agents began on Saturday, bystander footage reviewed by The Post raises questions about Homeland Security’s account of what happened. On Saturday, Department of Homeland Security Secretary Kristi Noem said Pretti – a legal gun owner, who was carrying a gun in or near his waistband when he was killed – had been committing an act of domestic terrorism. According to a Post analysis, federal agents had already secured the handgun he was carrying by the time they fatally shot him.

Today on “Post Reports,” host Martine Powers speaks with national reporter Kim Bellware about the death of Alex Pretti – why many people are worried that his death won’t get a thorough investigation, and how this encounter is raising important questions around America’s gun debate.

Today’s show was produced by Elana Gordon and Rennie Svirnovskiy with help from Sabby Robinson. It was edited by Ariel Plotnick and mixed by Sean Carter. Thanks to Annie Gowen, Lauren Gurley and Gina Harkins. 

Follow the latest in The Post’s Minneapolis coverage here. Subscribe to The Washington Post here. And watch us on YouTube here.

After Alex Pretti's killing, a battle of narratives

On Friday, Beyoncé dropped “Cowboy Carter,” her highly anticipated salute to country music. The album sparked new conversations about the forces that define country music and about whether Beyoncé’s turn to country could reshape the industry.

Read more:

Beyoncé’s turn to country came from her personal experience of not feeling welcome at the 2016 CMA Awards. Beyoncé’s album, “Cowboy Carter,” has reignited conversations about what country music is, who gets to define the country genre, and if this move for Beyoncé helps to shape and expand the country genre for other Black artists. 

In this episode of “Post Reports,” we talk to Black country artist Rissi Palmer about her experience in the country music industry, the forces that define country music and what Beyoncé’s country music moment means for Black country artists. 

Today’s show was produced by Peter Bresnan and Taylor White with help from Rennie Svirnovskiy. It was edited by Lucy Perkins and mixed by Sean Carter. 

Subscribe to The Washington Post here.

Beyoncé goes country

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