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David Runciman

Past Present Future is a bi-weekly History of Ideas podcast with David Runciman, host and creator of Talking Politics, exploring the history of ideas from politics to philosophy, culture to technology. David talks to historians, novelists, scientists and many others about where the most interesting ideas come from, what they mean, and why they matter.
Ideas from the past, questions about the present, shaping the future.
New episodes every Thursday and Sunday.

Past Present Future

For the last episode in our summer season on the great twentieth-century essays and essayists, David discusses Joan Didion's 'The White Album' (1979), her haunting, impressionistic account of the fracturing of America in the late 1960s. From Jim Morrison to the Manson murders, Didion offers a series of snapshots of a society coming apart in ways no one seemed to understand. But what was true, what was imagined, and where did the real sickness lie?
More on Joan Didion from the LRB archive:
Thomas Powers on Didion and California:
'The thing that California taught her to fear most was snakes, especially rattlesnakes...This gets close to Didion's core anxiety: watching for something that could be anywhere, was easily overlooked, could kill you or a child playing in the garden – just like that.'
Mary-Kay Wilmers on Didion and memory:
'Reassurance is something Didion doesn't need. She is talking to herself, weighing up the past, going over old stories, keeping herself company. Staging herself.'
Martin Amis on Didion's style:
'The Californian emptiness arrives and Miss Didion attempts to evolve a style, or manner, to answer to it. Here comes divorces, breakdowns, suicide bids, spliced-up paragraphs, 40-word chapters and italicised wedges of prose that used to be called "fractured".'
Patricia Lockwood on reading Didion now:
'To revisit Slouching Towards Bethlehem or The White Album is to read an old up-to-the-minute relevance renewed. Inside these essays the coming revolution feels neither terrifying nor exhilarating but familiar – if you are a reader of Joan Didion, you have been studying it all your life.'
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History of Ideas: Joan Didion

To finish this series of bad ideas, David tries to persuade Gary Gerstle of the futility of televised leadership debates. From Nixon vs Kennedy to Harris vs Trump, do the voters really learn anything from these supposed exchanges of ideas? Are they ever much more than a competition to avoid gaffes? And what did British politics gain when it introduced prime ministerial election debates (apart from a brief attack of Cleggmania)?
A new bonus bad idea is available to accompany this series: David talks to Lucia Rubinelli about what’s wrong with the idea of sovereignty. To get this and all our bonus episodes plus ad-free listening sign up now to PPF+ https://www.ppfideas.com/join-ppf-plus
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Next time: The Great Political Films resumes with Z (1969)
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The History of Bad Ideas: Televised Leadership Debates

We resume our series on the great political films with Costa-Gavras’s Z (1969), the quintessential late 60s movie about assassination, conspiracy, street politics and police brutality. How could a film shot in Algeria and starring French actors so faithfully reconstruct a recent Greek political killing? How did it capture the spirit of the times? And what does it say about the relationship between politics as violence and politics as story-telling?
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Next time: The Candidate (1972) w/Chris Smith
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The Great Political Films: Z

Today’s episode is a conversation between David and the former politician Chris Smith (long-time MP and Secretary of State for Culture, Media and Sport in Tony Blair’s first government) about The Candidate (1972), the first great political film of the 1970s. How does its portrayal of the compromises of running for office hold up today? Is it a cynical film or an inspiring one? And what lessons does it have for politics in the age of Trump?
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Next time: Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (voted the greatest film of all time in the 2022 Sight and Sound critics’ poll) 
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The Great Political Films: The Candidate w/Chris Smith

Today’s great political film is Chantal Akerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975), voted the greatest film of all time in the 2022 Sight and Sound poll. A classic of feminist cinema it is also a film about the meaning of time and the illusions of choice. How can a movie which shows a woman peeling potatoes in real time have you on the edge of your seat? If the personal is the political, what do three days in the life of a Belgian housewife tell us about the true nature of power?
Coming this weekend on PPF+: two new bonus episodes to accompany this series: Shoah part one and Shoah part two, exploring Claude Lanzmann’s path-breaking, harrowing, unforgettable 9-hour documentary about the Holocaust. Sign up to PPF+ to get all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus
Next time in our regular slot: Kagemusha (1980)
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The Great Political Films: Jeanne Dielman

Today’s great political film is Akira Kurosawa’s epic of war and deception Kagemusha (1980). Set in late sixteenth-century Japan it tells the story of a thief tasked with impersonating a warlord. Can physical resemblance translate into political authority? How far does the conspiracy need to go? And who in the end is the real criminal?
Out now: two new bonus episodes on PPF+ to accompany this series: Shoah part one and Shoah part two, exploring Claude Lanzmann’s path-breaking, harrowing, unforgettable 9-hour documentary about the Holocaust. Sign up to PPF+ to get all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus
Next time: Spike Lee’s Do The Right Thing
Past Present Future is part of the Airwave Podcast Network
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The Great Political Films: Kagemusha

Our political films season has reached the late 1980s with Do The Right Thing (1989), Spike Lee’s searing take on racial tension on a Brooklyn block on a boiling hot summer’s day. How does a fight over pizza turn into a full-blown riot? With everyone feeling exploited, who is really to blame? And where do Martin Luther King Jr. and Malcom X – not to mention Jesse Jackson Jr. – fit in?
Out now: two new bonus episodes on PPF+ to accompany this series: Shoah part one and Shoah part two, exploring Claude Lanzmann’s path-breaking, harrowing, unforgettable 9-hour documentary about the Holocaust. Sign up to PPF+ to get all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus
Next time: Fight Club w/ Helen Lewis
Past Present Future is part of the Airwave Podcast Network
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The Great Political Films: Do The Right Thing

David talks to writer and journalist Helen Lewis about David Fincher’s Fight Club (1999), the film that launched a thousand memes. Does this tale of thwarted masculinity and corporate malfeasance code left or code right? Who, in the end, is Tyler Durden: Joe Rogan or Jordan Peterson, Elon Musk or Andrew Tate? Is Fight Club a relic of the pre-digital age or a prophetic vision of what was coming? And … Meat Loaf?!
Out now: two new bonus episodes on PPF+ to accompany this series: Shoah part one and Shoah part two, exploring Claude Lanzmann’s path-breaking, harrowing, unforgettable 9-hour documentary about the Holocaust. Sign up to PPF+ to get all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus
Next Time: There Will Be Blood
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The Great Political Films: Fight Club w/ Helen Lewis

Our great political films series reaches the twenty-first century with Paul Thomas Anderson’s unforgettable There Will Be Blood (2007), starring Daniel Day-Lewis as oilman Daniel Plainview in one of the all-time great screen performances. Based on Upton Sinclair’s novel Oil! (1927), the movie swaps out Marx for Nietzsche and tells a story of money vs religion and family vs both. What, in the end, is the force that cannot be overcome?
Out now: two bonus episodes on PPF+ to accompany this series: Shoah part one and Shoah part two, exploring Claude Lanzmann’s path-breaking, harrowing, unforgettable 9-hour documentary about the Holocaust. Sign up to PPF+ to get all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus
Next time: The Social Network
Past Present Future is part of the Airwave Podcast Network
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The Great Political Films: There Will Be Blood

The second David Fincher film in our series (after Fight Club) is The Social Network (2010), the Aaron Sorkin-scripted take on how Mark Zuckerberg created Facebook and the price paid by everyone else. A tale of power and privilege, innocence and cynicism, it is also about how exploitation can be sold as exclusivity. What is left when we have given away our control over who we are in order to decide who counts as a friend?
Out later this week: a new bonus episodes on PPF+ exploring the joys of Armando Iannucci’s In The Loop, not just one of the smartest films about contemporary politics but also the funniest. Sign up now for £5 per month or £50 for a whole year to get this and all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus
Next time: Zero Dark Thirty
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The Great Political Films: The Social Network

This week David talks to novelists Adam Biles and John Lanchester about the timeless appeal of George Orwell’s Animal Farm. Why has it retained its hold far longer than other political allegories? Do readers need to know about the Russian history it describes? What makes the animals so relatable? Plus we discuss other favourite political allegories, from The Wizard of Oz to WALL-E.
Adam Biles’s new novel – inspired by Animal Farm – is Beasts of England, available now.
Read John Lanchester in the current issue of the LRB.

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Animal Farm and Other Allegories

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