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BBC Radio 4

Producer and writer John Yorke has worked in television and radio for 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact behind the books, plays and stories that are being dramatised in Radio 4's weekend afternoon dramas.

Opening Lines

Ian Sansom, sitting in for John Yorke, takes a look at Joy In the Morning, the 44th Jeeves and Wooster novel by PG Wodehouse. Published in 1946, it revolves around Bertie Wooster’s attempts to avoid a series of social and romantic calamities. The omniscient Jeeves, of course, remains the great calm at the centre of the novel’s storm, devising ingenious solutions just when disaster seems inevitable. Readings from the book are by Stephen Fry, who also describes why he’s such an enthusiast for Wodehouse so much, and what it is he loves about this adventure in the Jeeves and Wooster canon.

Ian Sansom is a novelist, journalist and broadcaster. He is the author of more than 20 books, including the Mobile Library and the County Guides series of detective novels and his work has been translated into more than a dozen languages. He has worked as a columnist for The Guardian and The Spectator and currently writes for the TLS, The Irish Times and The Dublin Review. He is a regular broadcaster on BBC Radio 4 and Radio 3. He was formerly the Director of the Oscar Wilde Centre at Trinity College Dublin and a Professor and Head of English at Queen’s University Belfast.

With readings and contributions from Sir Stephen Fry

Archive:
Archive 1961 BBC Interview – Alistair Cooke speaks to P.G. Wodehouse
Archive 1972 BBC Interview – Keith Dewhurst speaks to P.G. Wodehouse

Reader: Sir Stephen Fry
Producer: Laura Grimshaw
Executive Producer: Sara Davies
Programme Hub Co-ordinator: Nina Semple
Researcher: Henry Tydeman
Sound: Sean Kerwin

A Pier production for BBC Radio 4

Joy in the Morning

John Yorke explores the revolutionary techniques developed by Jane Austen in Sense and Sensibility and uncovers why her work is so endlessly adaptable to modern tastes. 

Austen innovated ‘free indirect style’, which blends third person narration with a character’s internal thoughts and feelings. Novelists have been using her creation ever since. She also had a gift for dialogue which allows her to reveal character through idiosyncratic speech habits. The novel is shot through with darkness, but it is also extremely funny. Joh discovers that the main characters, Elinor and Marianne, have ‘comedy double act energy’.

With contributions from Professor John Mullan and poet and dramatist Claudine Toutoungi.

John Yorke has worked in television and radio for thirty years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he’s trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Producer: Mary Ward-Lowery
Reader: Rhiannon Neads
Executive Producer: Sara Davies
Production Hub Coordinator: Dawn Williams
Sound: Iain Hunter

A Pier production for BBC Radio 4

Sense and Sensibility - Episode Two

John Yorke explores the romantic framework of Jane Austen’s first published novel, Sense and Sensibility, as well as the reasons for its enduring appeal. It’s a novel that explores the cost of love, and in it, Austen develops writing techniques that revolutionised this new form, which are still in use some two hundred years later.

With contributions from Professor John Mullan, and poet and dramatist Claudine Toutoungi.

John Yorke has worked in television and radio for thirty years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he’s trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Producer: Mary Ward-Lowery
Reader: Rhiannon Neads
Executive Producer: Sara Davies
Production Hub Coordinator: Dawn Williams
Sound: Iain Hunter

A Pier production for BBC Radio 4

Sense and Sensibility - Episode One

The opening lines of Pride and Prejudice are not only among the most famous in all of literature, they also place marriage front and centre as the key theme within the novel. 

“It is a truth universally acknowledged,” Austen writes, “that a single man in possession of a good fortune, must be in want of a wife.” So many of the characters and their actions are driven by the search for a good marriage - but their motivations and aspirations are both richly varied and illuminating of Regency society at a time when women could find security and status primarily at the altar. 

John Yorke asks whether Elizabeth Bennett and Mr Darcy, two of the most illustrious and quick-witted partners in literary history, can find a love that transcends the strictures of the time. 

The programme features Dr Lucy Powell, lecturer in English at the University of Oxford, and Professor John Mullan from University College London. 
 
John Yorke has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatized in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4.
 
Contributor: Dr Lucy Powell, lecturer in English at the University of Oxford, and John Mullan, professor of English Literature at University College London 
Sound: Sean Kerwin
Researcher: Henry Tydeman
Production Hub Coordinator: Dawn Williams
Producer: Geoff Bird
Reader: Rhiannon Neads
Executive Producer: Caroline Raphael 
 
A Pier production for BBC Radio 4

Pride and Prejudice - Episode Two

Jane Austen’s Pride and Prejudice has not only captured the hearts of generations of readers, it also helped change the way that novels are written. This most beloved tale of Regency romance, featuring the brilliantly quick-witted Elizabeth Bennett and the haughty figure of Fitzwilliam Darcy, allows us into its characters’ heads and hearts in newly sophisticated ways that set the template for so much of the fiction that followed. In this, the first of two parts focusing on Austen’s most popular novel, John Yorke examines how a book she described as ‘too light, and bright, and sparkling’ retains a special place and a special importance in the history of English literature. 

The programme features leading Austen expert John Mullan, professor of English Literature at UCL, and Dr Lucy Powell, lecturer in English at the University of Oxford. 
 
John Yorke has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4.
 
Contributors: John Mullan, professor of English Literature at UCL and Dr Lucy Powell, University of Oxford
Sound: Sean Kerwin
Researcher: Henry Tydeman
Production Hub Coordinator: Dawn Williams
Producer: Geoff Bird
Reader: Rhiannon Neads
Executive Producer: Caroline Raphael 
 
A Pier production for BBC Radio 4

Pride and Prejudice - Episode One

According to its introduction, The Princess Bride is a long, sprawling book by the great Florinese writer S. Morgenstern that renowned screenwriter and novelist William Goldman has been obliged to abridge so that his son doesn’t have to struggle through all the boring bits. 

But as John Yorke reveals, all is not as it seems in this metafictional novel from 1973 that Goldman himself went on to adapt into a screenplay for a much-loved film. The Princess Bride may ostensibly be a fairy story, but there’s a lot more going on beneath the surface. 

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Natalie Haynes is a classicist, broadcaster and author of books including A Thousand Ships and Stone Blind.
Stephen Keyworth is a writer and director who has adapted two of William Goldman’s novels – The Princess Bride and Marathon Man – for Radio 4. 
Interview with William Goldman, BBC Radio 3 Third Ear, March 1988 

Reader: Riley Neldam
Music: Torquil MacLeod
Researcher: Henry Tydeman
Production Hub Coordinator: Dawn Williams
Sound: Sean Kerwin
Producer: Torquil MacLeod
Executive Producer: Sara Davies

A Pier production for BBC Radio 4

The Princess Bride

John Yorke takes a look at an enduring classic of children’s literature, The Wind In The Willows by Kenneth Grahame. Published in 1908, The Wind In The Willows is about nature – both human and animal. It is, on the face of it, a children’s book packed with beloved characters. But hidden beneath the bucolic adventures and Grahame’s beautiful evocation of the landscape, there is a desperate longing to escape the stresses of wide world into the peace and freedom of the natural world - a longing that ran through Kenneth Grahame’s life. His life was claustrophobic, the story – like the countryside - offers space to breathe. 

Kenneth Grahame said of his own writing, “You must please remember that a theme, a thesis, is in most cases little more than a sort of clothes line on which one pegs a string of ideas, quotations, allusions and so on, one’s mental undergarments of all shapes and sizes, some possibly fairly new but most rather old and patched; and they dance and sway in the breeze and flap and flutter, or hang limp and lifeless; and some are ordinary enough, and some are of a private and intimate shape, and rather give the owner away, and show up his or her peculiarities.”

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Producer: Laura Grimshaw
Executive Producer: Caroline Raphael 
Reader: Toby Hadoke
Guests: Elisabeth Galvin and David Gooderson
Researcher: Henry Tydeman
Programme Hub Co-ordinators: Nina Semple and Dawn Williams
Sound: Sean Kerwin
A Pier production for BBC Radio 4

The Wind in the Willows

Jane Austen’s novel, Northanger Abbey, was the first full book she wrote. She was in her early 20s at the time and it was accepted by a publisher but the novel wasn’t published in her lifetime. In this second episode John Yorke looks at the story behind the genesis of Northanger Abbey - how a young woman with only three years of formal education came to write such an accomplished work, what prompted her to write a satire of Gothic fiction, and why the book is also a hymn of praise to the novel form itself.

Jane may not have spent much time in school but her voracious love of reading, her prodigious memory and understanding of other writers’ techniques meant that she was entertaining the family with her own stories and plays from an early age. After leaving school at 11, her real education began - self-education. With the encouragement of her father, the availability of subscription libraries which made reading possible for all purses, and a lot of writing practice, she would develop into one of Britain’s finest writers.

Sadly, her story is also one of disappointment and neglect. Despite the publisher’s promise, Jane’s novel, finished when she was 24, would have to languish for nearly 20 years before it finally saw the light of day, six months after her death.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributors: Emma Clery, Literary Critic and Cultural Historian, Professor of English Literature at the Uppsala University, Sweden, and author of Jane Austen: The Banker’s Sister.

Rebecca Romney, author of Jane Austen’s Bookshelf.

Reader: Esme Scarborough
Production Hub Coordinators: Nina Semple, Dawn Williams
Researcher: Henry Tydeman
Sound: Iain Hunter
Producer: Kate McAll
Executive Producer: Sara Davies

A Pier production for BBC Radio 4

Northanger Abbey - Episode Two

Northanger Abbey was Jane Austen’s first book, although it wasn’t published until after her death. It tells the story of Catherine Morland, an impressionable young woman who is introduced to fashionable society when she’s taken by a wealthy neighbour to Bath. There, Catherine’s imagination catches fire when she’s initiated into the thrills of Gothic fiction by new friend, Isabella Thorpe – a pretty, charming but devious gold digger.

Another great reader of Gothic novels is ‘not quite handsome but very near it’ Henry Tilney, whom Catherine finds enchanting. When Henry invites Catherine to stay at Northanger Abbey, the home of his father, General Tilney, she imagines secret passages, haunted catacombs and an evil secret. Catherine does indeed find something wicked at the Abbey but not in the way she expects.

In this first of two episodes John Yorke explores the dual nature of the book - part satire on Gothic fiction and part celebration of the novel form.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributors: Emma Clery, Literary Critic and Cultural Historian, Professor of English Literature at the Uppsala University, Sweden, and author of Jane Austen: The Banker’s Sister.

Rebecca Romney, author of Jane Austen’s Bookshelf.

Reader: Esme Scarborough
Production Hub Coordinators: Nina Semple and Dawn Williams
Researcher: Henry Tydeman
Sound: Iain Hunter
Producer: Kate McAll
Executive Producer: Sara Davies

A Pier production for BBC Radio 4

Northanger Abbey - Episode One

When Horace Walpole published The Castle of Otranto in 1764, novels as a form were still in their infancy. Many tended to be long-winded works, instructing readers on how to live a moral life. 

With this short and fast-paced rollercoaster of a book, Walpole blew that idea out of the water, introducing his audience to a completely new kind of fiction, featuring supernatural happenings, suspense, and a young woman fleeing an evil villain down a dark corridor with a candle that blows out at the vital moment - all the elements of what we now call Gothic fiction. 

Prompting both a moral panic and a rush on sales, The Castle of Otranto would prove inspirational to many future writers, including Mary Shelley who wrote Frankenstein and Jane Austen who would both parody and celebrate the Gothic in her novel Northanger Abbey.

John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.

Contributor: Emma Clery, Professor of English Literature at the Uppsala University, Sweden. Editor of The Castle of Otranto (1996), and author of The Rise of Supernatural Fiction, 1762 -1800

Reader: Paul Dodgson 
Production Hub Coordinator: Nina Semple 
Researcher: Henry Tydeman
Sound: Iain Hunter 
Producer: Kate McAll 
Executive Producer: Sara Davies

A Pier production for BBC Radio 4

Joy in the Morning

Lyt når som helst, hvor som helst

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