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Lyt når som helst, hvor som helst 

Vanity Fair

Vanity Fair’s Little Gold Men takes you inside the world of film and television, from standing ovations at Sundance to the Best Picture award at the Oscars. With special guest appearances from stars, creators, and critics, our expert hosts dive into the power and glamour of Hollywood, as only Vanity Fair can.

For more on Little Gold Men, visit vanityfair.com/podcast/little-gold-men

Little Gold Men by Vanity Fair

The mailbag is open! This week, Rebecca and John answer your questions about this year’s Best Actress race, how to make the most of Telluride, and so much more. Then, John talks to Widow’s Bay creator and showrunner Katie Dippold about the inspiration behind the Emmy-nominated horror-comedy series. Stick around till the end for a special round of FMK: Horror Movie edition.
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Mailbag! Plus, Katie Dippold on the Making of “Widow’s Bay”

Jason Bateman has spent much of his career playing the calmest person in the room. But this year, his Emmy-nominated performances in Black Rabbit and DTF St. Louis flip that persona on its head. Rebecca talks with Bateman about embracing more emotionally exposed roles, how he decides which creative hats to wear on a project, and and why hosting SmartLess is the “easiest yet most lucrative” job of his career.
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Jason Bateman on His Most Un-Bateman Roles Yet

This week, ​Rebecca, John, and Vanity Fair features editor Hillary Busis each make the case for one television trend they’d happily banish forever, from the airport novel adaptation to the fictionalized true-crime miniseries. Then, after adequate complaining, they discuss the kinds of shows they’d like to see more of, including lower-stakes storytelling and the return of great episodic television.

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We Nominate for Oblivion: The TV Trends We’re Ready to Leave Behind

This week, Rebecca and John are joined by Vanity Fair features editor Hillary Busis to discuss the recently announced Toronto and Venice Film Festival lineups. They spotlight the movies generating the most buzz and speculate about which might still be headed to Telluride. Plus, a spirited debate over which festival matters most and whether festivals still have the power to launch an Oscar campaign.
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The Fall Film Festival Lineups Are Out. Will the Awards Follow?

Apple TV netted a personal best 89 nominations and is the third-most-nominated network at this year's Emmy Awards (behind awards behemoths Netflix and HBO). But when the service first launched in 2019, with eight original series and zero back catalog, few would've predicted its current success. VF Special Correspondent Joy Press joins Rebecca and John to dig into the streamer's early fumbles and current hits, and make sense of why a huge tech company is willing to lose so much money making prestige television. Plus, they dig into the Emmys' controversial decision to bump 5 categories from the primetime telecast and the twin Odysseys of Christopher Nolan's blockbuster box office and the WBD/Paramount merger.
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How Apple TV (Ted) Lassoed a Record Number of Emmy Nominations

This week, Rebecca and John are joined by Vanity Fair Features Editor (and resident classicist) Hillary Busis to dive in to Christopher Nolan's excellent new film, The Odyssey. First, on the off-chance you don't remember everything about Homer's original from your high school English class, Hillary gives a refresher on the plot points and themes of the epic poem. Then, the group digs in to the new adaptation, the controversies surrounding it, and what the film's quality and reception will mean for its box office and awards future.
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Can "The Odyssey" Survive the Long Journey to Best Picture?

This morning, the Television Academy announced its nominations for this year's Emmy Awards, so Rebecca and John sat down with VF Staff Writer Chris Murphy and Special Correspondent Joy Press to dig into the snubs and surprises of the day. Plus, they chat about the film news that's been percolating over the holiday break, from Luca Guadagnino's Artificial drama to the Obsession box office that keeps on climbing.
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Emmy Nominations: Snubs, Surprises, and Embracing the Weird

This year’s Emmy nominations won’t be announced until July 8, but that isn’t stopping Little Gold Men from making some bold predictions. Rebecca and John are joined by Hillary Busis and Savannah Walsh for a category-by-category breakdown of the upcoming races. They discuss whether The Pitt will sweep in drama (again), if Widow’s Bay is this year’s sleeper hit, and whether The Bear’s reign may finally be ending. Plus, the under-the-radar contenders Emmy voters shouldn’t ignore.

 
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Our 2026 Emmy Nomination Predictions

"Disclosure Day," Steven Spielberg's latest extraterrestrial-inflected adventure, is drawing his biggest box office in years — all the more impressive given its originality. Critical reception has been largely positive, but is this film a return to form? Rebecca, John, and VF Staff Writer Chris Murphy debate the merits of the film, share their favorite Spielberg titles, and ask whether there's any filmmaker who might take up the mantle of "the next Steven Spielberg."

 
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An Honest Look At “Disclosure Day” and Spielberg’s Influence on Hollywood

Charles Melton plays a lovable (but none too bright) hottie in season two of the Netflix anthology series Beef. But beneath his character’s good natured surface is a man struggling to make sense of his identity and place in society. Rebecca sat down with Melton to discuss his character’s transformation, what it was like collaborating with series creator Lee Sung Jin, and how he interprets the show’s controversial season two ending. Melton also opens up about his evolving relationship to his Korean heritage and how becoming a father has changed his perspective on work and time.

 
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Charles Melton is Redefining the Himbo

The newly minted BAFTA winner talks her ‘Industry’ breakthrough, Harry Lawtey’s exit from the series, and the backlash to her Amy Winehouse biopic: “It’s difficult to be in the spotlight when it’s not all rainbows and sunshine.”

 
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Marisa Abela on ‘Industry’ Success and ‘Back to Black’ Criticism

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