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Vanity Fair

Vanity Fair’s Little Gold Men takes you inside the world of film and television, from standing ovations at Sundance to the Best Picture award at the Oscars. With special guest appearances from stars, creators, and critics, our expert hosts dive into the power and glamour of Hollywood, as only Vanity Fair can.

For more on Little Gold Men, visit vanityfair.com/podcast/little-gold-men

Little Gold Men by Vanity Fair

At a special Little Gold Men live event at the Regent Santa Monica Beach, the Australian actor revealed that he had tried to get the rights to Denis Johnson's book four years earlier. But, he tells John and Rebecca, the wait was worth it to make Clint Bentley's version of the story, which explores fatherhood. "Robert, for me, felt like some version of myself and that felt like a worthwhile thing to do at that time in my life," says Edgerton, who also spoke about how directors like Baz Luhrmann have influenced him and what he thinks about the current state of the industry, including the possible Warner-Netflix merger.

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Joel Edgerton Explored His Greatest Fears for Train Dreams

In this episode from the archives, Rebecca talks with the Aftersun Oscar nominee and Hamnet star Paul Mescal, who starred last year in Ridley Scott's long-awaited Gladiator II. The indie darling reveals why he finally said yes to a blockbuster, the sage advice he got from his director, and why he's been working at such an intense pace since Normal People. Plus, he answers the Proust Questionnaire, revealing his greatest (mini) extravagance.

This episode originally aired on Nov. 19, 2024

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From Indies to Blockbusters, Paul Mescal Commands the Screen

In this episode from the archives, the Oscar nominee talks to Rebecca about how much playing Glinda the Good Witch transformed her, from permanently changing her vocal cords to shifting her emotionally as well. Plus, she talks about how she survives living a very public life and plays a round of Proust Roulette.

This episode originally aired on Feb 11, 2025

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Ariana Grande Has Been Forever Changed by Wicked (and Wicked: For Good)

Rebecca and John are joined by VF's Hillary Busis to share some words of wisdom for Hollywood as we enter the new year. And Hollywood had better take note as they offer priceless unsolicited advice to the powers that be. They also share their predictions for the 10 Best Picture nominees, and discuss who is on the bubble and where there could be some surprises. Finally, Rebecca and John review the biggest losers (The Testament of Ann Lee) and winners (Sirāt) of the recently announced Oscars shortlist.

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Little Gold Men's Unsolicited Advice for Hollywood in 2026

Rebecca talks with Amanda Seyfried, who has two films coming out over two weeks: she stars as a wealthy woman with secrets in The Housemaid, and as the leader of the Shaker religious movement in the ambitious epic The Testament of Ann Lee. The actress discusses the confidence she needed to have in herself, along with the challenges of learning the intense dance style used in the latter. "The nature of learning those choreographed moves, it's a real bitch," she says. She also talks about the challenges of overnight fame, which she's witnessed with her Housemaid co-star Sydney Sweeney. Plus, she reveals her obsession with taxidermy and her love of crocheting.

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Amanda Seyfried is Shaking Things Up With The Testament of Ann Lee and The Housemaid

Rebecca chats with Jacob Elordi, who plays the creature in Guillermo del Toro’s moving film. He reveals how he prepared for the unique role, his biggest concerns with the hours-long prosthetics process, and why it was, in a way, a religious experience. "I suppose maybe it takes a mask sometimes for people to see the truth of something," he says of his experience. Plus. the Australian actor talks about filming the third season of Euphoria, and reflects on how his career has transformed since the first season of HBO’s hit series. Finally, he reveals why he hates talking about AI -- and would rather be kissing on the beach.

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For Frankenstein, Jacob Elordi Covered Up to Reveal His True Self

Rebecca and John are joined by their VF colleague Chris Murphy to talk all about the Globes nominations, including the biggest snubs (Wicked: For Good) and surprises (Eva Victor, Emily Blunt). They also discuss the influx of international features and what's going on with the new podcast category. Plus, they debate how the news about Netflix's acquisition of Warner Bros. might affect the Oscar race.

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The Not-Too-Messy Golden Globes Nominations

This week, Rebecca and John are joined by VF Senior Editor Hillary Busis to answer a slew of mailbag questions. They highlight some of the more interesting below-the-line races, including cinematography and editing. They also debate if having a popular TV show can help an Oscar contender's chances, and whether "KPop Demon Hunters" has a shot at a Best Picture nod. Finally, they make their December movie picks for films that are worth catching in theaters this month.

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Mailbag: The Most Cutthroat Below-the-Line Oscar Races and What's Going on With the New Casting Category

John and Rebecca take stock of a series of star-studded Oscar contenders that are having trouble at the box office. They debate why so many indie adult dramas can't find an audience in today's marketplace, and what that might mean for their awards chances. Then, they break down the best actor race, one of the most competitive we've seen in years. And speaking of leading men, Rebecca and John are also joined by Vanity Fair's Global Editorial Director Mark Guiducci, who shares how the newly unveiled Hollywood Issue of Vanity Fair came together.

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Inside The Vanity Fair Hollywood Issue, Plus Why Great Films Are Flopping

Rebecca and John go down a road less traveled on this week's Little Gold Men and discuss the Grammy Awards with Vanity Fair associate editor Daniela Tijerina and staff writer Erin Vanderhoof. They break down this year's surprisingly good nominations, the Grammy's bumpy relationship with the music industry, and the idiosyncrasies of the Recording Academy before weighing in on their hopes for performances and wins on "music's biggest night."

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From Indies to Blockbusters, Paul Mescal Commands the Screen

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