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Lyt når som helst, hvor som helst 

Vanity Fair

Vanity Fair’s Little Gold Men takes you inside the world of film and television, from standing ovations at Sundance to the Best Picture award at the Oscars. With special guest appearances from stars, creators, and critics, our expert hosts dive into the power and glamour of Hollywood, as only Vanity Fair can.

For more on Little Gold Men, visit vanityfair.com/podcast/little-gold-men

Little Gold Men by Vanity Fair

This year’s Emmy nominations won’t be announced until July 8, but that isn’t stopping Little Gold Men from making some bold predictions. Rebecca and John are joined by Hillary Busis and Savannah Walsh for a category-by-category breakdown of the upcoming races. They discuss whether The Pitt will sweep in drama (again), if Widow’s Bay is this year’s sleeper hit, and whether The Bear’s reign may finally be ending. Plus, the under-the-radar contenders Emmy voters shouldn’t ignore.

 
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Our 2026 Emmy Nomination Predictions

"Disclosure Day," Steven Spielberg's latest extraterrestrial-inflected adventure, is drawing his biggest box office in years — all the more impressive given its originality. Critical reception has been largely positive, but is this film a return to form? Rebecca, John, and VF Staff Writer Chris Murphy debate the merits of the film, share their favorite Spielberg titles, and ask whether there's any filmmaker who might take up the mantle of "the next Steven Spielberg."

 
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An Honest Look At “Disclosure Day” and Spielberg’s Influence on Hollywood

Charles Melton plays a lovable (but none too bright) hottie in season two of the Netflix anthology series Beef. But beneath his character’s good natured surface is a man struggling to make sense of his identity and place in society. Rebecca sat down with Melton to discuss his character’s transformation, what it was like collaborating with series creator Lee Sung Jin, and how he interprets the show’s controversial season two ending. Melton also opens up about his evolving relationship to his Korean heritage and how becoming a father has changed his perspective on work and time.

 
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Charles Melton is Redefining the Himbo

Summer movie season is officially here, so Rebecca, John, and Hillary are breaking down the biggest studio blockbusters and under-the-radar gems on the horizon. From Christopher Nolan’s The Odyssey and Steven Spielberg’s Disclosure Day to a slew of raunchy indie comedies, this season is shaping up to be a crucial test for Hollywood’s recovery. Then, Vanity Fair staff writer Chris Murphy talks with The Gilded Age stars Carrie Coon and Morgan Spector about the show’s passionate fan base, the real-life relationship experiences they bring to their characters’ marriage, and what comes next for one of television’s most iconic couples.

 
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Summer Movie Preview, Plus: The Gilded Age’s Power Couple

Everyone and their mother has an opinion about Sydney Sweeney, but according to the actress herself, most people have no clue who she actually is. Rebecca caught up with Sweeney shortly after the Euphoria finale aired to talk about saying goodbye to Cassie Howard, filming the series’ long-awaited final season, and the deleted pole-dancing scenes she hopes fans eventually get to see. Plus: anime, internet rumors, and finding freedom as an actor.

 
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Sydney Sweeney on Cassie, Clickbait, and Creative Control

FX's Love Story: John F. Kennedy, Jr. & Carolyn Bessette swept up audiences after it burst onto our TV's earlier this year. It also launched the careers of its two stars, Paul Anthony Kelly and Sarah Pidgeon, after their mesmerizing performances as the couple who became a national obsession. But it was a long road to get there, as they physically transformed into the iconic characters and dealt with audience blowback before the show had even come out. At a special live event presented by FX, Rebecca and John sat down with Paul Anthony Kelly and Sarah Pidgeon to discuss how they built their characters, developed their undeniable chemistry, and managed the onslaught of public attention

 
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The Breakout Stars of 'Love Story' on Playing Real People and Navigating Their Newfound Fame

John and Rebecca discuss the scary-good box office for two recent horror debuts and the ups and downs of the Hacks and Euphoria series finales. Then, they pass the mic over to a NYC-based panel of theater lovers to talk about the awards show that puts the T in EGOT, this weekend's Tony Awards. Senior Editor Hillary Busis, Staff Writer Chris Murphy, Entertainment Director Caitlin Brody, and LGM Senior Producer Michele O'Brien make a case for why the Tonys are the most fun awards show to watch (even if you know nothing about the nominees), and make their predictions for Sunday night's ceremony.

 
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Tony Awards Predictions, Plus: YouTubers in Theaters & 2 Major HBO Shows Say Goodbye

Noah Wyle didn’t expect The Pitt to become one of television’s biggest dramas, or for viewers to once again see him as their doctor. But after an Emmys-sweeping first season and decades spent playing physicians on screen, Wyle has learned to embrace both realities. Rebecca caught up with the actor, writer, producer, and director to talk about why he resisted going “bigger and bloodier” after season one, what it’s like making one of TV’s most medically accurate dramas, and why some fans are so mad about Dr. Robby’s emotional unraveling. Plus, who is America’s doctor’s favorite fictional doctor?

 
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Noah Wyle Is Ready for Another Shift

Stephen Colbert has officially signed off, CBS is exiting the late night game, and the future of the format feels more uncertain than ever. This week, Rebecca and John are joined by VF special correspondent Joy Press to discuss the final episode of The Late Show, the politics and economics behind CBS’s decision, and the social media stars redefining the genre. They also share their top picks for what to watch this month.

 
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The End of Late Night as We Know It

In their final Cannes dispatch, Rebecca and John dish about some of the buzziest films of the week and attempt to predict the hard-to-pin-down Palme d'Or. They also discuss the reasons why the festival has seemed quieter this year, and debate which films we'll be talking about come Oscar season.Follow along on Vanity Fair's Cannes liveblog, and send your festival questions to littlegoldmen@vf.com.

 
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The Good, the Hellish, and the Just-OK from Cannes

Emmy nominee Michelle Williams on the role that brought her back to screen after a two-and-a-half-year hiatus, what it’s like to die over and over again onscreen, and what keeps her optimistic about the film and TV industry.

 
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For Michelle Williams, Dying on Dying for Sex Was “Therapeutic”

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