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Vanity Fair

Vanity Fair’s Little Gold Men takes you inside the world of film and television, from standing ovations at Sundance to the Best Picture award at the Oscars. With special guest appearances from stars, creators, and critics, our expert hosts dive into the power and glamour of Hollywood, as only Vanity Fair can.

For more on Little Gold Men, visit vanityfair.com/podcast/little-gold-men

Little Gold Men by Vanity Fair

The 2026 Emmys happened Monday night, so Little Gold Men is coming to you early this week to break down the biggest wins, losses, and surprises of the evening. Rebecca, Hillary, and Vanity Fair executive editor Maggie Coughlan dig into Widow’s Bay’s massive sweep, celebrate Rhea Seehorn’s long-awaited Emmy win, and consider what this year’s results tell us about the Television Academy’s evolving tastes. They also weigh in on the best (and most baffling) looks of the night.
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The Best, Worst, and Weirdest Moments of the 2026 Emmys

Rebecca and John are back from the Colorado mountains and Chris Murphy is fresh off the Lido, so it’s time to take stock of the first two major stops in fall festival season. The group discusses the films that soared, the docs that shocked, and the performances that could be headed all the way to the Oscars. Plus, Rebecca reveals just how far she went to uncover Telluride’s top-secret screening.
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The Movies Everyone’s Talking About After Venice and Telluride

The Emmys are almost here, which means it’s time to put our predictions – and our reputations – on the line. Vanity Fair features editor Hillary Busis joins Rebecca and John to break down the toughest races of the night, from the crowded comedy categories to a showdown in Lead Actress in a Drama. Then, the group makes the case for the long-shot contenders they’d most like to see take home a trophy.
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Predicting The Most Unpredictable Races at This Year’s Emmys

A bonus episode from our friends at WIRED's Uncanny Valley.

The hit HBO Max comedy series Hacks follows the tumultuous relationship between a young comedy writer Ava Daniels (Hannah Einbinder) and legacy comedian Deborah Vance (Jean Smart). The show has also had a lot to say about the business of show business. Creators Paul W. Downs and Lucia Aniello join Katie to talk about writing the series, corporate censorship, and why they find AI “deeply disturbing.”
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From Uncanny Valley: The Creators of 'Hacks' Really, Really, Really Hate AI

This week, Rebecca and John discuss the behind-the-scenes drama surrounding the film adaptation of Tomi Adeyemi’s Children of Blood and Bone and the long, complicated history of authors clashing with Hollywood over adaptations of their books. Then, Rebecca catches up with Wonder Man star Yahya Abdul-Mateen II about the surprise cancellation of the series after its first season. They also discuss Abdul-Mateen’s theater background and evolving relationship to watching his own work.
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What Happens When Authors Hate the Adaptation? Plus, Emmy Nominee Yahya Abdul-Mateen II Says Goodbye to “Wonder Man”

The mailbag is open! This week, Rebecca and John answer your questions about this year’s Best Actress race, how to make the most of Telluride, and so much more. Then, John talks to Widow’s Bay creator and showrunner Katie Dippold about the inspiration behind the Emmy-nominated horror-comedy series. Stick around till the end for a special round of FMK: Horror Movie edition.
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Mailbag! Plus, Katie Dippold on the Making of “Widow’s Bay”

Jason Bateman has spent much of his career playing the calmest person in the room. But this year, his Emmy-nominated performances in Black Rabbit and DTF St. Louis flip that persona on its head. Rebecca talks with Bateman about embracing more emotionally exposed roles, how he decides which creative hats to wear on a project, and and why hosting SmartLess is the “easiest yet most lucrative” job of his career.
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Jason Bateman on His Most Un-Bateman Roles Yet

This week, ​Rebecca, John, and Vanity Fair features editor Hillary Busis each make the case for one television trend they’d happily banish forever, from the airport novel adaptation to the fictionalized true-crime miniseries. Then, after adequate complaining, they discuss the kinds of shows they’d like to see more of, including lower-stakes storytelling and the return of great episodic television.

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We Nominate for Oblivion: The TV Trends We’re Ready to Leave Behind

This week, Rebecca and John are joined by Vanity Fair features editor Hillary Busis to discuss the recently announced Toronto and Venice Film Festival lineups. They spotlight the movies generating the most buzz and speculate about which might still be headed to Telluride. Plus, a spirited debate over which festival matters most and whether festivals still have the power to launch an Oscar campaign.
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The Fall Film Festival Lineups Are Out. Will the Awards Follow?

Apple TV netted a personal best 89 nominations and is the third-most-nominated network at this year's Emmy Awards (behind awards behemoths Netflix and HBO). But when the service first launched in 2019, with eight original series and zero back catalog, few would've predicted its current success. VF Special Correspondent Joy Press joins Rebecca and John to dig into the streamer's early fumbles and current hits, and make sense of why a huge tech company is willing to lose so much money making prestige television. Plus, they dig into the Emmys' controversial decision to bump 5 categories from the primetime telecast and the twin Odysseys of Christopher Nolan's blockbuster box office and the WBD/Paramount merger.
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How Apple TV (Ted) Lassoed a Record Number of Emmy Nominations

The Oscar-nominated actress talks to Rebecca about the film's bold and honest take on motherhood and relationships. While making the film, in which she plays a mother who is convinced she's turning into a dog, Adams says she learned to accept both her character and herself in a new way. "I wasn't judging myself, and I was meeting her where I was at and approaching it without vanity," she says. Plus, Adams looks back on making films like Enchanted and Sunshine Cleaning, and reveals what she did when she debated leaving acting for good.

 
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Amy Adams Embraced "Radical Acceptance" When Making Nightbitch

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