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Vulture & New York Magazine

Join host Sam Sanders as he guides you through the biggest pop culture stories, trends, and ideas we can’t stop thinking about. With help from Vulture friends and the occasional celebrity, Into It is answering all of the important questions. What summer blockbusters are worth your time? Do we really know Taylor Swift? What does the future of TV look like? New episodes drop every Tuesday and Friday. From Vulture and the Vox Media Podcast Network.

Into It: A Vulture Podcast with Sam Sanders

Obsess better. Into It is Vulture’s guide to the pop culture we can’t stop thinking about. Hosted by Sam Sanders. New episodes drop every Tuesday and Friday.
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Introducing Into It: A Vulture podcast with Sam Sanders

Happy Beyoncé Week. As we await the release of Renaissance, Sam revisits how her surprise drop album in 2013 changed everything with longtime music journalist Danyel Smith. We also play a game with Vulture staffers and hear about the culture that's haunting us: Why did Bowling for Soup whitewash the 80s?

We'd love to hear from you. Email us at intoit@vulture.com with any questions, comments, or ideas.
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The Business of Beyoncé

Everything Everywhere All at Once. Bodies Bodies Bodies. Moonlight. Midsommar. How did one movie studio seemingly become the darling of critics and fans alike? And when did we start stanning... companies? Sam chats with Vulture's Alison Wilmore and Nate Jones about the rise of A24. We also play a game with comedian Amber Ruffin and hear about the culture that's haunting us: We're in a Hot Yes Chef Summer.
We'd love to hear from you. Email us at intoit@vulture.com with any questions, comments, or ideas.
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The A24 Effect (Plus: What's Amber Ruffin Into?)

Can Hollywood ever just end a story? Sam chats with showrunner Damon Lindelof about his experiences on ABC's Lost and HBO's Watchmen and the pressures to keep a good thing going. We also play a game with Today, Explained hosts Sean Rameswaram and Noel King and hear about the culture that's haunting us: Was Paula Abdul really in a plane crash in the 1990s?
We'd love to hear from you. Email us at intoit@vulture.com with any questions, comments, or ideas.
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Hollywood Endings with Damon Lindelof

Sam and New York Times columnist Tressie McMillan Cottom break down the hugely popular show Yellowstone and the ways it reflects our own identity politics. Which is all to say: It's complicated. We also play a game with Dinner Party newsletter writer Tirhakah Love and film critic Angelica Jade Bastien, and hear about the culture that's haunting us: Tessa Thompson is making a meal out of Westworld's hors d'oeuvre writing.
We'd love to hear from you. Email us at intoit@vulture.com with any questions, comments, or ideas.
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The Complicated Politics of 'Yellowstone'

Some celebrities are born into financial safety. Others have to post sponcon. Sam chats with writer Kelsey McKinney about Sydney Sweeney's Instagram and what it means to have (or not have) family money in Hollywood. We also hold a celebrity liquor taste test with the staff of Vulture, which involves moderate to heavy drinking during a workday. And we hear about the culture that's haunting us: Singing "Somewhere That's Green" from Little Shop of Horrors at karaoke hits a little different when you're an adult living in New York.
We'd love to hear from you. Email us at intoit@vulture.com with any questions, comments, or ideas.
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Who Has to Hustle in Hollywood? (Plus: We Try Celebrity Liquors)

Who had the song of the summer? Sam chats with Switched on Pop's Charlie Harding and Reanna Cruz about whose song (and album) is in the running: Beyoncé, Bad Bunny, Lizzo, or Kate Bush? We also ask Vibe Check co-hosts and friends of the show Saeed Jones and Zach Stafford if they're into J.Lo cutting dancers based on their astrological sign. And we hear about the culture that's haunting us: DJ Khaled is a "God Did" wind-up toy.
Send us your culturegeist. What specific thing in the culture has been haunting you for days, weeks, or even years? Send us a short voice memo at intoit@vulture.com.
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Bad Bunny, Beyoncé, or Kate Bush: Who Had the Song of the Summer?

A Strange Loop won this year's Tony Award for Best Musical, starring an all Black cast. But the show itself was partly inspired by three white women: Joni Mitchell, Tori Amos, and Liz Phair. Sam visits A Strange Loop on Broadway and sits down with its writer Michael R. Jackson to talk through Jackson's musical Holy Trinity (Joni as the Mother, Liz as the Daughter, and Tori as the Holy Ghost) and how they helped him embrace his own "Inner White Girl."
We also ask Vulture's Rebecca Alter and our own Gaby Grossman if they are into the drama surrounding the Don't Worry Darling press tour. And we hear about the culture that's haunting us: If Euphoria won a Creative Arts Emmy for "Holding Out for a Hero" choreo, does that mean Lexi Howard is a Creative Arts Emmy winner, too?
Send us your culturegeist. What specific thing in the culture has been haunting you for days, weeks, or even years? Send us a short voice memo at intoit@vulture.com.
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Finding Your 'Inner White Girl' in 'A Strange Loop' (Plus: We Discuss 'Don't Worry Darling' Drama)

Why does the outrage over people of color cast in fantasies feel so predictable? Sam chats with associate professor Ebony Elizabeth Thomas, author of The Dark Fantastic: Race and Imagination from Harry Potter to The Hunger Games, about how fantasy writing in the Western world has become so entrenched in whiteness that the mere presence of a Black hobbit seems “shocking.”
We also ask Abbi Jacobson and Chante Adams of A League of Their Own if they are into Cher calling Queen Elizabeth II a cow. And we hear about the culture that's haunting us: Dave Grohl watching Taylor Hawkins' son drumming to "My Hero" at a tribute concert is a scene straight out of a Pixar movie.
Send us your culturegeist. What specific thing in the culture has been haunting you for days, weeks, or even years? Send us a short voice memo at intoit@vulture.com.
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Black Hobbits and the Whiteness of Fantasy (Plus: What Are Abbi Jacobson and Chanté Adams Into?)

Issa Rae is not just acting — she’s writing, producing, and running a whole media production company. In this live chat from the 2022 Code Conference, Issa talks with Sam Sanders and Kara Swisher about how she’s always known her audience — from her start as an internet creator to inking exclusive multimillion-dollar deals.
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Issa Rae Controls the Narrative (BONUS)

Long movies have often been associated with prestige, so it makes sense that Killers of the Flower Moon is three hours and 26 minutes. But Avengers: End Game clocking in at more than three hours? Come on. Vanity Fair’s Natalie Jarvey and Sam talk through all the factors skewing movies longer, from bidding wars between streamers that give directors more power and control, to IP franchises demonstrating that audiences will tolerate longer movies.
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It’s Not Just Scorsese. Why Are Movies So Long?

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