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Slate Podcasts

New York Times critic Dwight Garner says “The Slate Culture Gabfest is one of the highlights of my week.” The award-winning Culturefest features critics Stephen Metcalf, Dana Stevens, and Julia Turner debating the week in culture, from highbrow to pop. For more of Slate’s culture podcasts, check out the Slate Culture feed.Want more Culture Gabfest? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Culture Gabfest show page. Or, visit slate.com/cultureplus to get access wherever you listen.
 Hosted on Acast. See acast.com/privacy for more information.

Culture Gabfest

On this week’s show, Dana is joined by Slate’s own Nadira Goffe and Richard Lawson, of the Critical Darlings podcast. Their first agenda item is Jury Duty Presents: Company Retreat, the second installment of the workplace comedy/reality show hybrid which places an unknowing everyman in a made-up scenario populated entirely by actors. Does the second season deliver a heart-warming moral test in the form of comedy or a manipulative prank? They discuss.

Next for more funhouse mirror television, they take up Bait, the Riz Ahmed-starring and created show about a Riz Ahmed-like actor vying for the role of James Bond. The show is stuffed with ideas and Ahmed’s charm, but they debate whether its conceptual martini sufficiently shaken or stirred.

Finally, it’s time to go out, wear something nice, and push as they take a listen to Sexistential, the new album by Swedish dance pop queen Robyn. Though the “Dancing On My Own” singer has a new partner on the dancefloor in her young son, motherhood and midlife make for some real club classics.

On a bonus episode for Plus subscribers, they take up the question, as posed in a recent New Yorker article, of whether “plagiarism is that bad?”

Endorsements

Richard: The compulsively watchable time travel family drama The Way Home, a Hallmark Channel Original. (And subscribing to Critical Darlings)

Nadira: The ten minute disco cover of "Bridge Over Troubled Water" by Linda Clifford and the album WOR$T GIRL IN AMERICA by Slayyyter. 

Dana: The new book by Mason Currey Making Art and Making a Living as well as his newsletter Subtle Maneuvers.

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

 Hosted on Acast. See acast.com/privacy for more information.

James Bond’s Sexistential Retreat Edition

Welcome to a very special Money On Film miniseries!

Over three episodes, Slate Money’s Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, Nadira and Felix take a trip to a bathhouse for spirits in 2001’s Spirited Away.

Directed by Hayao Miyazaki, the film follows a girl named Chihiro, who becomes trapped in the spirit world and must save her parents, encountering soot sprites, river spirits, a giant baby, and many more wonderful and terrifying beings along the way.

The film is a masterpiece of storytelling and technical animation, but as Felix explains, it also works as a highly developed metaphor for capital and the Japanese economy at the close of the millennium: the bathhouse stands in for a stable but exploitative economic system, beset by outside capital forces, with workers stripped of their names and identities.

This is the final episode of the Money On Film miniseries. Thanks for listening!

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Money On Film: Spirited Away

This week, Dana, Julia (fresh from the launch of her new media venture L.A. Material), and guest host Dan Kois set their gaze to the heavens with a discussion of the lost-in-space adventure yarn Project Hail Mary. Based on the book by Andy Weir and directed by genre movie savants Phil Lord and Christopher Miller, the sci-fi blockbuster stars Ryan Gosling and a big rock creature puppet.

Next, they hop across the pond for the launch of SNL UK, the British revamp of the venerable American comedy institution. Slate UK contributor and author of Deep Down, Imogen West-Knights joins to share her two pence on the show’s local reception.

Finally, the panel turns to Dan Kois’s epic, 8,500 word Slate essay on… bar soap. His opus—or “soapus," if you will— makes a persuasive case for why bar soap is a superior form of foam.

In an exclusive Slate Plus bonus segment, the gang gets into a listener question about analog media.

Endorsements

Julia: In addition to subscribing to L.A. Material, the great American junk food that is the corndog—the vibes and graphic design of Hot Dog on a Stick at the Santa Monica Pier are swell but seeking listener recommendations for the very best place to get a corndog.

Dan: For some '"higher gossip " and a bit of 1800s history, the book Parallel Lives: Five Victorian Marriages by Phyllis Rose.

Dana: The work of voice actor Ray Porter in the audiobook of Project Hail Mary and the interview Porter gives on the book podcast Off the Shelf.

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

 Hosted on Acast. See acast.com/privacy for more information.

Ryan Gosling’s Pet Rock Edition

Welcome to a very special Money On Film miniseries!

Over three episodes, Slate Money’s Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, Felix and Nadira discuss dating and money in Celine Song’s 2025 romantic comedy Materialists, which centers on a love triangle between a millionaire matchmaker (Dakota Johnson), a hunky financier (Pedro Pascal), and an old flame and out-of-work actor (Chris Evans). While not particularly romantic or comedic, the film raises questions about the role money plays in modern dating, how we select partners based on financial viability, and whether romance itself might be a bit overrated.

Next time on Money On Film: Spirited Away. See you then!

 Hosted on Acast. See acast.com/privacy for more information.

Money On Film: Materialists

Welcome to a very special Money On Film miniseries!

Over three episodes, Slate Money’s Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, we’re headed to Wall Street to watch a Felix Salmon favorite: Margin Call, the 2011 thriller-drama starring a long list of famous people, including Jeremy Irons, Paul Bettany, Stanley Tucci, Demi Moore, and yes, Kevin Spacey.

Directed by J. C. Chandor, the film takes place at an investment bank on the brink of the Great Financial Crisis, as financiers struggle to maintain their balance sheets against the greatest villain of the aughts: mortgage-backed securities.

Coming up on Money On Film: the 2025 rom-com Materialists, followed by the animated masterpiece Spirited Away from 2001. See you next time!

 Hosted on Acast. See acast.com/privacy for more information.

Money On Film: Margin Call

On this week’s show, Dana and Steve are joined by long-time FOP Isaac Butler (and author of the forthcoming book The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars.) They step into this week’s cultural trenches by way of an animatronic beaver den in Pixar’s Hoppers. Does the kooky eco-romp revive Pixar from its much-discussed slump? They discuss.

Next, they step to the frontlines of middle-age malaise in the new HBO limited series DTF St. Louis, a sex comedy and meditation on male friendship mashed up with a murder mystery starring Jason Bateman, David Harbour, and Linda Cardellini.

Finally, they debrief on the various battles for golden men in a recap and analysis of the 98th Academy Awards. Are the Oscars a real measure of artistic value? What do this year’s ceremony and winners say about the state of cinema? Why are they so long? Your questions answered here.

In an exclusive bonus episode for Slate Plus subscribers, the panel takes up a recent excerpt from Michael Pollan’s new book A World Appears: A Journey into Consciousness.

Endorsements

Isaac: An earlier instance of Jason Bateman playing sinister, the 2015 thriller The Gift, directed by Joel Edgerton. (Also, don’t forget to pre-order The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars)

Steve: The work of the recently deceased philosopher Jürgen Habermas. As a starting off point, read the Wikipedia page of his early work The Structural Transformation of the Public Sphere. 

Dana: For more beaver-related slapstick, the exceedingly low-budget 2022 debut—produced for just $150,000— of director Mike Cheslik Hundreds of Beavers. 

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

 Hosted on Acast. See acast.com/privacy for more information.

One Oscar After Another Edition

On this week’s monster mash, Steve, Dana, and Julia gather around the proverbial reanimation laboratory to take on the nutty, goth, and unbridled The Bride! Maggie Gyllenhaal’s feminist—or not, it’s up for debate—retelling of Frankenstein features a truly committed performance from Jessie Buckley. Do the disjointed pieces add to a coherent whole? They discuss.

Next, they take a look at Paul McCartney: Man on the Run, the Morgan Neville documentary about the moment when the legendary songwriter and rockstar stopped being a Beatle and had to become something else.

Finally, they wade through the morass of titles like How to Tame a Silver Fox and Ms. CEO’s Baby Daddy Is the Merchant of Death to explore the exceedingly cheap and increasingly popular world of vertical micro-dramas via the app ReelShort. 

In a bonus episode for Slate Plus subscribers, they tackle the question of when, in fact, one becomes an adult—inspired by a recent piece in The New Yorker by Shayla Love. 

And if you’re watching the Oscars this week, don’t miss a chance for a special live pre-show with your fave Gabfest critics. Dana joins Isaac Butler, Nadira Goffe, and Sam Adams on Thursday, March 12, for an Oscars preview unlike any other. They’ll weigh in on the sinners and saints of this year’s award season.

Endorsements

Dana: The compilation of Kris Kristofferson songs The Essential Kris Kristofferson, especially the first disc.

Julia: The Helen Garner novel The Spare Room. Also her new LA-based news outlet, L.A. Material, launching next week.

Steve: Jean Guéhenno's account of life in Occupied France Diary of the Dark Years, 1940-1944.

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

 Hosted on Acast. See acast.com/privacy for more information.

Paul Is Not Dead Yet Edition

On this week’s show, Steve is joined by June Thomas, author of A Place of Our Own, and Michael Schulman, author of Her Again and Oscar Wars, for some rollicking Gabfest discourse. First up, they get all shook up by EPiC: Elvis Presley in Concert, the concert documentary directed by Baz Luhrmann from archival Elvis performance footage. Does the master of cinematic spectacle bring the King back to life?

Next, they turn to The Fall and Rise of Reggie Dinkins, the new sitcom from 30 Rock co-creator Robert Carlock starring Tracy Morgan. Finally, they examine the uncanny and profound phenomena of posthumously-published celebrity interviews—including Eric Dane and Jane Goodall—of Netflix’s Famous Last Words specials. Existential bravery or exploitative trash? They discuss.

In an exclusive bonus episode for Slate Plus subscribers, the panel weighs in on the best casting Oscar race.

Endorsements

Michael: The audiobook of the memoir I Regret Almost Everything by Keith McNally as narrated by the incomparable Richard E. Grant.

June: Two niche podcasts featuring conversations with authors of biography including Bio, the official podcast of the Biographers International Organization, and Biographers in Conversation. Also, jumping on the Richard E. Grant train, the BBC parody cooking series Posh Nosh starring Grant and Arabella Weir.

Steve: The recent essay “The Stony Dark Within” by Joy Williams about Rainer Maria Rilke in the New York Review of Books.

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

 Hosted on Acast. See acast.com/privacy for more information.

Elvis Has Entered the Building Edition

The original trio Steve, Dana, and Julia convene for a right cracker of a Gabfest as they discuss How to Get to Heaven from Belfast, the new comedic mystery from Derry Girls creator Lisa McGee. In the Netflix series, three longtime Belfast friends must revisit their childhood trauma to unravel the mystery of a fourth friend’s disappearance— raucous Northern Irish hijinks ensue.

Next, they step into the unhinged dystopian Los Angeles of Gore Verbinski’s new film Good Luck, Have Fun, Don’t Die. In it a beleaguered time traveler played by Sam Rockwell must visit the same Norm’s diner 117 times to save the world from the menace of A.I..

Finally, they welcome Slate senior writer Christina Cauterucci to unpack her recent piece “My Gun and Me” about her unlikely journey towards gun ownership during Trump 2.0—and how she’s not alone in doing so in her left-leaning, queer community.

In an exclusive bonus episode for Slate Plus subscribers, they determine if there are indeed no comfortable reading positions, as a recent Slate essay by Luke Winkie attests. 

Endorsements

Dana: The latest Today in Tabs entry from Rusty Foster "A.I. Isn't People."

Julia: In lieu of an endorsement, a gripe: the much-hyped New York Times two-player word game Crossplay is just Scrabble! (If only there were a German word for this specific form of disappointment...)

Steve: Rereading J.D. Salinger with some distance from one’s own adolescence— particularly Franny and Zooey and the short story "For Esmé—with Love and Squalor." And for a good critical reassessment, read Janet Malcolm's New York Review of Books essay "Justice to J.D. Salinger." 

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

 Hosted on Acast. See acast.com/privacy for more information.

The Creator of Derry Girls Is Back Edition

This week, Dana is joined by Amy Nicholson, Los Angeles Times film critic and host of the podcast Unspooled, as well as Jamelle Bouie, New York Times columnist and host of the podcast Unclear and Present Danger. They discuss love affairs, lustful, glamorous, and interspecies.

First up, it’s the lustful as they take up Emerald Fennell’s bodice-ripping adaptation of “Wuthering Heights.” Starring Margot Robbie and Jacob Elordi as the doomed duo Cathy and Heathcliff, the adaptation promises an over-the-top, camp spin on the Gothic tale but does it offer enough depravity to really deliver?

Next, it’s on to the glamorous with the Ryan Murphy-produced, CK One-scented limited series Love Story: JFK Jr. and Carolyn Bessette about the tragic love story of the political scion and New York fashion It Girl.

Finally, they discuss all the interspecies hijinks and backstage chaos in the delightful revival of The Muppet Show.

In an exclusive bonus episode for Slate Plus subscribers, the trio of cinephiles celebrate recent reporting that movie theaters are cool again.

Endorsements

Jamelle: William Wyler's 1939 version of Wuthering Heights starring Laurence Olivier— and while you're visiting the Criterion Channel, check out their collection Mervyn LeRoy’s Pre-Code Films.

Amy: Gore Verbinski's new film Good Luck, Have Fun, Don’t Die, in theaters now.

Dana: The patient, observant documentaries of the recently deceased filmmaker Frederick Wiseman, several of which are available to stream on Kanopy. 

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

 Hosted on Acast. See acast.com/privacy for more information.

Heathcliff, It’s Me Cathy Edition

Slate critics Stephen Metcalf, Dana Stevens, and Julia Turner discuss P.T. Anderson's The Master, Hanna Rosin's new book The End of Men, and New York City's pending large soda ban.
 

 Hosted on Acast. See acast.com/privacy for more information.

The Culture Gabfest: Get Thee Behind Me Satan Edition

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