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Slate Podcasts

New York Times critic Dwight Garner says “The Slate Culture Gabfest is one of the highlights of my week.” The award-winning Culturefest features critics Stephen Metcalf, Dana Stevens, and Julia Turner debating the week in culture, from highbrow to pop. For more of Slate’s culture podcasts, check out the Slate Culture feed.

Get more Culture Gabfest with Slate Plus! Join to unlock weekly bonus episodes—plus ad-free listening across all your favorite Slate podcasts. Subscribe from our show page on Apple Podcasts or Spotify. Or visit slate.com/cultureplus to get access wherever you listen.

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Culture Gabfest

In this week's Culture Gabfest, our critics Stephen Metcalf, Dana Stevens, and Julia Turner discuss Mark Oppenheimer's profile of Stranger columnist Dan Savage in the New York Times Magazine, and the Twitter fight between the Village Voice and Ashton Kutcher. For their third segment, our critics are joined by Slate editor Michael Agger to discuss his piece on 4chan's highly influential and somewhat revolting message board /b/ .

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

Slate: The Culture Gabfest, "Real Men Cheat on Their Wives" Edition

In this week’s Culture Gabfest, our critics Stephen Metcalf, Dana Stevens, and Julia Turner watch the new BBC America series The Hour, a Mad Men for the Anglophile set. Next, they’re joined by attorney Dennis Riordan for a legal briefing on the West Memphis Three. (Riordan represented newly released defendant Damien Echols.) For their final segment, Gabfesters welcome Slate music critic Jody Rosen to discuss the legacy of songwriters Jerry Leiber and Nick Ashford, both of whom died this past week.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

The Culture Gabfest, “The Three-Quarter Hour” Edition

The Gabfest’s end is nigh but we’ve still got a few bits of culture to gab upon. This week, Steve and Dana are joined by longtime Gabfest star pinch hitter Dan Kois. 

First up for consideration: Pixar’s Toy Story 5. In this fifth installment of the computer animation studio’s flagship franchise, the threat to the vital bond between toy and child are computers themselves. Will Pixar, of all entities, save us from the threat of screentime? Maybe not. Is it nice to be back with Woody, Buzz, Jesse and the gang of plushies, dolls, and various transitional objects? Maybe so.

Next, the panel drops into the indie comedy ecosystem of the streaming service Dropout TV and talks about its chaotic cult hit game show Game Changer, now in its eighth season. Does the goofy hijinks therein offer a framework for the future of TV? They discuss. 

 

Finally, supreme, very special friend of the program (SVSFOP) Wesley Morris joins to talk about the New York Times’ package on the six sentences that define America and his essay in it about Nina Simone’s “Mississippi Goddam.”

In our bonus episode, Wesley sticks around to theorize with Steve, Dana, and Julia about the point of even having podcasts about culture.

Endorsements

Dana: "What Steven Spielberg Taught Me About Fear, Catharsis, and Being Human" by Wesley Morris in The New York Times as well as, maybe for the first time ever for Dana in Gabfest history, a piece of technology: the MacBook Neo.

Julia: The ongoing career—after composing the Gabfest theme—of the composer Nicholas Britell including his work for the NBA and particularly the composition "Agape" on the film score of If Beale Street Could Talk. 

Wesley: The potato salad recipe in Pearl Bailey's cookbook Pearl's Kitchen: An Extraordinary Cookbook.

Dan: Writing fan mail to authors whose work you love. Also, the music of the recently departed South African jazz pianist Abdullah Ibrahim, particularly the album Mindif.

Steve: The semi-fictionalized documentary about David Hockney A Bigger Splash and Philip French's review of it for BFI. Also, David Denby's 1990 New York Review of Books essay "The Real Thing" about the documentarian Frederick Wiseman. 

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

Toy Story 5 Crushes It at the Box Office Edition

Steve, Dana, and Julia gather once more—for almost the last time—to unpack the week’s culture. This week, conversation has to include the cultural, cinematic juggernaut Steven Spielberg and his new film Disclosure Day. Starring Josh O’Connor and Emily Blunt, it’s a sci-fi, action thriller about the longheld Spielbergian obsession: extraterrestrial life. Does it deliver that trademark Spielberg sense of wonder or tired cliches… or both?

Next, they welcome longtime friend of the program Isaac Butler to discuss his new book The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars and threats to free expression past, present, and future. 

Finally, and for the final time, beloved chartologist Chris Molanphy joins the show to remember Summer Struts past and curate the ultimate shortlist of shortlists. The panel shares their most adored songs from previous years and the tracks that never made the list but should have.

Listen to the final, ultimate, best of Summer Strut shortlist here. And for even more struttin’, you can listen to ten years of Summer Strut shortlists in one playlist here.

For Slate Plus subscribers, our bonus episode includes even more propulsive, groovy tracks and reflective conversation about what was Summer Strut.

Endorsements

Dana: Slate’s Spielberg Week and the 2023 conversation between the three philosophers John Vervaeke, Iain McGilchrist, and Daniel Schmachtenberger on "The Psychological Drivers of the Metacrisis."

Chris: The 2025 music video, directed by Mike Mills and starring Saoirse Ronan, of the Talking Heads classic Psycho Killer.

Julia: L.A. Material's upcoming Culinary Cup, a tournament of Los Angeles restaurants from the national diasporas represented in World Cup teams. 

Steve: Sports. (Latecomers and bandwagon fans welcome! Go Knicks!)

And don’t forget to preorder Isaac Butler’s book The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars.

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

One Last Strut Edition

As you may have heard in last week’s episode, the Culture Gabfest is hanging up its microphones after 18 years of cultural commentary. But before our final episode, we’ve still got much to discuss!

On this special guest-packed show, Steve, Dana, and Nadira Goffe have the power! That is the power to get into it with VSFOP Jamelle Bouie about Masters of the Universe, the latest attempt by Mattel to launch their own cinematic universe. They assess the state of IP-driven superhero movies and whether this newest entry—starring Nicholas Galitzine, as the buff, loin cloth-wearing He-Man, and Jared Leto, as the slightly lascivious Skeletor—is more than brand management.

Next, they turn to the wild, surreal revenge thriller Is God Is, written and directed by Aleshea Harris based on her stageplay. They talk about how this tale of twin sisters seeking vengeance fits into the growing pantheon of Black horror as well as the ancient canon of revenge tragedies.

Finally, and for the final time, it’s time to talk about Taylor Swift. In the wake of her newest release, the song “I Knew It, I Knew You” for the Toy Story 5 soundtrack, the gang assembles one more time to take up the long-simmering Tay debate. Jody Rosen and Julia jump on the call/enter the Thunderdome for this, of course. 

In a bonus episode for Slate Plus subscribers, the panel pours one out for the recently shuttered Hampshire College and reflects on the changing landscape of the liberal arts.

Endorsements

Dana: The interactive, Jazz-playing, transit-obsessed, single purpose website Train Jazz. (Hat tip once more to Rusty Foster's Today in Tabs.)

Nadira: The Black Film Archive which showcases Black films made from 1898 to 1999 currently streaming. Also, the year 2016 in music. 

Jody: For some Gabfest replacement therapy, watching academic lectures on YouTube such as the lectures of art historian John Walsh at Yale Art Galleries—including ones on Vincent Van Gogh and Dutch masters— and cultural historian Eric Lott on Racial Masquerade in America and Philippe Petit's legendary tightrope walk between the Twin Towers. 

Julia: Patrick Radden Keefe's new book London Falling and the song "Come Tomorrow" by Patti Scialfa.

Steve: Following up on last week’s endorsement, Steve can confirm that Disgrace by J.M. Coetzee is, in fact, good. Also recommended: Offshore by Penelope Fitzgerald. 

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

One Last Taylor Swift Throwdown Edition

This week Steve, Dana, and Julia convene once again—this time with some big news. Also, they make a classic Gabfest episode. 

First up, it's the alienating fluorescent buzz, infinite carpeted sprawl, and liminal horror of Backrooms. The new release from A24 is directed by 20-year-old Kane Parsons based on his YouTube series which itself was inspired by deep internet lore and a viral piece of creepypasta. Does the uncanny maze of Backrooms go anywhere? They step into the labyrinth to find out. 

Next, they’re joined by Gabfest fave Leon Neyfakh to get into another parallel dimension: the world of OnlyFans. They discuss Leon’s new podcast about the ubiquitous platform OnlyFantasy—produced with comedian and OF creator Gracie Canaan.

Finally, it’s a conversation that’s as lively as… well, that’s the question. They take up a recent piece of data journalism in The Pudding analyzing the most common similes.

In a bonus episode, Carl Wilson joins the call (as well as a special endorsement segment) to talk taste. Specifically, they get into how discussions of taste have changed since Carl wrote authoritatively on it 18 years ago in his book Let’s Talk About Love: Why Other People Have Bad Taste.

Endorsements

Dana: The recent Zadie Smith essay in The New York Review of Books "Art for Our Sakes." 

Carl: The live album Happy Today by Jeff Parker and ETA IVtet as well as the anthology of poetry On Occasion: Poems for the People, with a special Canadian shoutout to the poem "Oh Americans" by Gary Barwin.

Julia: The tranquil, koi fish-rich, and very SoCal Self-Realization Fellowship Lake Shrine. Also, L.A. listeners should join the folks of L.A Material, Punch List, and New York Review of Architecture on June 7 for the event LACMA Therapy Session to process all their complicated feelings about the new David Geffen Galleries.

Steve: The band The Durutti Column as sampled in the Blood Orange song "The Field." Plus, Steve would love to know what listeners make of the author J.M. Coetzee, particularly his novel Disgrace.

(Also, make sure to subscribe to Carl's fantastic newsletter Crritic!)

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

Stuck in the Backrooms Edition

This week, the OG three Steve, Dana, and Julia dig into the visually stuffed, Marxist smorgasbord that is Boots Riley’s latest film I Love Boosters. Starring Keke Palmer and Demi Moore, the candy-colored agitprop is about exploitation, the fashion world, shoplifting as class warfare, and— as they discuss—perhaps more than one movie can handle. 

Next they turn from Marx to Freud and analyze the critically adored reality TV phenomenon Couples Therapy, now entering its fifth season. Is the office of Dr. Orna Guralnik a site of transcendent psychological revelation or panoptic exploitation? They unpack.

Finally, they talk lingvo itself by way of a recent article in Harpers by Katie Thornton about the unlikely resurgence of interest in the artificial language Esperanto. 

In a bonus episode for Slate Plus subscribers, they answer a listener question about what long-running pieces of culture they’ve stuck with over years.

Ĝuu!

Endorsements

Dana: The book The Artificial Language Movement by Andrew Large about the centuries-long history of utopic language projects.

Julia: Lena Dunham’s memoir Famesick and Dialed.gg, the internet’s latest color perception test.

Steve: The music of the indie shoegaze band Slowdive—particularly the album Souvlaki—and the solo efforts of its frontman Neil Halstead—particularly the song “Witless or Wise” and the album Palindrome Hunches; check out Steve’s mega playlist for more.

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

I Love Boosters Heightens the Contradictions Edition

This week, we’ve got an all-guest-host panel with Gabfest faves Isaac Butler, Sam Adams, and June Thomas guiding the discourse… straight to hell. In this case, hell is the romantic relationships depicted in the buzzy indie horror Obsession. This rom-com/horror mashup—marking Curry Barker’s impressive feature directorial debut—deals with questions of codependency and consent. But the real question: is Obsession worth the online obsession? 

Next, they turn their gaze to the spooky titular island of Widow’s Bay and discuss the new series starring Matthew Rhys in another horror/comedy genre experiment. Finally, they debate whether most kids’ books are “crud?” Or really, is the recent online furor over comments in children’s book creator Mac Barnett’s new book Make Believe: On Telling Stories to Children merited?

In a bonus episode for Slate Plus subscribers, the gang gather over the topic of book clubs.

Endorsements

June: Get In: The Inside Story of Labor Under Starmer by Patrick Maguire and Gabriel Pogrund, a detailed and readable analysis of Keir Starmer's unlikely rise to power.

Sam: The latest film of indie, animated short auteur Don Hertzfeldt "Paper Trail."

 

Isaac: The novel The Oppermanns, a family saga by Lion Feuchtwanger written in real time during Hitler’s rise. (And, as a bonus peek into Feuchtwanger's post-war milieu, check out Salka Viertel’s autobiography The Kindness of Strangers.)

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

You’re My Obsession Edition

On this week’s show, our panel of Dana, Steve, and Sam Adams are on the case. The case: is the movie Sheep Detectives a real movie and is it any good? The answer: it’s a star-studded cozy murder mystery based on a best-selling book about ungulate sleuths… and yeah, it might just be the surprise word-of-mouth delight of the season.

 

Next, they take up the proverbial conch shell to assess Lord of Flies, the new Netflix limited series adaptation of William Golding’s classic novel from the creator of Adolescence.

Finally, they’re joined by longtime Slate book reviewer Laura Miller who understandably has some thoughts and feelings about the recent piece by New York Times book critic Dwight Garner “Where Have All the Book Reviews Gone?”

In an exclusive bonus episode for Slate Plus subscribers, Laura sticks around to report back from her viewing of the strange mess that is the new Animal Farm adaptation.

Endorsements

Laura: The new book by philosopher and polymath C. Thi Nguyen The Score: How To Stop Playing Somebody Else’s Game. 

Steve: The music of the Brazilian recording artist Sessa and the chamber music piece Quartet for the End of Time by Olivier Messiaen.

Sam: The Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann.

Dana: The audiobook Patrick Stewart Performs the Complete Sonnets of William Shakespeare. 

--

Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

Lord of the Sheep Edition

This week, Julia Turner and Dana Stevens are joined by Slate’s own Rebecca Onion to discuss The Devil Wears Prada 2, BEEF season 2, and the NYT’s best living songwriters package with Slate’s music critic Carl Wilson. 

Twenty years on, we return to the world of The Devil Wears Prada. In the sequel, Andy, Anne Hathaway’s character, must save Runway Magazine from the forces of capital, who are selling the Vogue-analogue for parts, as Meryl Streep’s Miranda Priestly struggles to hang on to her own power. The movie has a lot to say about the state of journalism and media with plot lines seemingly ripped from the gossip pages, but does it all come together in the edit? We discuss. 

Then, the second season of A24’s anthology series BEEF stars Oscar Isaac and Carey Mulligan as a volatile millennial couple who enter into a feud with a younger couple, played by Cailee Spaeny and Charles Melton. Set at a rich Californian golf resort and its environs, the show satirizes class and generational resentments as the characters scramble to claim the scraps of their betters at the expense of everyone else. The characters are mostly unlikeable, and the premise might be a little less original than the first season, but given BEEF’s stacked cast and pedigree, does the show sizzle? 

Finally we’re joined by Carl Wilson, Slate’s music critic and author of the newsletter “Crritic!” to discuss the New York Times package: The 30 Greatest Living Songwriters. Carl submitted a ballot for the list, and the polished version isn’t too far from his submission. He gets into his picks and discusses what the list is saying about the field of songwriting and the idea of a songwriter as it’s been expanded to include non-traditional instrumentation and digital composition. But like all lists it has sparked debate about the inclusions (Carole King, Stevie Wonder) the exclusions (Randy Newman, Liz Phair, David Byrne) and whether Taylor Swift’s inclusion was solely to get an interview. Together with Carl, we try and make sense of the list and talk about our favorites. 

As promised, here is Carl’s full ballot (The asterisks indicate people who Carl voted for but who have since died):

Willie Nelson

Smokey Robinson 

Bobby Braddock 

*Brian Wilson

Bob Dylan

Carole King

Randy Newman

Dolly Parton

Stevie Wonder

*Sly Stone

The Flatlanders (Butch Hancock/Jimmie Dale Gilmore/*Joe Ely)

Tom Waits & Kathleen Brennan

Nile Rodgers

David Byrne

Mark Eitzel

Chuck D & the Bomb Squad

Jimmy Jam & Terry Lewis

Stephin Merritt

Liz Phair

John Darnielle (The Mountain Goats)

Missy Elliott & Timbaland

The Love Junkies (Hillary Lindsey/Lori McKenna/Liz Rose)

Outkast (Big Boi/Andre 3000)

Josh Osborne/Brandy Clark/Shane McAnally

Phoebe Bridgers

Endorsements: 

Julia: The SNL sketch featuring Teana Taylor, Grandpa At The Wedding.

Rebecca: The new Lord Of The Flies adaptation on Netflix. 

Dana: The article in Vogue: Meryl Streep and Anna Wintour on Power, Fashion, and Acting the Part by Chloe Malle.

Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

Somehow, Miranda Priestly Returned Edition

On this week’s show, Steve, Dana, and Julia gab about Another Simple Favor, the sequel to Paul Fieg’s 2018 A Simple Favor, which again pits Blake Lively and Anna Kendrick in a twisty, noir comedy.

Next, they discuss Amy Sherman Paladino’s new Franco-American ballet TV confection Étoile. Finally, they confer on the shocking conclave pick of an American pope with New York Times journalist and Vatican-watcher Ruth Graham.

In the exclusive Slate Plus Bonus Episode, the panel spoils the heck out of all the many wild plot turns of Another Simple Favor.

Endorsements:

Dana: The new film April by up-and-coming Georgian filmmaker Déa Kulumbegashvili.

Julia: An essay by Keith Phipps’s about six crucial seconds in The French Connection and the experience of seeing this William Friedken film classic at a repertory cinema near you. 

Steve: The enduringly nourishing poem “Peeling Onions” by Adrienne Rich.

Podcast production by Jessamine Molli.

 

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

The 3 Blake Lively Problem Edition

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