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Slate Podcasts

New York Times critic Dwight Garner says “The Slate Culture Gabfest is one of the highlights of my week.” The award-winning Culturefest features critics Stephen Metcalf, Dana Stevens, and Julia Turner debating the week in culture, from highbrow to pop. For more of Slate’s culture podcasts, check out the Slate Culture feed.Want more Culture Gabfest? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Culture Gabfest show page. Or, visit slate.com/cultureplus to get access wherever you listen.
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Culture Gabfest

This week, our Gabfest panel includes Steve and guest hosts Nadira Goffe and Laura Miller with a typically eclectic collection of topics. First up, Dana hops on the call to decode the unspoken truths and dream imagery of Kleber Mendonça Filho’s film The Secret Agent. Set in 1970s Recife, Brazil and starring a very charming Wagner Moura, the film is a heterodox brew of political thriller, magical realism, and attentive character study about the everyday surreality of life under dictatorship.

Next, it’s back to Westeros with a discussion of A Knight of the Seven Kingdoms, a Game of Thrones prequel set 100 years before the original show based on George R.R. Martin’s fantasy epic. Grounded and surprisingly funny, don’t expect dragons in this knight’s tale.

Finally, they turn to “Gluttons for Punishment,” a recent Vulture article by Lila Shapiro about UPenn religious studies professor Justin McDaniel using some extreme, unorthodox measures to get his students to finish books.

In an exclusive bonus episode for Slate Plus subscribers, the panel talks to Laura about the secret pleasures of wood stacking as discussed in her recent piece “The Art of the Holzhausen.”

Endorsements

Nadira: Some melancholy shoegaze pop from Scandinavia, specifically the albums Goodbyehouse by Snuggle and Big City Life by Smerz.

Laura: The novels of Robert Jackson Bennett in his Shadow of the Leviathan series including Hugo-winning The Tainted Cup and A Drop of Corruption.

Steve: The Substack essay “The Wall Looks Permanent Until It Falls Down” by Adam Bonica about the cost of American exceptionalism.

And a bonus one from Dana: Pictures of Ghosts, the documentary by The Secret Agent director Kleber Mendonça Filho about Recife, Brazil in the 1970s.

--

Email us your thoughts at culturefest@slate.com. 

Podcast production by Kevin Bendis. Production assistance by Daniel Hirsch.

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Game of Thrones Buddy Comedy Edition

Podcasting is a privilege as Steve is joined by Dan Kois and Rebecca Onion to unpack and cackle at the domestic thriller schlockfest The Housemaid. Sydney Sweeney and Amanda Seyfried star in the Paul Fieg-directed tale of two women facing off to rule the McMansion roost.

Next, Seyfried proves she’s got the range as the panel joins the chorus appraising her performance in The Testament of Ann Lee, the epic tone poem and musical biopic about the founder of the Shakers directed by Mona Fastvold.

 

Finally, Julia hops on the call to join a conversation with Alia Hanna Habib, the influential book agent who is divulging hard-won publishing world insights in a new book Take It from Me and in the Substack Delivery & Acceptance.

In a Slate Plus bonus episode, the panel addresses a listener questioner from a U.S. history teacher about syllabus-worthy pop culture.

Endorsements

Dan: The Ruth Asawa retrospective at MoMA which illuminates the work and life of the prolific artist.

Rebecca: A bunch of books including Canticle by Janet Rich Edwards, The Ax by Donald E. Westlake, and True Grit by Charles Portis.

Steve: The essay "East Side Story" about Marty Supreme by Nawal Arjini in the New York Review of Books.

---

Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

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Sydney Sweeney’s Box Office Triumph Edition

Hark, the holiday season is upon us—and with it the most solemn of festive traditions: a gift guide! In this video and podcast special, Slate hosts Dana Stevens, Chris Molanphy, and Willa Paskin beam-in from their collective hearths to deliver unto the internet their favorite gifts for culture lovers this holiday. In addition to sharing gifts, they also discuss the cultural artifact that is the “holiday gift guide,” and its history going back to the early 20th century, up to the modern day. See the entirety of the 1910 gift guide Our Special Holiday Gift-Book from Greenhut-Siegel Cooper, and Esquire’s ultra-mod gift guide from 1961. 

Check out our gift recommendations below: 

Dana Stevens’ Cozy Movie Night-In: 

 
The Salbree Collapsible Silicone Microwave Popcorn Popper & Amish Country Popcorn
 
L'agraty Chunky Knit Blanket Throw
 
The Adventures of Antoine Doinel, The Criterion Collection Box Set

Chris Molanphy’s Hit Parade Collection: 

 
The Beatles’ Revolver CD Box Set
 
Mad Men Blu-Ray Box Set 
 
Can't Slow Down: How 1984 Became Pop's Blockbuster Year, by Michaelangelo Matos

Willa Paskin’s Fruit-Themed Trompe-l'œil Housewares:

 
Cantaloupe-shaped bowls in the style of Bordallo Pinheiro
 
4-Pack Orange-Shaped Candle Stocking Stuffer
 
Cherry-Shaped Toilet Brush

 

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The Slate Culture Gift Guide

This is a special preview of this week's Slate Plus episode. To get the full episode, another one like it every single week, and unlimited reading on Slate.com, subscribe to slate plus at Slate.com/cultureplus and help us keep the lights on. 

When you have Jad Abumrad in the studio, you don’t let him leave without squeezing as much quality audio from him as possible. So, inspired by Jad’s own natural curiosity, we dedicated our bonus episode this week to responding to one of the foremost practitioners of American radio’s questions about our little ol’ show. What follows is a wide-ranging conversation between Julia, Dana, Steve, and Jad about the current cultural landscape, the role of criticism, and the vital need for art in a time of inhumane political realities.

 

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Slate Plus Preview: Jad Abumrad Inquires How We Make the Gabfest

On this week’s show, Slate senior editor Rebecca Onion sits in for Julia Turner. First, the hosts examine Dahomey, an audacious new documentary by acclaimed filmmaker Mati Diop (Atlantics.)‌ With a one hour, eight minute run time, Dahomey is an incredibly rich text in a very small package, and contemplates the repatriation of 26 royal treasures plundered from the Kingdom of Dahomey as they journey back to their homeland, which now lies within the Republic of Benin.

Then, the three dive into Netflix’s Death, Let Me Do My Special, a one-woman show performed and written by Rachel Bloom (Crazy Ex-Girlfriend.)‌ The special is perceptive, macabre, and whimsical, as Bloom reflects on the pandemic years and the loss of her close friend and collaborator, Adam Schlesinger. Finally, what is Mark Zuckerberg wearing?‌ That is the question Brendon Holder asks in a recent Substack essay and that is bewildering the panel. Is the Meta CEO simply trying to beat the dweeb allegations through oversized t-shirts and a boyish haircut? Or is there something more sinister going on here?

In the exclusive Slate Plus segment, the panel discusses the role TV plays in their lives, inspired by a recent mega-article published by GQ, “How to Watch TV.” 

Email us at culturefest@slate.com. 

Endorsements:

Dana:‌ The AOC‌ and Tim Walz Twitch stream, specifically, the moment when Walz calls Tony Hinchcliffe a “jackwad” following a racist comment. 

Rebecca:‌ The Voyage Home by Pat Parker.

Stephen:‌ Todd Gitlin’s 2001 essay, “Unsafe in any state.”

Podcast production by Jared Downing. Production assistance by Kat Hong.

 

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Can Stolen Artifacts Return Time?‌

On this week’s show, the panel falls for Anora, a new movie from writer-director Sean Baker (Tangerine, The Florida Project) that’s as arrestingly tender as it is sexy, funny, and unpredictable. The whirlwind Cinderella story won the Palme d’Or at Cannes this year, and will likely become an Oscar frontrunner due to its star-making performances and humanistic depiction of life on the margins and sex work. One host calls it “the best American movie in the past 25 years.” 

Then, the three discuss Matlock, a gender-swapped reboot on CBS starring Kathy Bates. With huge viewership numbers and decent critical success, is the quirky legal procedural proof that network television is so, so back?‌‌ Finally, our trio turns their attention to Hearing Things, a new site for independent music journalism run (and owned by) a group of former Pitchfork writers.

In the exclusive Slate Plus segment, the hosts explore their thoughts and feelings about Halloween costumes. 

Email us at culturefest@slate.com. 

Endorsements:

Steve:‌ “Two Don Quixote Lyrics”‌ by W. H. Auden.

Julia:‌‌ Hampton Heights, an excellent novel by Supreme Friend of the Pod (SFOP)‌ Dan Kois.

Dana:‌ In honor of her new oven, a recipe for Roasted Cod and Potatoes. Also in honor of Dana’s recent appliance upgrade, an oven recipe from Julia and Stephen respectively:‌ Sheet-Pan Sausages and Brussels Sprouts With Honey Mustard and Roasted Kale and Sweet Potatoes With Eggs.

Podcast production by Jared Downing. Production assistance by Kat Hong. 

Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more.

 

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Anora Pole Dances to The Oscars

On this week’s show, Julia and Stephen are joined by Slate writer and senior editor, Sam Adams. Why do we tell fictional stories about real people?‌ The panel ponders this question as they discuss two biopics: The Apprentice and Saturday Night. The Apprentice is an uncanny portrait of Donald Trump, a young striver under the tutelage – and spell – of his mentor, Roy Cohn. But does the film offer any new information or ideas? Saturday Night, on the other hand, is the often obnoxious tale of the frenetic 90-minute countdown before Saturday Night Live’s first broadcast in 1975. Finally, the panel is joined by The Atlantic staff writer Charlie Warzel to discuss his recent and prescient piece, “I’m Running Out of Ways to Explain How Bad This Is.”

In the exclusive Slate Plus segment, the panel discusses f*cking profanity, a conversation inspired by a listener question from Jonathan. 

Email us at culturefest@slate.com. 

Endorsements:

Sam: Separated, a documentary by Errol Morris. (Read Sam’s review here.)

Julia: Ten, Nine, Eight, a wonderful children’s book by Molly Bang. 

Steve: Laura Miller’s book review of Revenge of the Tipping Point by Malcom Gladwell for Slate. 

Podcast production by Jared Downing. Production assistance by Kat Hong.

 

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Does The Apprentice Make Trump Sympathetic?

On this week’s show, Dana and Stephen are joined by Supreme Friend of the Podcast (SFOP) Isaac Butler, author of The Method:‌ How the Twentieth Century Learned to‌ Act. The trio first explores The Wild Robot, DreamWork Animation’s handcrafted, lovingly made film that’s the surprise of the year. Lupita Nyong’o voices ROZ, an old-fashioned robot powered by supremely advanced A.I. who must learn about and adapt to her new wild surroundings.

Then, they dissect Nobody Wants This, a new Netflix series starring Kristen Bell (who plays a sex podcaster) and Adam Brody as a hot rabbi. Although there are obvious charms, the show’s “will they, won’t they” rom-com beats can often feel, at best, gratingly familiar, and at worst, bizarre and unthoughtful, particularly in its portrayal of Jewish women. 

Finally, the Criterion Collection, is “a catalog so synonymous with cinematic achievement that it has come to function as a kind of film Hall of Fame,” writes Joshua Hunt for The New York Times. The panel dives into the wonderful world of ‘Closet Picks,’ a viral video format in which celebrities and movie buffs head into the Criterion Collection stockroom and pluck high-quality DVDs and Blu-rays off its shelves while explaining their personal significance. 

Also mentioned in this episode:‌

 • “
The Wild Robot Has an Intelligence That’s Anything But Artificial • ” by Dana Stevens for Slate.
 • “
‘Nobody Wants This’ Pits Jewish Women Against ‘Shiksas.’ Nobody Wins. • ” By Jessica Grose for The New York Times.

In the exclusive Slate Plus segment, the panel extols the joys of being on the ground. Inspired by Chris Black’s column for GQ, “How I Learned to Love a Layover,” the trio discusses how they spend their time in airports. 

Email us at culturefest@slate.com. 

Endorsements:

Dana:‌ “Abbas Kiarostami’s Childhood Films,”‌ a collection of 17 films by the renowned Iranian filmmaker made about or for children.

Isaac:‌ The Tale of The Princess Kaguya, directed by Isao Takahata.

Stephen:‌ “The Song That Connects Jackson Browne, Nico and Margot Tenenbaum”‌ by Bob Mehr for The New York Times.

Podcast production by Jared Downing. Production assistance by Kat Hong. 

 

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The Wild Robot’s Big Heart

On this week’s show, the hosts are joined by a very special fourth panelist: Wesley Morris, a critic at The New York Times and the host of The Wonder of Stevie, a new podcast on Audible. First, the quartet explores The Substance, a lurid, monstrous body horror flick by writer-director Coralie Fargeat. Demi Moore stars as Elisabeth Sparkle, a fading Hollywood icon who is so repulsed by the idea of aging, that she purchase a black-market drug known as “the substance.”‌ The film caused a commotion at Cannes this year, where audience members reportedly walked out in disgust and the remaining crowd gave it a 13-minute standing ovation. Then, the panel dives into The Wonder of Stevie with its host. The new six-part Audible series explores the career of Stevie Wonder and “uncovers the untold story of an extraordinary artistic journey that shaped the greatest creative era in popular music history.”‌ On the show, Wesley is joined by guests including Barack and Michelle Obama, Questlove, Smokey Robinson, and more. Finally, the hosts discuss A.I. slop and the onslaught of online garbage and language model detritus. This conversation was inspired by Max Read’s piece for New York Magazine, “Drowning in Slop.”‌

In the exclusive Slate Plus segment, Wesley Morris sticks around for a classic Slate spoiler special, and joins the hosts in dissecting The Substance and the film’s controversial, bloody, and borderline nauseating third act. 

Email us at culturefest@slate.com. 

Endorsements:

Dana: Stevie Wonder and Gilbert Gil performing live in Brazil in 1995.

Julia:‌ Today on Trail, Rusty Foster’s spin-off newsletter miniseries about hiking the Appalachian Trail with his son.

Stephen:‌ British singer-songwriter Nilüfer Yanya’s album, My Method Actor.

Wesley: Vote for your favorite songs of the past 25 years, and add to WXPN radio’s definitive list of the “885 Greatest Songs of the 21st Century.”‌

Podcast production by Jared Downing. Production assistance by Kat Hong.

Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more.

 

 Hosted on Acast. See acast.com/privacy for more information.

Demi Moore Gives Substance to The Substance

On this week’s show, June Thomas (co-host of Slate’s Working podcast and the author of A Place of Our Own) sits in for Julia Turner. The panel first explores The Bear, now in its third season, and questions whether Christopher Storer’s beast has become too self-aware. Then, they discuss Fancy Dance, a profoundly moving film by Native writer-director Erica Tremblay starring Lily Gladstone that’s equal parts road movie, crime procedural, and family drama. Finally, the trio dives deep into their personal relationships with app culture, inspired by Mark Hill’s essay for Slate, “I’m Tired of Using An App For Everything.”

In the exclusive Slate Plus segment, the panel answers a listener question from James: “As you get older, how do you keep yourself open to new interests, experiences, and ideas? To put it negatively, how do you avoid becoming an old crank?”

Email us at culturefest@slate.com. 

Endorsements:

June: A particularly moving video that's making the rounds on social media, in which a large crowd of supporters gather at Carmarthen Railway in Wales to send off Plaid's Anne Davies and sing her the Welsh national anthem. 

Steve: "I Know It's Over" by The Smiths. 

Dana: Patti Smith reading Fernando Pessoa (or to be more precise, Álvaro de Campos) at the Casa Fernando Pessoa museum in Lisbon. 

Podcast production by Jared Downing. Production assistance by Kat Hong. 

Hosts

Dana Stephens, June Thomas, Stephen Metcalf

 

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Has The Bear Jumped the Shark?

Bob Dylan's "Blowin' in the Wind" (1963) and Sam Cooke's "A Change is Gonna Come" (1964): In the first episode of our new Pop, Race, and the ’60s Slate Academy, Slate pop critic Jack Hamilton talks to Barry Shank, author of The Political Force of Musical Beauty, about two immensely famous protest songs. Where did Dylan get the melody for “Blowin’ in the Wind”? What makes “A Change Is Gonna Come” so beautiful? And why is Dylan perhaps the most written-about musician of his era while Cooke has been neglected? 

The first episode of this Slate Academy is being made available as a special preview. To hear the rest of the series, sign up for Slate Plus at slate.com/popacademy.

 

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Pop, Race, & the ’60s episode 1: Bob Dylan and Sam Cooke

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