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Slate Podcasts

New York Times critic Dwight Garner says “The Slate Culture Gabfest is one of the highlights of my week.” The award-winning Culturefest features critics Stephen Metcalf, Dana Stevens, and Julia Turner debating the week in culture, from highbrow to pop. For more of Slate’s culture podcasts, check out the Slate Culture feed.

Get more Culture Gabfest with Slate Plus! Join to unlock weekly bonus episodes—plus ad-free listening across all your favorite Slate podcasts. Subscribe from our show page on Apple Podcasts or Spotify. Or visit slate.com/cultureplus to get access wherever you listen.

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Culture Gabfest

This week, we’ve got an all-guest-host panel with Gabfest faves Isaac Butler, Sam Adams, and June Thomas guiding the discourse… straight to hell. In this case, hell is the romantic relationships depicted in the buzzy indie horror Obsession. This rom-com/horror mashup—marking Curry Barker’s impressive feature directorial debut—deals with questions of codependency and consent. But the real question: is Obsession worth the online obsession? 

Next, they turn their gaze to the spooky titular island of Widow’s Bay and discuss the new series starring Matthew Rhys in another horror/comedy genre experiment. Finally, they debate whether most kids’ books are “crud?” Or really, is the recent online furor over comments in children’s book creator Mac Barnett’s new book Make Believe: On Telling Stories to Children merited?

In a bonus episode for Slate Plus subscribers, the gang gather over the topic of book clubs.

Endorsements

June: Get In: The Inside Story of Labor Under Starmer by Patrick Maguire and Gabriel Pogrund, a detailed and readable analysis of Keir Starmer's unlikely rise to power.

Sam: The latest film of indie, animated short auteur Don Hertzfeldt "Paper Trail."

 

Isaac: The novel The Oppermanns, a family saga by Lion Feuchtwanger written in real time during Hitler’s rise. (And, as a bonus peek into Feuchtwanger's post-war milieu, check out Salka Viertel’s autobiography The Kindness of Strangers.)

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

You’re My Obsession Edition

On this week’s show, our panel of Dana, Steve, and Sam Adams are on the case. The case: is the movie Sheep Detectives a real movie and is it any good? The answer: it’s a star-studded cozy murder mystery based on a best-selling book about ungulate sleuths… and yeah, it might just be the surprise word-of-mouth delight of the season.

 

Next, they take up the proverbial conch shell to assess Lord of Flies, the new Netflix limited series adaptation of William Golding’s classic novel from the creator of Adolescence.

Finally, they’re joined by longtime Slate book reviewer Laura Miller who understandably has some thoughts and feelings about the recent piece by New York Times book critic Dwight Garner “Where Have All the Book Reviews Gone?”

In an exclusive bonus episode for Slate Plus subscribers, Laura sticks around to report back from her viewing of the strange mess that is the new Animal Farm adaptation.

Endorsements

Laura: The new book by philosopher and polymath C. Thi Nguyen The Score: How To Stop Playing Somebody Else’s Game. 

Steve: The music of the Brazilian recording artist Sessa and the chamber music piece Quartet for the End of Time by Olivier Messiaen.

Sam: The Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann.

Dana: The audiobook Patrick Stewart Performs the Complete Sonnets of William Shakespeare. 

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

Lord of the Sheep Edition

This week, Julia Turner and Dana Stevens are joined by Slate’s own Rebecca Onion to discuss The Devil Wears Prada 2, BEEF season 2, and the NYT’s best living songwriters package with Slate’s music critic Carl Wilson. 

Twenty years on, we return to the world of The Devil Wears Prada. In the sequel, Andy, Anne Hathaway’s character, must save Runway Magazine from the forces of capital, who are selling the Vogue-analogue for parts, as Meryl Streep’s Miranda Priestly struggles to hang on to her own power. The movie has a lot to say about the state of journalism and media with plot lines seemingly ripped from the gossip pages, but does it all come together in the edit? We discuss. 

Then, the second season of A24’s anthology series BEEF stars Oscar Isaac and Carey Mulligan as a volatile millennial couple who enter into a feud with a younger couple, played by Cailee Spaeny and Charles Melton. Set at a rich Californian golf resort and its environs, the show satirizes class and generational resentments as the characters scramble to claim the scraps of their betters at the expense of everyone else. The characters are mostly unlikeable, and the premise might be a little less original than the first season, but given BEEF’s stacked cast and pedigree, does the show sizzle? 

Finally we’re joined by Carl Wilson, Slate’s music critic and author of the newsletter “Crritic!” to discuss the New York Times package: The 30 Greatest Living Songwriters. Carl submitted a ballot for the list, and the polished version isn’t too far from his submission. He gets into his picks and discusses what the list is saying about the field of songwriting and the idea of a songwriter as it’s been expanded to include non-traditional instrumentation and digital composition. But like all lists it has sparked debate about the inclusions (Carole King, Stevie Wonder) the exclusions (Randy Newman, Liz Phair, David Byrne) and whether Taylor Swift’s inclusion was solely to get an interview. Together with Carl, we try and make sense of the list and talk about our favorites. 

As promised, here is Carl’s full ballot (The asterisks indicate people who Carl voted for but who have since died):

Willie Nelson

Smokey Robinson 

Bobby Braddock 

*Brian Wilson

Bob Dylan

Carole King

Randy Newman

Dolly Parton

Stevie Wonder

*Sly Stone

The Flatlanders (Butch Hancock/Jimmie Dale Gilmore/*Joe Ely)

Tom Waits & Kathleen Brennan

Nile Rodgers

David Byrne

Mark Eitzel

Chuck D & the Bomb Squad

Jimmy Jam & Terry Lewis

Stephin Merritt

Liz Phair

John Darnielle (The Mountain Goats)

Missy Elliott & Timbaland

The Love Junkies (Hillary Lindsey/Lori McKenna/Liz Rose)

Outkast (Big Boi/Andre 3000)

Josh Osborne/Brandy Clark/Shane McAnally

Phoebe Bridgers

Endorsements: 

Julia: The SNL sketch featuring Teana Taylor, Grandpa At The Wedding.

Rebecca: The new Lord Of The Flies adaptation on Netflix. 

Dana: The article in Vogue: Meryl Streep and Anna Wintour on Power, Fashion, and Acting the Part by Chloe Malle.

Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

Somehow, Miranda Priestly Returned Edition

This week, Dana, Steve, and Nadira Goffe assess if we as a culture can ever really escape Neverland— namely, the gigantic and fraught legacy of Michael Jackson. They unpack the biopic Michael. Directed by Antoine Fuqua, starring Jackson’s own nephew Jaafar Jackson, and produced by much of the Jackson family, the film is chock full of musical numbers and light on the troubling aspects of the singer’s life. Does it ever rise above King of Pop hagiography? They discuss.

Next, they take up Half Man, the new limited series from Baby Reindeer creator Richard Gadd. It’s a brutal look at a toxic male relationship. Is its unflinching eye too unflinching? Perhaps.

Finally, how can one become cultured? What does that even mean!? Such are the questions raised by T Magazine’s recent special issue “How to Be Cultured.” Our panel debates the package’s various high brow listicles, takes their quiz, and Nadira even makes her own culture list as rebuttal! (See below.)

In an exclusive bonus episode for Slate Plus subscribers, our hosts share which cultural figures they think would make for good biopic subjects.

Endorsements

Nadira: The new EP NAIL from Yves, particularly the title track, and Curtis Live! the live album by Curtis Mayfield, especially the song "The Makings of You."

Steve: The poem "Like the Train's Beat" by Philip Larkin.

Dana: The book On Michael Jackson by Margo Jefferson about Michael Jackson's complicated cultural place.

Nadira's Culture List:

(Editor’s Note: Nadira added two things since our discussion — we’re all still staying curious and expanding our cultural horizons!)

“Throw Some Ds on It” 1. — Rich Boy (Song; 2007)
“Jealous Guy” 2. — Donny Hathaway covering John Lennon live (Song; 1972)
 3. Any vlogger on YouTube, but particularly the work of
 Casey NeistatHappily Ever After: Fairy Tales for Every Child (TV Show; 1995)Fleabag 4. (TV Show; 2016-2019)
Monster 5. (Anime Series, currently avail. on
 Netflix 6. ; 2004)
Stop Making Sense 7. (Movie; 1984)
The Devil Wears Prada 8. (Movie; 2006)
Step Up 2: The Streets 9. (Movie; 2008)
Tampopo 10. (Movie; 1985)
Spider-Man: Into the Spider-Verse 11. (Movie; 2018)
Original Cast Album Company 12. (Movie; 1970)
Quo Vadis, Aida? 13. (Movie; 2004)
Playing in the Dark 14. — Toni Morrison (Book; 1992)
Tomorrow, and Tomorrow, and Tomorrow 15. — Gabrielle Zevin (Book; 2022)
 16. Any painting by Kerry James Marshall, but particularly
 “School of Beauty, School of Culture” 17. and
 “Portrait of the artist as a shadow of his former self”Fallingwater 18. , Frank Lloyd Wright (Architecture; 1964)

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

Michael Jackson Moonwalks the Box Office Edition

Steve, Dana, and Julia convene once more for a rousing Gabfest. First up, it’s Mother Mary. David Lowery’s strange psychodrama centers on a pop star, played by Anne Hathaway, reuniting with her estranged friend and costume designer, played by Michaela Coel, and the menacing piece of red chiffon that haunts them both. 

Next, they turn to another pair of mothers in Margo’s Got Money Troubles. The new series stars Elle Fanning as a new single mom— and Michelle Pfeiffer as her mom— who turns to OnlyFans to make ends meet. 

Finally they welcome back Gabfest favorite Caity Weaver to dish on her epic quest to find the best free restaurant bread in America— as chronicled in her hilarious and insightful piece in The Atlantic.

In an exclusive bonus episode for Slate Plus subscribers, Julia shares a behind-the-scenes peek into the founding of her new local media startup L.A. Material. 

Endorsements

Dana: The completely unscripted shows of The Improvised Shakespeare Company—on tour now.

Caity: The live album Sam Cooke at the Copa, especially the song "The Best Things in Life Are Free"—the best bread certainly is.

Julia: The sitcom The Fall and Rise of Reggie Dinkins which really hits its stride after a few episodes.

Steve: The novel The Go-Between by L.P. Hartley as well as Paul Buchanan, of the band The Blue Nile, covering David Bowie’s "Ashes to Ashes."

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

Mother Troubles Edition

Richard Pryor redefined comedy by telling the truth, even when it scorched him.Today, we’re sharing a preview of a new podcast, Big Lives, and a special episode about Pryor.

Every week, hosts Kai Wright and Emmanuel Dzotsi dig into the BBC archive to explore the story behind the icons who shape our culture—trailblazers like David Bowie, Meg Ryan, Amy Winehouse, and Tina Turner—and better understand how each legend set the stage for our contemporary cultural landscape. 

In this preview, Kai and Emmanuel look at how Richard Pryor rose from a Peoria, Illinois brothel to become comedy’s GOAT, only to then wrestle with racism, fame, desire, and self‑destruction. If you like what you hear, find more episodes of Big Lives on Apple Podcasts, Spotify, or wherever you get podcasts.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

Richard Pryor: The Truth Teller Who Changed Comedy Forever | From Big Lives

On this week’s show, Dana, Steve, and Dan Kois get into cultural topics of various scales. First, they examine The Christophers, the latest film from Steven Soderbergh. The small scale two-hander starring Ian McKellen and Michaela Coel about an aging artist and an upstart forger is intentionally intimate, but is it too slight? They discuss.

Next, they pick up their cultural magnifying glasses to peep at The Miniature Wife, the new marital comedy series starring Matthew Macfadyen and Elizabeth Banks about a scientist who accidentally aims his shrink ray on his wife. Is this diminutive premise too small for its multiple episode execution? They discuss. 

 

Finally, they take up the small but mighty objects apparently floating at the bottom of many an it girl’s purse: cigarettes. They respond to a recent piece in the Ankler “Cigarettes Get a Sequel: Hollywood’s ‘Cool’ Bad Habit Is Back.”

In an exclusive bonus episode for Slate Plus subscribers, the panel gazes at the vast expanse of space and talks about Artemis II’s mission to the far side of the moon. 

Endorsements

Dan: The novel Possession by A.S. Byatt.

Steve: The essay in New York Review of Books “From the Rooftops of Tehran,” an anonymous first person account of life under fire from American and Israeli bombs.

Dana: The radio show Shocking Blue on New York’s WFUV from the DJ Delphine Blue— if you miss it on Saturday nights 8pm-11pm when it airs, check out at WFUV’s archives to listen to episodes after broadcast.

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

There Are No Small Parts Only Miniature Wives Edition

What’s the worst thing Steve, Dana, and Julia have ever done? And would you still love them if you knew the answer to that question? That’s not a subject for today’s episode, but these three do get into The Drama, the dark, polarizing rom-com directed by Kristoffer Borgli starring Zendaya and Robert Pattinson which is animated by such disquieting inquiries.

Next, it’s time for elk meat, Montana golden hour, and feckless city slickers as our hosts take on Taylor Sheridan’s latest The Madison. Starring Michelle Pfeiffer, our hosts agree it’s an effective Western soap opera but is its Red State agitprop worth the price of admission?

Finally… there’s good boy. With their curly mop tops and wet eyes, doodle dog hybrids have nuzzled their way into Americans’ hearts. What does that say about us? The hosts discuss these questions and more raised in a recent New Yorker piece by John Seabrook, How Doodles Became the Dog du Jour.

In a bonus episode for Slate Plus subscribers, they have a spoiler-rich conversation divulging all of The Drama’s dirty secrets.

Endorsements

Dana: The latest from children's book author (and Dana's partner) Rowboat Watkins, Mousestache, Mooosestache about a riotous world overrun with mustaches. 

Julia: The memoir The Wanderers by immigration journalist Daniela Gerson detailing her unlikely family history.

Steve: Book three of Elena Ferrante's Neapolitan novels Those Who Leave and Those Who Stay and the work of singer-songwriter Ron Sexsmith, including his cover of Bob Dylan's "Tight Connection to My Heart" and his self-titled debut album. 

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

The Drama Surrounding The Drama Edition

On this week’s show, Dana is joined by Slate’s own Nadira Goffe and Richard Lawson, of the Critical Darlings podcast. Their first agenda item is Jury Duty Presents: Company Retreat, the second installment of the workplace comedy/reality show hybrid which places an unknowing everyman in a made-up scenario populated entirely by actors. Does the second season deliver a heart-warming moral test in the form of comedy or a manipulative prank? They discuss.

Next for more funhouse mirror television, they take up Bait, the Riz Ahmed-starring and created show about a Riz Ahmed-like actor vying for the role of James Bond. The show is stuffed with ideas and Ahmed’s charm, but they debate whether its conceptual martini sufficiently shaken or stirred.

Finally, it’s time to go out, wear something nice, and push as they take a listen to Sexistential, the new album by Swedish dance pop queen Robyn. Though the “Dancing On My Own” singer has a new partner on the dancefloor in her young son, motherhood and midlife make for some real club classics.

On a bonus episode for Plus subscribers, they take up the question, as posed in a recent New Yorker article, of whether “plagiarism is that bad?”

Endorsements

Richard: The compulsively watchable time travel family drama The Way Home, a Hallmark Channel Original. (And subscribing to Critical Darlings)

Nadira: The ten minute disco cover of "Bridge Over Troubled Water" by Linda Clifford and the album WOR$T GIRL IN AMERICA by Slayyyter. 

Dana: The new book by Mason Currey Making Art and Making a Living as well as his newsletter Subtle Maneuvers.

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Email us your thoughts at culturefest@slate.com. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

James Bond’s Sexistential Retreat Edition

Welcome to a very special Money On Film miniseries!

Over three episodes, Slate Money’s Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, Nadira and Felix take a trip to a bathhouse for spirits in 2001’s Spirited Away.

Directed by Hayao Miyazaki, the film follows a girl named Chihiro, who becomes trapped in the spirit world and must save her parents, encountering soot sprites, river spirits, a giant baby, and many more wonderful and terrifying beings along the way.

The film is a masterpiece of storytelling and technical animation, but as Felix explains, it also works as a highly developed metaphor for capital and the Japanese economy at the close of the millennium: the bathhouse stands in for a stable but exploitative economic system, beset by outside capital forces, with workers stripped of their names and identities.

This is the final episode of the Money On Film miniseries. Thanks for listening!

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

Money On Film: Spirited Away

Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required.

 Hosted on Acast. See acast.com/privacy for more information.

Nobody's Mad at Columbo Edition

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