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What's CODE SWITCH? It's the fearless conversations about race that you've been waiting for. Hosted by journalists of color, our podcast tackles the subject of race with empathy and humor. We explore how race affects every part of society — from politics and pop culture to history, food and everything in between. This podcast makes all of us part of the conversation — because we're all part of the story. Code Switch was named Apple Podcasts' first-ever Show of the Year in 2020.

Want to level up your Code Switch game? Try Code Switch Plus. Your subscription supports the show and unlocks a sponsor-free feed. Learn more at plus.npr.org/codeswitch

Code Switch

This week on the pod: author Edgar Gomez talks about what it was like growing up poor, queer, and Nicaraguan Puerto Rican in Florida. His new memoir, Alligator Tears, chronicles his dreams of making it big, the various mini-scams he got into along the way, and his realization that a rich life might not ever come with bundles of money.

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Is the American dream a scam?

This week: why the term "genocide" matters when talking about Israel's actions against Palestinians in Gaza. On Tuesday, a UN commission said it found that Israel has committed genocide in the Gaza Strip, as more people, groups and countries are alleging the same. We break down what the word genocide means on both a personal and geopolitical level, why it’s understood very differently by different people, and what that designation requires of the rest of the world.

Note: A previous version of this episode incorrectly stated that Raphael Lemkin coined the term “genocide” to describe the Holocaust. He actually coined it to describe numerous other events, including Polish pogroms and the extermination of Armenians during the Ottoman Empire. It also incorrectly stated that the Genocide Convention was a part of the Geneva Conventions — those were separate treaties.

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The stakes of calling Israel's actions in Gaza a genocide

Calls to ban “third world immigration” in favor of “remigration” -- or, mass deportation -- went from fringe ideas in far right circles to ones pedaled by mainstream conservatives. Now, those ideas are mirrored in government policy. On this week's Code Switch, we track how these ideas got their start among white nationalists and neo-Nazis in the U.S. and Europe and found their way into the language of popular right-wing influencers and Trump administration advisers. Note: This episode makes references to Charlie Kirk, and it was reported and recorded before he was shot in Utah.

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How calls for mass deportations went mainstream

This week, we're bringing you a special episode from our play cousins over at the podcast "Our Ancestors Were Messy." We hear about how Zora Neale Hurston and Langston Hughes went from being best friends to not friends.

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Digging into our ancestors' drama

This week, we're looking into the history of public swimming pools in the U.S., and the legacy that pool segregation has had on swimming skills in the country today. Earlier this year, Jasmine Romero found herself surrounded by four- and five-year-olds, ready to take her first ever swim class. Jasmine, who is in her mid-thirties, has had a fear of swimming all her life. It's a fear that was passed down from her mother, and spread to all of her sisters, too. But the Romero family isn't alone. People of color have long been afraid of the water — and with good reason.

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How racism kept Americans out of pools

On August 11, President Trump announced his intention to "rescue" the nation's capital. A central feature of his plan involved using federal officials to remove people experiencing homelessness from the city — people that he listed alongside "violent gangs, bloodthirsty criminals, roving mobs of wild youth, and drugged out maniacs." On this episode, we're diving into what it means to criminalize homelessness, what it looks like when police officers are used to solve social problems, and what this D.C. takeover might portend for the rest of the country.

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How Trump's D.C. takeover criminalizes homelessness

Mo Amer is the creator and star of the hit Netflix comedy series Mo. It's a first-of-its kind Palestinian-American sitcom with a fraught plot line about the American immigration system and the hope to return, at least for a visit, to his family's homeland. We talk to Mo Amer what it’s like to make a show so centered on the real facts of his own life, and to be thrust into the role of spokesperson for Palestinian-Americans at this particular moment.

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Statelessness, but make it funny

The heat disproportionately kills poor, elderly and people of color. So on this episode we're focusing on the lives of those impacted, from roofers in Florida to prisoners who live and die in cells that feel more like ovens in Texas. We’re asking why so many people are dying from the heat and whose lives we value enough to count their deaths and try to prevent them. 

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Hot weather kills. Who gets protected?

On this bonus episode of the show, we're hearing from some of YOU about what brings you joy, how you connect joy and justice work, and why joy is so important in your lives.

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You told us — what brings you joy

The phrase "joy is resistance" has been popping up all over the place lately. But what, exactly, does it mean? In this episode, we're unpacking what joy is, when it can actually be used as a tool for social change, and why the slogan has become so popular (even when joy itself feels more tenuous.)

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Is joy an act of resistance?

Black-ish creator (Kenya) and the show's 17-year-old star (Yara) talk about what's next for them on TV and in real life. Kenya explains why he's never felt pressure to explain cultural jokes. Yara breaks down ways Gen Z is ahead of the rest of us. Plus, they preview a possible spin-off!

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Talking Black-ish With Star Yara Shahidi And Creator Kenya Barris

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