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What's CODE SWITCH? It's the fearless conversations about race that you've been waiting for. Hosted by journalists of color, our podcast tackles the subject of race with empathy and humor. We explore how race affects every part of society — from politics and pop culture to history, food and everything in between. This podcast makes all of us part of the conversation — because we're all part of the story. Code Switch was named Apple Podcasts' first-ever Show of the Year in 2020.

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Code Switch

The Trump administration has called more and more groups “terrorists,” from “narco-terrorists” in Ecuador to people who protest ICE to the entire Democratic party. But it’s also nothing new. We talk to Saher Selod, expert on the racialized surveillance of Muslims about the effects of the war on terrorism after 9/11, and historian Alex Lubin about how even since colonial settlers were fighting Indigenous people to establish frontier towns, the word “terrorist” has been used by the state to enact violence and surveillance against whoever they want.

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As the definition of “terrorist” expands, so does state violence

What do the women in Bama Rush, beauty pageants and President Trump's orbit have in common? Their look traces back to the beauty traditions of the white, antebellum South. We talk to Elizabeth Bronwyn Boyd, author Southern Beauty: Race, Ritual and Memory in the Modern South, about how nostalgia for a Southern past influences the aesthetics of today.

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From the Confederacy to the White House: How Southern beauty traditions went MAGA

The MAGA look — you know the one: dramatic eyeliner, long, wavy hair, sheath dresses — is a defining feature of President Trump's Republican Party. And it's about a lot more than appearances. Journalist Inae Oh joins us to talk about what the aesthetics of MAGA tell us about power, influence, race and femininity.

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'Mar-a-Lago face:' MAGA's aesthetic loyalty test

People have been talking about being "allies" for a long time now. But what has that actually meant, over the years? And how performative should allyship be? One of our guests says, keep it to yourself. The other says, be loud and proud. So that's what we're getting into today with comedians Hari Kondabolu and Milly Tamarez — the many ways (good and bad) to be a so-called ally.

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Being an “ally” is kind of cringe. Why?

On Monday, Sen. Markwayne Mullin was confirmed as the newest head of the Department of Homeland Security, replacing Kristi Noem. It's an enormously consequential role that involves taking charge of ICE, border patrol, and TSA. And Mullin is an interesting choice for the role — he's a conservative, Christian citizen of Cherokee nation, known both for his ability to reach across the aisle, and for being a political firebrand. So today on the show, we're asking: What will Markwayne Mullin's leadership of DHS mean for Indian Country? And what will it mean for the nation as a whole?

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Markwayne Mullin is conservative, Christian, Cherokee, and the new head of DHS

When President Trump says things like “fake news,” “witch hunt” or even “Make America Great Again,” he’s not just using catchy phrases -- he’s persuading people into a way of thinking and believing. This week on Code Switch, we talk to Amanda Montell, author of Cultish and co-host of the podcast Sounds Like A Cult, about what the language of MAGA shares with cult language, and why it matters.

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What Trump's language has in common with cult language

Secretary of Defense Pete Hegseth recently put Scouting America — formerly known as the Boy Scouts — "on notice." The once great organization was becoming too woke, he said, and had been tarnished by embracing DEI. On this episode, we're talking to Benjamin René Jordan, author of Modern Manhood and the Boy Scouts of America, about the Scouts' surprisingly progressive history. And we ask him about the complex relationship between scouting and the military.

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The Scouts are too woke, according to Pete Hegseth

It’s Alabama, 1963. A black woman stands before a judge, but she refuses to acknowledge his questions until he addresses her by the same honorific given to white women: “Miss.” That woman's name is Mary Hamilton. Her case eventually reached the Supreme Court and changed the courts, and eventually broader culture, for good. We’re revisiting the largely forgotten story of Miss Mary Hamilton, a Freedom Rider who struck a blow against a pervasive form of disrespect.

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The Black civil rights leader who sued to be called “Miss”

Sinners has already broken records — it's the most Oscar-nominated film in the history of the Academy Awards. But is the movie itself actually historic? And what will its success mean for the future of Black filmmaking? This week, we're joined by Aisha Harris, a host of NPR's Pop Culture Happy Hour, and NY Mag film critic Angelica Jade Bastién. We get into what we loved, what we hated, and how Sinners fits into the broader landscape of big, splashy films that are beloved...yet never quite seem to move the needle on how Hollywood greenlights and funds future projects.

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What the success of "Sinners" does (and doesn't) say about race and Hollywood

Iran has 90 million people of different ethnicities, faiths, and backgrounds, who have very different ideas about the country. Iranian American scholar Sina Toossi shares some of those varying perspectives with us to help complicate how Iranians feel about U.S. intervention, the war, and what should come next.

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Why Iranian perspectives often get flattened and caricatured

Mo Amer is the creator and star of the hit Netflix comedy series Mo. It's a first-of-its kind Palestinian-American sitcom with a fraught plot line about the American immigration system and the hope to return, at least for a visit, to his family's homeland. We talk to Mo Amer what it’s like to make a show so centered on the real facts of his own life, and to be thrust into the role of spokesperson for Palestinian-Americans at this particular moment.

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Statelessness, but make it funny

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