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What's CODE SWITCH? It's the fearless conversations about race that you've been waiting for. Hosted by journalists of color, our podcast tackles the subject of race with empathy and humor. We explore how race affects every part of society — from politics and pop culture to history, food and everything in between. This podcast makes all of us part of the conversation — because we're all part of the story. Code Switch was named Apple Podcasts' first-ever Show of the Year in 2020.

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Code Switch

It’s Alabama, 1963. A black woman stands before a judge, but she refuses to acknowledge his questions until he addresses her by the same honorific given to white women: “Miss.” That woman's name is Mary Hamilton. Her case eventually reached the Supreme Court and changed the courts, and eventually broader culture, for good. We’re revisiting the largely forgotten story of Miss Mary Hamilton, a Freedom Rider who struck a blow against a pervasive form of disrespect.

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The Black civil rights leader who sued to be called “Miss”

Sinners has already broken records — it's the most Oscar-nominated film in the history of the Academy Awards. But is the movie itself actually historic? And what will its success mean for the future of Black filmmaking? This week, we're joined by Aisha Harris, a host of NPR's Pop Culture Happy Hour, and NY Mag film critic Angelica Jade Bastién. We get into what we loved, what we hated, and how Sinners fits into the broader landscape of big, splashy films that are beloved...yet never quite seem to move the needle on how Hollywood greenlights and funds future projects.

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What the success of "Sinners" does (and doesn't) say about race and Hollywood

Iran has 90 million people of different ethnicities, faiths, and backgrounds, who have very different ideas about the country. Iranian American scholar Sina Toossi shares some of those varying perspectives with us to help complicate how Iranians feel about U.S. intervention, the war, and what should come next.

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Why Iranian perspectives often get flattened and caricatured

We all know what gentrification looks like IRL — boxy, corporate-owned apartment complexes, places to get a quick bowl for lunch, streets that are dubbed "cleaner" and "safer" (even at the expense of the people who used to live there). But what does gentrification look like online? We’re talking to Jessa Lingel, who studies digital culture at the University of Pennsylvania, about her argument that the internet has become gentrified, and that we're all suffering the consequences.

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How the internet got gentrified

The late Reverend Jesse Jackson was — and still is — a revered civil rights activist, political trailblazer, and pop culture icon. For his critics, he was also villainized, or at the very least, a punchline. As Jackson's home going ceremony continues, we take some time to remember how Jackson shaped American politics with journalist Adam Serwer, who warns us not to flatten Jackson into a cliche or caricature.

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Remembering Jesse Jackson

While Puerto Rican independence is in the spotlight after Bad Bunny's Super Bowl halftime show, we're throwing it to our play cousins at La Brega, a show about all things Puerto Rico. We hear from former Young Lords member Iris Morales about how the group took their love for their homeland to educate and organize against U.S. colonialism.

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The Young Lords' legacy of fighting for Puerto Rico from the mainland

Jeremy Carl — President Trump's nominee for a senior State Department role -- was called out for his commentary on "white erasure" during his Senate confirmation hearing earlier this month. He defended the idea that "white culture" is in danger of being erased in the U.S. and that white people face more racial discrimination than any other group in country. So on this episode, we're talking to the Princeton historian Nell Irvin Painter about her book, The History of White People, and how definitions of whiteness have morphed over time depending on the interests of the people creating those definitions.

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What is "white culture," anyway?

The U.S. has been deporting people from Cuba in record numbers. That has come as a shock to many Cuban American communities, who had long enjoyed special protections that don't apply to most other immigrant groups. This week on the show we're talking about where this change fits into the trajectory of Cuban immigration to the U.S. We'll hear from Ada Ferrer, a historian at Princeton who shares how her family's divergent paths to the U.S. reverberated through her life. Then, we talk to historian Michael Bustamante of the University of Miami about how U.S.-Cuba immigration policy has evolved since the Cuban Revolution.

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The U.S., Cuba, and the people caught between

When President Trump shared a racist video on his Truth Social account last week, the blowback was real. But the video is also part of a tradition that has existed in the U.S. since the early 1800s — of using "humor" to spread and crystallize racist ideals. On this episode, we speak with Raul Perez, the author of "The Souls of White Jokes: How Racist Humor Fuels White Supremacy," who tells us how making fun of Black people was crucial to constructing "whiteness" — and perpetuating white supremacy — in the early days of the U.S.

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Trump shared a racist "joke." That humor is an American tradition

Dating can be tough. Dating while Black? That can feel nigh impossible sometimes, given how the long tentacles of racism have wrapped themselves around every aspect of our lives (and hearts.) But was dating any easier in the past? We're putting that question to the test on this special Valentine's Day episode of the pod. We revisit a conversation with audio storyteller and host of the podcast, Our Ancestors Were Messy, Nichole Hill. She takes us back in time to 1937, using archival personal ads from the Washington Afro-American to show us what it was like for Black folks to date almost a century ago.

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Was dating while Black always so hard?

For a long time, O.J. Simpson seemed to be running away from his race. "I'm not black, I'm O.J.!" he'd tell his friends. The he was charged with murder, and his defense team needed that jury to see O.J. as black. So, they had to get creative. Gene talks to Ezra Edelman, director of the new ESPN documentary "OJ: Made in America."(A warning, today's episode has some racially charged language.)

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"I'm Not Black, I'm O.J.!"

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