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Pushkin Industries

Music and storytelling meet on Broken Record, where artists across genres and generations sit down to explore the joy, chaos, and vulnerability of creating—and what it means to devote a life to music. From legendary icons to groundbreaking new voices, each episode captures artists in conversation sharing the inspirations and experiences that shape their craft.

Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

Rodney Crowell has been a fixture in Nashville's songwriting community for over 50 years. Born in Houston in 1950, he was influenced early on by songwriters Guy Clark and Townes Van Zandt. In 1975, he joined Emmylou Harris' Hot Band as a guitarist and harmony singer, playing with her for three years. Rodney became known for his own work with his 1988 album Diamonds & Dirt, an album that made history by producing five consecutive number-one singles.
 
Over his career, he's written songs for Johnny Cash, Willie Nelson, Bob Seger, and countless others, earning him a place in the Nashville Songwriters Hall of Fame. Last August, Crowell released his twentieth studio album, Airline Highway, produced by Tyler Bryant and recorded at Dockside Studio in Louisiana. Just a few months ago, Willie Nelson released What a Beautiful World, an entire album of Crowell covers.
 
On today's episode, Bruce Headlam talks to Rodney Crowell about making Airline Highway and the emotional experience of hearing Willie Nelson's tribute album. He discusses his formative years in Nashville's songwriting community. He opens up about his difficult childhood in Houston, including his mother's epilepsy and his father taking him to see Hank Williams perform when he was just two years old. And he talks about working with his ex-wife Rosanne Cash, and meeting his father-in-law Johnny Cash for the first time.
 
You can hear a playlist of some of our favorite songs from Rodney Crowell HERE.

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Rodney Crowell

FKA twigs has spent over a decade redefining the boundaries of pop music through her innovative blend of electronic production, experimental R&B, and striking visual art. Her albums LP1 and Magdalene earned widespread critical acclaim, establishing her as one of the most forward-thinking voices in contemporary music. 
 
Last November, she released EUSEXUA Afterglow, a companion to her Grammy-winning, dance-forward album EUSEXUA. Twigs' new album addresses identity, bodily autonomy, and resistance.
 
On today's episode, Justin Richmond talks to FKA twigs about her experiences growing up mixed-race in rural England and how going to Jamaican clubs as a teenager inspired her 2022 mixtape CAPRISONGS. She also explains why she's not a fan of TikTok dances, and she breaks down the precise moment when all of the forces align at a rave that have brought her to the realization that this is the most important moment in culture.
 
You can hear a playlist of some of our favorite songs from FKA Twigs HERE.

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FKA twigs

Ben Bridwell has led Band of Horses for over two decades. He describes the band's sound as "y'all-ternative," a genre that tips its hat to Southern rock's deep myriad of musical influences.
 
Next month, Band of Horses is celebrating the 20th anniversary of their debut album, Everything All the Time, with an expanded reissue featuring previously unreleased demos and live recordings. The album, recorded in 2005 with producer Phil Ek, who's known for producing albums by Built to Spill, Modest Mouse, and The Shins.
 
When Band of Horses started working with Phil, Ben had only been writing songs for a couple of years. He was also new to Seattle, where he'd relocated from Tucson, a city he moved to at 16 after dropping out of high school in his native Irmo, South Carolina.
 
On today's episode, Leah Rose talks to Ben Bridwell about recording Everything All the Time. He opens up about hitting rock bottom in South Carolina before moving to Seattle. He also talks about recently breaking the generational curse of alcoholism in his family, getting his life together post-divorce, and he explains why the upcoming Band of Horses album may sound aggressive despite the fact that he's in such a happy place.
 
You can hear a playlist of some of our favorite songs from Ben Bridwell & Band of Horses HERE.

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Ben Bridwell (Band of Horses)

Grant-Lee Phillips first made his name in the ‘90s as the frontman of Grant Lee Buffalo, a critically acclaimed band that released four albums and toured with Pearl Jam, the Smashing Pumpkins, and R.E.M. Rolling Stone named Grant-Lee "Best Male Vocalist" in 1994, and his band became known for their folk-infused rock sound and their reflections on American history.
 
After Grant Lee Buffalo disbanded in 1999, Phillips launched a solo career, eventually becoming familiar to a wider audience through his recurring role as the town troubadour on Gilmore Girls. Last September, he released his 12th solo album, In the Hour of Dust. The album's title was inspired by an ancient Indian painting Grant-Lee saw at a museum in Pasadena that depicts the twilight moment when cows are led home and kick up dust as night falls.
 
On today's episode, Bruce Headlam talks to Grant-Lee Phillips about making In the Hour of Dust. He tells the story of how a trip to the La Brea Tar Pits with his old friend Michael Stipe inspired his song "American Lions." And he discusses his songwriting process and how he approaches writing lyrics that balance the personal with larger societal themes.
 
You can hear a playlist of some of our favorite songs from Grant-Lee Phillips HERE.

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Grant-Lee Phillips

Peaches has spent more than two decades pushing boundaries in electronic music and performance art, inspiring the look and sound of edgy pop artists like Lady Gaga and Grimes. But long before she was known for her outrageous stage shows, Peaches got her start as part of a folk trio in Toronto. In the mid-'90s, after discovering she could become a one-woman band with her Roland drum machine, Peaches began developing a provocative new persona.
 
In 2000, she moved to Berlin and released The Teaches of Peaches, featuring the song "Fuck the Pain Away." The track has been cited by Thom Yorke as an inspiration while making Radiohead's In Rainbows, and has appeared in countless movies and TV shows including Lost In Translation, The Handmaid's Tale, and even South Park. Peaches has spent the last several years creating works for stage and screen, including serving as the subject of two recent documentaries. Now, after more than a decade, she's returning with No Lube So Rude, her first album in over 10 years, recorded in Berlin with producer The Squirt Deluxe.
 
On today's episode, Leah Rose talks to Peaches about making No Lube So Rude and how the album addresses identity, bodily autonomy, and offers an antidote for all the friction in the world. Peaches also discusses how she recently discovered her dad pleaded with a bar mitzvah band to give her her first shot performing live on stage. And she shares her deep love of '70s rock and roll trivia.
 
You can hear a playlist of some of our favorite songs from Peaches HERE.

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Peaches

Jacob Collier has built a remarkable career as a multi-instrumentalist and arranger known for his complex harmonic approach and collaborative spirit. He first gained attention as a teenager posting multi-track videos from his childhood bedroom in North London. In 2013, his cover of Stevie Wonder's "Don't You Worry 'Bout a Thing" caught the eye of Quincy Jones, who began mentoring him and helped launch his career.
 
Over the past seven years, Jacob’s released four albums in his Djesse series—ambitious, wide-ranging projects featuring collaborations with artists ranging from Coldplay to Tori Amos. He's won multiple Grammy Awards and developed a following through his inventive live performances and his willingness to share his deep knowledge of music theory with fans online.
 
Now, Jacob has made a dramatic shift with his new album, The Light for Days. Recorded in just four days using only a custom five-string guitar, it's a stripped-down, intimate collection that explores folk, classical, and jazz influences with notable restraint.
 
On today's episode, Bruce Headlam talks to Jacob Collier about why he decided to limit himself to a single instrument after years of layered, maximalist production. He discusses the custom five-string guitar built for him by Taylor's master luthier Andy Powers and how its unique tuning opened up new harmonic possibilities. He also talks about working with Joni Mitchell, the influence of artists like John Martyn and Brian Wilson, and how growing up singing Bach chorales with his family shaped his approach to harmony. And he performs several songs from the new album live in the studio.
 
You can hear a playlist of some of our favorite songs from Jacob Collier HERE.

See omnystudio.com/listener for privacy information.

Jacob Collier

Don Was has had a remarkable career moving between different corners of the music world. In the 1980s, he fronted the eclectic band Was (Not Was), mixing funk, rock, and pop in unexpected ways. As a producer, he's helped shape landmark albums for artists like the B-52's and Bonnie Raitt, and worked with Bob Dylan and become a regular producer for the Rolling Stones. For the past decade, Don has led Blue Note Records as its president, bringing new energy to the storied jazz label. 

Now, Don has released his own album, Groove in the Face of Adversity, a tribute to Detroit and the music that came out of the city where he grew up.

On today's episode, Justin Richmond talks to Don Was about his wide-ranging career and why his new album is his first under his name. Don also talks about how working with musical heroes like Willie Nelson, Leonard Cohen, and Brian Wilson in the '90s initially shut down his own creative ambitions. And he reflects on his time at Blue Note and how his experience as a touring artist himself allows him to relate to the label's roster in a completely different way.
 
You can hear a playlist of some of our favorite songs from Don Was HERE.

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Don Was

When Patty Griffin released Crown of Roses earlier this year, she delivered something both timeless and urgent. It’s an album that draws on gospel, folk, and soul to explore themes of faith, doubt, and resilience. It's a return to the stripped-down intimacy of her earliest work, but with the wisdom and craft of an artist who's spent nearly three decades refining her voice.
 
That voice first emerged in 1996 with Living with Ghosts, recorded on a simple four-track in her Boston apartment. The album introduced a songwriter who could turn personal pain into something universal. Over the years that followed, Griffin’s songs have been covered by everyone from The Chicks to Solomon Burke, while her own recordings have earned her multiple Grammy nominations and a reputation as a songwriter's songwriter.
 
On today's episode, Bruce Headlam talks to Patty Griffin about the inspiration behind Crown of Roses and how grit has shaped her songwriting throughout her career. They also discuss her early days in Boston's folk scene and the stories behind some of her most enduring songs. And she reflects on how finally getting to know her mother at the end of her life inspired her to see her mother's story in a whole new light.
 
You can hear a playlist of some of our favorite songs from Patty Griffin HERE.

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Patty Griffin

Joe Henry and Mike Reid brought two distinct but complementary legacies to Life & Times, their new collaborative album. Joe is a celebrated producer and songwriter known for his atmospheric, deeply literary approach to Americana. Over the decades, he's produced albums for artists like Solomon Burke, Bonnie Raitt, and Elvis Costello, while crafting his own work that blurs the line between folk, jazz, and rock. Mike Reid, a former NFL defensive lineman turned Grammy-winning country songwriter, has written hits like "I Can't Make You Love Me" and has long explored the tender spaces between strength and vulnerability.
 
Their album, Life & Times, captures conversations between two seasoned storytellers, their voices and perspectives interweaving across songs that examine memory, mortality, and the passage of time with unflinching honesty.
 
On today's episode, Bruce Headlam talks to Joe Henry and Mike Reid about how they developed a deep friendship over their shared love of poetry at a songwriter's retreat. They also discuss the artists and songs that first drew them to songwriting. And they reflect on their individual creative processes and how they've found new ways to inspire each other's work.
 
You can hear a playlist of some of our favorite songs from Joe Henry & Mike Reid HERE.

See omnystudio.com/listener for privacy information.

Joe Henry and Mike Reid

Since getting his start in the late ‘60s, Labi Siffre has had an unflinching commitment to writing exactly what he feels. The result was a debut album that announced a singular talent: a British singer-songwriter who could move seamlessly from jazz-inflected soul to tender love songs, all while addressing themes of love, identity, and justice that most pop artists wouldn't touch.
 
Over the next decade, Siffre built a catalog that defied category. Still, his 1972 song "Crying Laughing Loving Lying" became an international success, and his song "Something Inside So Strong"—written years later in response to apartheid—also became a big hit, revealing the true scope of his artistry.
 
And then there's "I Got The..." from his 1975 album Remember My Song that would quietly become one of the most sampled songs in hip-hop history, most famously by Dr. Dre on Eminem's "My Name Is."
 
On today's episode, Justin Richmond talks to Labi Siffre about growing up in 1950s London and the music he discovered that set him on his particular artistic path. Labi also talks about how he wants music to enliven him and how much it annoys him when people tell him to chill. And he explains why, after decades in the music industry, he's never regretted choosing honesty over commercial compromise.
 
You can hear a playlist of some of our favorite songs from Labi Siffre HERE.

See omnystudio.com/listener for privacy information.

Grant-Lee Phillips

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