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In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.


BLOOD ON THE TRACKS Season 4: The Brian Wilson Story

Phil Spector: Murderer. Musical genius. His story is told from the perspective of those who knew him best, his famous so-called friends. Blood On The Tracks is part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, the host of the award winning music and true crime podcast, DISGRACELAND, featuring the fictionalized voices of Lenny Bruce, Ronnie Spector, Ike Turner, Debbie Harry and more. Just like Phil Spector, this podcast sounds like nothing you’ve heard before. Because you can’t push the needle into the red, without leaving a little blood on the tracks. Blood On The Tracks launches August 12, 2020 and will be released weekly on Wednesdays. This podcast is explicit and features adult content.

 
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Blood on the Tracks: The Phil Spector Story Trailer

Phil Spector’s own personal Socrates, Lenny Bruce, reminisces on the unforgettable time he spent with the Tycoon of Teen. Lenny’s tales involve censorship and the long arm of Johnny Law, Frank Zappa and Merv Griffin, and family secrets revealed after late night deli runs. All this and more in the season one premiere of Blood on the Tracks.

 
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The Phil Spector Story, Chapter One: Phil Spector and Lenny Bruce

Leader of the Ronettes, voice behind “Be My Baby,” and the former wife of Phil Spector, Ronnie Spector peels back the curtain to expose the darker side of one of the most infamous couples of the 1960s. Ronnie’s life with Phil takes a nosedive from rubbing elbows with The Beatles and The Rolling Stones to being held prisoner in her own house.

 
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The Phil Spector Story, Chapter Two: Phil Spector and Ronnie Spector

The Rolling Stones’ bad boy guitarist dishes deep on his love for Ronnie Bennett, as well as the lengths he went to in order to keep it a secret from the jealous Phil Spector. In addition to his stories about secret trysts, Keith talks X-rated recording sessions, American cops with itchy trigger fingers, and the wrath of Phil Spector.

 
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The Phil Spector Story, Chapter Three: Phil Spector and Keith Richards

Ike Turner goes deep about getting high, about his myriad marriages and drug busts, and about his tempestuous relationship with ex-wife Tina Turner. Game recognizes game when his path crosses Phil Spector’s, and the two engage in a shady tête-à-tête that ends in arson, narcs, and the SWAT team.

 
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The Phil Spector Story, Chapter Four: Phil Spector and Ike Turner

Leonard Cohen recalls his time with Phil Spector as a time of great confusion and soul searching. It’s also a time of bad omens, punctuated by being held against his will and being held at gunpoint. Despite cameos by Bob Dylan and Allen Ginsberg, and trips to islands off the coast of Greece and Zen retreats in California, Leonard’s memories keep coming back to one word: guns.

 
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The Phil Spector Story, Chapter Five: Phil Spector and Leonard Cohen

Debbie Harry, Blondie frontwoman and siren of the ‘70s NYC punk scene, talks about making the jump from the Big Apple to the City of Angels, with stops at The Whisky, KROQ, American Bandstand, and, of course, Phil Spector’s mansion. Her story is also The Ramones’ story, and both the beauty and the beasts share the good, the bad, and the downright weird in their tales of working with pop music’s most reclusive and abusive record producer.

 
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The Phil Spector Story, Chapter Six: Phil Spector and Debbie Harry

From Let It Be to Imagine to an infamous “lost weekend” in Los Angeles, no Beatle had more face time with Phil Spector than John Lennon. John reminisces on being drunkenly tied to a bed, having a gun fired at him in the studio, and lawyering up simply to get his own session tapes back. Every crazy story has the same crazy common denominator: Phil Spector. 

 
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The Phil Spector Story, Chapter Seven: Phil Spector and John Lennon

Darlene Love was the anonymous voice behind many of Phil Spector’s earliest chart-topping teenage pop symphonies; songs like “He’s a Rebel” and “He’s the Boy I Love” bear Darlene’s uncredited but unmistakable vocal. Darlene talks about how she struggled to pull herself out of anonymity and into the spotlight, but how every attempt was thwarted by the same person behind the recording console: Phil Spector. Darlene’s story is a story about the battle for legacy in the face of a madman’s oppression.

 
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The Phil Spector Story, Chapter Eight: Phil Spector and Darlene Love

Actress Lana Clarkson meets Phil Spector for the first and last time on a fateful and fatal night in February 2003. She doesn’t know who he is, but is gradually charmed by the stories he tells about The Beatles, The Righteous Brothers, Tina Turner, The Ramones, Elvis Presley, and more. When they end up at Spector’s Alhambra castle, a tipsy night of good fun quickly devolves into a deadly night of head games and murderous mischief.

 
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The Phil Spector Story, Chapter Nine: Phil Spector and Lana Clarkson

To settle a copyright lawsuit, John Lennon begins a disastrous recording project with one of the most disastrous producers in the biz: Phil Spector. The former “tycoon of teen” attempts to helm John’s rock ‘n roll covers album in Los Angeles, which quickly devolves into drunken hijinks, all while a threatening music executive presents serious challenges. Plus, Spector reveals the reason why John and Yoko wanted to be in the United States in the first place – and it’s not what you think.

For more info on BLOOD ON THE TRACKS and other great shows, visit the Double Elvis website and follow Double Elvis on Twitter and Instagram.

 
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John Lennon & Phil Spector (The John Lennon Story, Chapter 3)

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