M’usa, con l’apostrofo. Le donne di PicassoLetizia Bravi
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On its 70th Anniversary, what does Rebel Without a Cause (1955) teach us about ourselves today? Within its central conflict, it presents the age-old problem of “fitting in” and defining yourself, a common challenge that echoes across the decades. Will Jim and A.Ron be able to relate to Nicholas Ray’s classic film? Does James Dean speak to us today as he did with audiences of previous generations?
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