M’usa, con l’apostrofo. Le donne di PicassoLetizia Bravi
The film, adapted from Garrard Conley’s memoir, is both efficient and effective. What I liked best about Boy Erased is that the film is driven by empathy. There are no outsized villains here – even Victor Sykes, played nicely by Edgerton himself, the bulldozer who runs the therapy program, has texture.