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BBC Radio 4


Director of the British Museum, Neil MacGregor, narrates 100 programmes that retell humanity's history through the objects we have made.


A History of the World in 100 Objects

The Director of the British Museum, Neil MacGregor, retells the history of human development from the first stone axe to the credit card using 100 selected objects from the Museum. His history will cover two million years and include items that were made in every part of the globe. But his journey begins when, at the age of eight, he visited the British Museum for the first time and came face-to-face with an object that fascinated and intrigued him ever since - an Egyptian mummy.

Hornedjitef was a priest who died around 2250 years ago, and he designed a coffin that, he believed, would help him navigate his way to the afterlife. Little did he know that this afterlife would be as a museum exhibit in London. This ornate coffin holds secrets to the understanding of his religion, society and Egypt's connections to the rest of the world.

Neil MacGregor tells the story of Hornedjitef's mummy case, with contributions from egyptologist John Taylor, Egyptian author Ahdaf Soueif and Indian economist and Nobel Prize winner Amartya Sen

Mummy of Hornedjitef

The Director of the British Museum, Neil MacGregor, retells the history of human development from the first stone axe to the credit card, using 100 selected objects from the Museum. In this programme, Neil goes back two million years to the Rift Valley in Tanzania, where a simple chipped stone marks the emergence of modern humans.

One of the characteristics that mark humans out from other animals is their desire for, and dependency on, the things they fashion with their own hands. This obsession has long roots and, in today's programme, Neil introduces one of the earliest examples of human ingenuity. Faced with the needs to cut meat from carcasses, early humans in Africa discovered how to shape stones into cutting tools. From that one innovation, a whole history human development springs.

Neil MacGregor tells the story of the Olduvai stone chopping tool, with contributions from Sir David Attenborough and African Nobel Prize winner Dr Wangari Maathai

Olduvai Stone Chopping Tool

The Director of the British Museum, Neil MacGregor, retells two million years of history of human development through the objects it has produced. This programme follows early humans as they slowly begin to move beyond their African homeland taking with them one essential item - a handaxe.

In the presence of the most widely used tool humans have created, Neil sees just how vital to our evolution this sharp, ingenious implement was and how it allowed the spread of humans across the globe.

Today Neil MacGregor tells the story of the handaxe, with contributions from designer Sir James Dyson and archaeologist Nick Ashton

Olduvai Handaxe

The Director of the British Museum, Neil MacGregor, retells the history of human development from the first stone axe to the credit card using 100 selected objects from the Museum. Today Neil has chosen an object found in France, dating back 13,000 years. It is a carving of two swimming reindeer and it's not just the likeness that is striking. The creator of this carving was one of the first humans to express their world through art. But why did they do it? 

Neil MacGregor tells the story of the Swimming Reindeer, and its place in the history of art and religion with contributions from the Archbishop of Canterbury Dr Rowan Williams and archaelogist Professor Steven Mithen.

Producer: Anthony Denselow

Swimming Reindeer

The Director of the British Museum, Neil MacGregor, retells the history of human development from the first stone axe to the credit card using 100 selected objects from the Museum. In this programme, Neil describes an object that dates from the earliest settlement of North America, around 13,000 years ago. It's a deadly hunting weapon, used by the first inhabitants of the Americas.

This sharp spearhead lets us understand how humans spread across the globe. By 11,000 BC humans had moved from north east Asia into the uninhabited wilderness of north America; within 2000 years they had populated the whole continent. How did these hunters live? And how does their Asian origin sit with the creation stories of modern day Native Americans?

Neil MacGregor tells the story of the Clovis Point, with contributions from Michael Palin and American archaeologist Gary Haynes

Clovis Spear Point

Neil MacGregor continues his retelling of human history using 100 selected objects from the British Museum. This week he explores the profound changes that humans experienced at the end of the Ice Age. By this period, humanity is reconsidering its place in the world and turning its attention to food, power, worship, and human relationships.

But then, as now, one of the most important parts of human existence was finding enough food to survive. Taking a pestle from Papua New Guinea as an example, Neil asks why our ancestors decided to grow and cook new foods. The answer provides us with a telling insight into the way early humans settled on the land. Becoming farmers and eating food that was harder for other animals to digest made us a formidable force in the food chain. The impact on our environment of this shift to cookery and cultivation is still being felt.

Neil is joined by Indian food writer Madhur Jaffrey, campaigner Sir Bob Geldof and archaeologist Professor Martin Jones

Bird-shaped Pestle

The British Museum's Director, Neil MacGregor, investigates a palm-sized stone sculpture that was found near Bethlehem. It clearly shows a couple entwined in the act of love. The contemporary sculptor Marc Quinn responds to the stone as art and the archaeologist Dr Ian Hodder considers the Natufian society that produced it. What was human life and society actually like all those years ago? Possibly a lot more sophisticated than we imagine!

Ain Sakri Lovers Figuerine

Neil MacGregor, in his history of mankind as told through objects at the British Museum, selects four miniature clay cows to show the major changes that early man was undergoing at the end of the Ice Age. These four frail looking cows were made from Nile mud in Egypt 5,500 years ago, way before the time of the pyramids or the pharaohs. Why did the Egyptians start burying objects like this one with their dead? Neil goes in search life and death on the Nile and discovers how the domestication of cattle made the humble cow transformed human existence.

Egyptian Clay Model of Cattle

This week Neil MacGregor is exploring the growing importance of agriculture around the world at the end of the Ice Age, with objects that show and celebrate the key elements of the time; power, sex, worship and food. Today the series focuses on the world of the Mayan civilisation and a stone Maize God, discovered on the site of a major Mayan city in present-day Honduras. This large statue is wearing a headdress in the shape of a giant corn cob. 

Maize was not only worshipped at that time but the Maya also believed that all their ancestors were descended from maize. Neil MacGregor reveals why maize, which is notoriously difficult to refine for human consumption, becomes so important to the emerging agriculture of the region. 

Neil is joined by the anthropologist Professor John Staller and the restaurateur Santiago Calva who explain the complexity of Mayan mythological belief and the ongoing power of maize in Central America today

Maya Maize God Statue

A History of the World told through 100 objects from the British Museum moves to Japan and the story of a 7,000-year-old clay pot which has managed to remain almost perfectly intact. Pots began in Japan around 17000 years ago and, by the time this pot was made, had achieved a remarkable sophistication. 

Neil MacGregor, Director of the British Museum, explores the history of this cooking pot and the Jomon; the hunter-gatherer society that made it. The archaeologists Professor Takashi Doi and Simon Kaner describe the significance of agriculture to the Jomon and the way in which they made their pots and used decorations from the natural world around them. This particular pot is remarkable in that it was lined with gold leaf in perhaps the 18th century and used in that quintessentially Japanese ritual, the tea ceremony. This simple clay object makes a fascinating connection between the Japan of today and the emerging world of people in Japan at the end of the Ice Age

Jomon Pot

This week the history of the world as told through one hundred objects is looking at how the world's great religions began trying to find the perfect way to visually express the divine, less than 2000 years ago. 

Today, Neil MacGregor looks at how a stone sculpture from modern day Pakistan can tell us about how Buddhism set about creating the classic image to represent the real life Buddha who lived and roamed around North India in the 5th Century BC. It was not until over five hundred years later when the classic seated image of the Buddha was first formulated. Before then the Buddha was represented only by symbols. How did the Buddha image come about and why do we need such images? The Dalai Lama's official translator, Thupten Jinpa, and the historian Claudine Bautze-Picron help explain.

Producer: Anthony Denselow

Seated Buddha from Gandhara

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